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There have been many books written about Johnny Cash, but The Man in Song is the first to examine Cash’s incredible life through the lens of the songs he wrote and recorded. Music journalist and historian John Alexander has drawn on decades of studying Cash’s music and life, from his difficult depression-era Arkansas childhood through his death in 2003, to tell a life story through songs familiar and obscure. In discovering why Cash wrote a given song or chose to record it, Alexander introduces readers anew to a man whose primary consideration of any song was the difference music makes in people’s lives, and not whether the song would become a hit. The hits came, of course. Johnny Cash sold more than fifty million albums in forty years, and he holds the distinction of being the only performer inducted into the Rock and Roll Hall of Fame, the Country Music Hall of Fame, the Songwriters Hall of Fame, and the Gospel Music Hall of Fame. The Man in Song connects treasured songs to an incredible life. It explores the intertwined experience and creativity of childhood trauma. It rifles through the discography of a life: Cash’s work with the Tennessee Two at Sam Phillips’s Sun Studios, the unique concept albums Cash recorded for Columbia Records, the spiritual songs, the albums recorded live at prisons, songs about the love of his life, June Carter Cash, songs about murder and death and addiction, songs about ramblers, and even silly songs. Appropriate for both serious country and folk music enthusiasts and those just learning about this musical legend, The Man in Song will appeal to a fan base spanning generations. Here is a biography for those who first heard “I Walk the Line” in 1956, a younger generation who discovered Cash through songs like his cover of Trent Reznor’s “Hurt,” and everyone in between.
The heart of Smith's well-researched, meticulously assembled discography is the detailed chronology of every Cash recording date through April 1984. Information given includes session date, location, musicians, producer, songs recorded (including takes), songwriter and release history. Scholarly notes aid the user in tracing retitled or redone versions of the same song. There are separate indexes for U.S., European, and bootleg releases; a song title index; and a listing of the songs Cash performed on his ABC television series. Superbly done; for appropriate research collections. Library Journal
The national bestseller celebrated as "the ultimate Johnny Cash biography . . . Rock writer great Robert Hilburn goes deep." -- Rolling Stone In this, the definitive biography of an American legend, Robert Hilburn conveys the unvarnished truth about a musical superstar. Johnny Cash's extraordinary career stretched from his days at Sun Records with Elvis Presley and Jerry Lee Lewis to the remarkable creative last hurrah, at age 69, that resulted in the brave, moving "Hurt" video. As music critic for the Los Angeles Times, Hilburn knew Cash throughout his life: he was the only music journalist at the legendary Folsom Prison concert in 1968, and he interviewed both Cash and his wife June Carter just months before their deaths. Drawing upon a trove of never-before-seen material from the singer's inner circle, Hilburn creates an utterly compelling, deeply human portrait of a towering figure in country music, a seminal influence in rock, and an icon of American popular culture. Hilburn's reporting shows the astonishing highs and deep lows that marked the journey of a man of great faith and humbling addiction who throughout his life strove to use his music to lift people's spirits.
Smith presents information about Cash's repertoire indexed by song title. Over 2,600 entries provide information pertaining to composer, producers, recording locations, dates of sessions (including any and all overdub sessions), personnel, and release dates for singles, extended-play and long-play albums, and CDs. Over 220 albums and CDs are listed.
A continuation of the 40-year recording career of one of the most popular country music performers of our time, this second volume (the first published by Greenwood in 1985) follows Johnny Cash's recording activity from 1984 through 1993. New to this volume are the Billboard Chart Listings, which follow the popularity of any one Cash release, and the combined Sessions Index for 1954 through 1993. An Appendix details several pre-1984 sessions not contained in the first volume. The index serves as a quick cross-reference of song titles, musicians, composers, producers, and studio locations. This volume is designed so that each section will complement and act as a cross-reference to the others. For example, the Sessions section will give session date, location, list of musicians, producers, composers, song titles, and first release information, as it pertains to singles, albums, and CDs. Then follows a Releases section, which gives a wider view as to the number of releases and contents. This listing will include domestic as well as foreign issues. The Billboard Chart Listings chapter is a tool for following the popularity of a single and/or album (CD) on both the Pop and Country charts week by week. Appendix B is an alphabetical listing of all singles and albums (CD) that have appeared on the Billboard charts from 1954 through 1993, making it easy to locate a certain entry in the listings section. The Sessions Index includes sessions from the 1985 volume as well as those pre-1984 sessions from Appendix A. The two volumes serve as a 40-year history for music historians, students of country music, and fans of Johnny Cash.
A leading historian argues that Johnny Cash was the most important political artist of his time Johnny Cash was an American icon, known for his level, bass-baritone voice and somber demeanor, and for huge hits like “Ring of Fire” and “I Walk the Line.” But he was also the most prominent political artist in the United States, even if he wasn’t recognized for it in his own lifetime, or since his death in 2003. Then and now, people have misread Cash’s politics, usually accepting the idea of him as a “walking contradiction.” Cash didn’t fit into easy political categories—liberal or conservative, Republican or Democrat, hawk or dove. Like most people, Cash’s politics were remarkably consistent in that they were based not on ideology or scripts but on empathy—emotion, instinct, and identification. Drawing on untapped archives and new research on social movements and grassroots activism, Citizen Cash offers a major reassessment of a legendary figure.
This title offers a superb investigation of what is arguably Johnny Cash's greatest album, focusing on his enduring mythology. When Johnny Cash signed to Rick Rubin's record label in 1993, he was a country music legend who, like his fellow Highwaymen Willie, Waylon and Kris, remained a fondly regarded yet completely marginalized Nashville figure, unheard on the radio and unseen on the charts. Cash's odyssey from oldies act to folk hero pivots on his first American Recordings album, a document of almost unbearable solitude and directness. It is a singular record, an instance in which a musical giant has been granted a kind of midnight reprieve, a chance to regain and renew his legend. Tony Tost illuminates the ways in which American Recordings is the crossroads where cultural, spiritual and mythic archetypes come together in the figure of The Man in Black. Ultimately, this is a guidebook to myth and mystery, a means of apprehending the stark beauty of Cash's greatest record, the sound of a man alone and fighting for his soul, one song at a time.
A Heartbeat and a Guitar tells of the collaboration of two distinct yet connected musicians--iconoclast Johnny Cash and pioneering folk artist Peter La Farge-- Bitter Tears: Ballads of the American Indian, the album that influenced the likes of Bruce Springsteen and Bob Dylan. In this intimate portrayal of the two musicians, D'Ambrosio interviewed surviving members of Cash's band, his producers, and admirers Pete Seeger and Kris Kristofferson. He renders a dramatic picture of both an era of radical protest and the making of one of the most controversial and enduring works of political pop art of the 1960s. A Heartbeat and a Guitar is the inspiration for the new album "Look Again to the Wind: Johnny Cash's Bitter Tears revisited" featuring a collective of top Americana artists including Emmylou Harris, Steve Earle, Gillian Welch, and Kris Kristofferson.
(Piano/Vocal/Guitar Artist Songbook). This powerful, posthumous release is the coda in the acclaimed American series featuring the legendary Johnny Cash produced by Rick Rubin. Its 12 sadly beautiful tracks include two Cash originals "Like the 309," the last song he ever wrote, and "I Came to Believe," plus covers such as: Four Strong Winds * God's Gonna Cut You Down * I'm Free from the Chain Gang Now * If You Could Read My Mind * Love's Been Good to Me * and more.
"Saints and sinners, all jumbled up together." That's the genius of Johnny Cash, and that's what the gospel is ultimately all about. Johnny Cash sang about and for people on the margins. He famously played concerts in prisons, where he sang both murder ballads and gospel tunes in the same set. It's this juxtaposition between light and dark, writes Richard Beck, that makes Cash one of the most authentic theologians in memory. In Trains, Jesus, and Murder, Beck explores the theology of Johnny Cash by investigating a dozen of Cash's songs. In reflecting on Cash's lyrics, and the passion with which he sang them, we gain a deeper understanding of the enduring faith of the Man in Black.