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The development of Chinese furniture peaked during the Ming dynasty. In late Ming, lacquer furniture was in common use, but hardwood was much more sought-after as the nation craved antique design. the Lu Ming Shi colection of Mr. Philippe De Backer, showcased here, contains a vast number of ming hardwood pieces. The collection covers virtually the full rangeof classical Chinese furniture.
Lots 263-295 feature pictures, drawings and prints of portraits, Chinese landscapes, and paintings of the Waterfront Canton showing foreign factories in China.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
This volume presents the amazing Lu Ming Shi Collection, which comprises 71 examples of huanghuali and zitan furniture and scholar's objects. Together they represent the golden age of Chinese furniture design. Beautifully illustrated, each piece is described by Grace Wu Bruce, with a preface by Jean-Paul Desroches and an essay 'Collecting or the Passion of a Private Obsession: A Commentary on the Lu Ming Shi Collection' by Philippe De Backer.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.