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Irish step dance takes a deadly turn in this Celtic cozy series debut, perfect for fans of Carlene O’Connor and Paige Shelton. Single-mom and police chief’s daughter Kate Buckley is all about family. After she receives an urgent text from her younger sister Colleen, she puts her life on hold and rushes to her Irish-themed hometown of Shamrock, Massachusetts, where her family owns and operates a bed and breakfast. With her two daughters in tow, she’s ready to fight if it means she can help her charming but hapless sibling. When they arrive, Colleen claims it was all a misunderstanding. But everything changes in an Irish minute when Colleen’s best friend, Deirdre, a dance show star, is found dead in the parish hall. With the discovery of a possible witness, a chilling motive, and a wee bit of incriminating evidence, Colleen quickly becomes a person of interest in Deirdre’s murder. Convinced her sister isn't a killer, Kate is determined to clear Colleen’s name. As Kate investigates, Colleen takes charge of Shamrock’s popular Irish dance show in honor of her late friend—with disastrous results. With the St. Patrick’s Week festivities in full swing, Kate must catch the killer before the celebrations are ruined and her sister’s Irish luck runs out.
Race and racism have played a significant role in the rise and fall of America. In The Jig is Up: We Are One!, author and educator Johnnie P. Mitchell details how the man-made concept of race is a hoax that is destroying American education and presents a plan to restart education in America. Based on more than twenty-five years of research, The Jig is Up: We Are One!: - Chronicles the history of race to justify slavery - Presents ten lessons of how race was constructed - Shows how race has been used to take America to greatness for the benefits of white people on the backs of blacks - Narrates how the "jig is up" and shows how Americans must face the truth of the past, present, and future - Invites Americans to consider a non-racial America The Jig is Up: We Are One! presents a new paradigm for learning and delivers a call to restart education in America based on teaching and learning and not a bell curve standard to survive and thrive in a smart and successful non-racial America.
Now much revised since its first appearance in 1941, this book, despite its brevity, is notable for its scope and rigor. It provides a single strand of simple techniques for the central business of modern logic. Basic formal concepts are explained, the paraphrasing of words into symbols is treated at some length, and a testing procedure is given for truth-function logic along with a complete proof procedure for the logic of quantifiers. Fully one third of this revised edition is new, and presents a nearly complete turnover in crucial techniques of testing and proving, some change of notation, and some updating of terminology. The study is intended primarily as a convenient encapsulation of minimum essentials, but concludes by giving brief glimpses of further matters.
We all use these expressions to a greater or lesser extent because they are helpful. They constitute a kind of verbal shorthand by which we can express our intentions and our emotions. We are on cloud nine or in the pink. We are under the weather or at sixes and sevens. Sometimes things pan out, or they just aren't up to snuff. We know what we mean when we say these things, but we don't always know what we're talking about. How did these expressions come into the language? What are we really saying when we're happy as a clam or three sheets to the wind? This book intends to give you some of the answers-while at the same time letting you have some fun. Three possible explanations as to origin are given for each commonly used expression. Only one is correct, and a number on the page that follows will tell you which one it is. The other two are simply fabrications, which I made up to confuse you. See if you can figure out which is which. See if you can separate the wheat from the chaff. CFA
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
A Dictionary of Anglo-American Proverbs & Proverbial Phrases Found in Literary Sources of the Nineteenth and Twentieth Centuries is a unique collection of proverbial language found in literary contexts. It includes proverbial materials from a multitude of plays, (auto)biographies of well-known actors like Britain's Laurence Olivier, songs by William S. Gilbert or Lorenz Hart, and American crime stories by Leslie Charteris. Other authors represented in the dictionary are Horatio Alger, Margery Allingham, Samuel Beckett, Lewis Carroll, Raymond Chandler, Benjamin Disraeli, Edward Eggleston, Hamlin Garland, Graham Greene, Thomas C. Haliburton, Bret Harte, Aldous Huxley, Sinclair Lewis, Jack London, George Orwell, Eden Phillpotts, John B. Priestley, Carl Sandburg, Harriet Beecher Stowe, Jesse Stuart, Oscar Wilde, and more. Many lesser-known dramatists, songwriters, and novelists are included as well, making the contextualized texts to a considerable degree representative of the proverbial language of the past two centuries. While the collection contains a proverbial treasure trove for paremiographers and paremiologists alike, it also presents general readers interested in folkloric, linguistic, cultural, and historical phenomena with an accessible and enjoyable selection of proverbs and proverbial phrases.