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Algernon James Pollock's classic volume is an exposition of "types" - people, places, objects, events, offices, activities and institutions - connected with the Tabernacle, the Priesthood, the Offerings and the Feasts (particularly as described in the first five books of the Old Testament) which foreshadow their corresponding New Testament "antitypes" - most particularly Christ Himself. The author wrote in a postscript to the first edition: "The reward of this modest volume will be if it whets the appetite of the reader, leading him to desire to know more of these wondrous subjects. The theme is delightful indeed as it leads the heart into contact with Christ, subduing it by a deepening sense of the meaning of the death of Christ, leading out at the same time the affections of the heart to Him to Whom the believer owes everything for time and eternity." Elsewhere he once wrote: "We appeal to our readers, especially young men and women, to give the Bible a fair trial. Read it, study it, and seek earnestly the truth." The publishers commend this book to you as an aid to such study, confident that as you read, your appreciation will grow of the wonder of the One who is indeed the Tabernacle's true Theme, and is Himself the Truth.
as manifestations of God, the spirits, or the Christ within. Skeptics, on the other hand, have understood them as symptoms of physical disease, mental disorder, group dynamics, or other natural causes. In this sweeping work of religious and psychological history, Ann Taves explores the myriad ways in which believers and detractors interpreted these complex experiences in Anglo-American culture between the mid-eighteenth and early-twentieth centuries. Taves divides the book into three sections. In the first, ranging from 1740 to 1820, she examines the debate over trances, visions, and other involuntary experiences against the politically charged backdrop of Anglo-American evangelicalism, established churches, Enlightenment thought, and a legacy of religious warfare.