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In 1982, a sensational murder trial in Phoenix, Arizona, reverberated throughout the legal community. Restaurateur Steven Steinberg, who killed his wife by stabbing her 26 times, was acquitted; his legal defense portrayed the victim as an overpowering "Jewish American Princess" whose excesses may have provoked her violent end. Examining the structure of the defense's case, Frondorf, an attorney who was previously a psychiatric social worker, follows the theme that made Elana Steinberg the villain, instead of the victim, of the piece. The defense's forensic presentation, bolstered by testimony from psychiatrists, maintained that Steinberg committed the crime while sleepwalking, an abnormality allegedly brought on by the intemperate spending of his wife. Frondorf recreates the trial whose outcome scarred the tightly knit Jewish community of Phoenix.
Essays that discuss the portrayal of Jewish women in American culture.
Continually revised and reinvented, the Jewish Mother archetype becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large.
Her exaggerated coiffure, with its imitation curls and soaped curves that stick out at the side of the head like fantastic gargoyles, is an offense to the eye. Her plated gold jewelry with paste stones reveals its cheapness by its very extravagance. This description of a "ghetto girl" was printed in the American Jewish News in 1918, but with slight variation it might easily be mistaken for a description of our current pernicious and pejorative stereotype of Jewish womanhood, the "JAP." What are the origins of these stereotypes? And even more important, why would an American ethnic group use racist terms to describe itself? Riv-Ellen Prell asks these compelling questions as she observes how deeply anti-Semitic stereotypes infuse Jewish men's and women's views of one another in this history of Jewish acculturation in the twentieth century.
Here is the first volume ever to focus on the issues of Jewish women in the context of counseling and psychotherapy. Through poignant reflection and observation, the authors convey the richness and variety of Jewish women’s experiences and the Jewishness and femaleness of the concerns, issues, values, and attitudes that Jewish women--both clients and therapists--bring into the therapy room. Jewish Women in Therapy is a landmark book in many ways. It calls attention to the historical and political realities of the Jewish heritage and acknowledges the oppression of both Jews and women that therapists have typically ignored. And although Jewish women have participated in the therapeutic process, as clients, scholars, and therapists, seldom have they chosen to write about it. Never before have the writings of so many distinguished leaders in the field, including Melanie Kaye/Kantrowitz, Evelyn Torton Beck, and Susannah Heschel, been compiled. They examine the damaging stereotypes of Jewish women--the Jewish American Princess and the Jewish Mother--that flourish today. Chapters also address the conflicts that many women feel about being Jewish and being female, celebrate the contributions of Jewish women to feminism and to therapy, examine the deliberate omission of women from the political process and the religious ritual, and convey the complexities of the oppression that are still blatantly directed at both Jews and females.
Now hailed as a "proto-feminist classic" (Vulture), Pulitzer Prize winner Herman Wouk's powerful coming-of-age novel about an ambitious young woman pursuing her artistic dreams in New York City has been a perennial favorite since it was first a bestseller in the 1950s. A starry-eyed young beauty, Marjorie Morgenstern is nineteen years old when she leaves home to accept the job of her dreams--working in a summer-stock company for Noel Airman, its talented and intensely charismatic director. Released from the social constraints of her traditional Jewish family, and thrown into the glorious, colorful world of theater, Marjorie finds herself entangled in a powerful affair with the man destined to become the greatest--and the most destructive--love of her life. Rich with humor and poignancy, Marjorie Morningstar is a classic love story, one that spans two continents and two decades in the life of its heroine. "I read it and I thought, 'Oh, God, this is me.'" --Scarlet Johansson
Reunited with her former bunkmates at the centennial of Willow Lake Camp, Ali Cohen, an Oscar-nominated filmmaker--and former camp outcast--plans to make a documentary about her former teenage tormentors at the Jewish girls' camp, but the reunion stirs up old regrets and long-stifled urges. Reprint. 30,000 first printing.
A unique and vibrant portrait of 60 women, which explores how they blend their faith and/or sense of Jewishness with their lives, their families, their expectations, and their commitments. Includes 120 black and white photographs.
We all know the stereotype of the Jewish mother: Hectoring, guilt-inducing, clingy as a limpet. In Mamaleh Knows Best, Tablet Magazine columnist Marjorie Ingall smashes this tired trope with a hammer. Blending personal anecdotes, humor, historical texts, and scientific research, Ingall shares Jewish secrets for raising self-sufficient, ethical, and accomplished children. She offers abundant examples showing how Jewish mothers have nurtured their children’s independence, fostered discipline, urged a healthy distrust of authority, consciously cultivated geekiness and kindness, stressed education, and maintained a sense of humor. These time-tested strategies have proven successful in a wide variety of settings and fields over the vast span of history. But you don't have to be Jewish to cultivate the same qualities in your own children. Ingall will make you think, she will make you laugh, and she will make you a better parent. You might not produce a Nobel Prize winner (or hey, you might), but you'll definitely get a great human being.