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The Jewish presence in northwest Louisiana actually predates the establishment of Shreveport in 1836. From the very beginning, Jews have been part of the city's civic, social, and mercantile life. Pioneer settlers began holding services in private homes in the 1840s, and by 1858 the community was sufficiently large enough to consecrate a Jewish cemetery and the first Jewish benevolent association, a forerunner of today's North Louisiana Jewish Federation. In 1859, the first congregation was founded. In The Jewish Community of Shreveport the rich history of this influential and vibrant citizenry is chronicled by well-known Louisiana historian Eric J. Brock, archivist of Shreveport's B'nai Zion Temple. Nearly 18 decades of Jewish life in Shreveport are depicted in over 200 vintage images, many of which are previously unpublished. Both of the city's synagogues, B'nai Zion and Agudath Achim, are represented, as are many of the rabbis, business leaders, political leaders (including three mayors), and laypeople from the community's long history.
The Jewish presence in northwest Louisiana actually predates the establishment of Shreveport in 1836. From the very beginning, Jews have been part of the city's civic, social, and mercantile life. Pioneer settlers began holding services in private homes in the 1840s, and by 1858 the community was sufficiently large enough to consecrate a Jewish cemetery and the first Jewish benevolent association, a forerunner of today's North Louisiana Jewish Federation. In 1859, the first congregation was founded. In The Jewish Community of Shreveport the rich history of this influential and vibrant citizenry is chronicled by well-known Louisiana historian Eric J. Brock, archivist of Shreveport's B'nai Zion Temple. Nearly 18 decades of Jewish life in Shreveport are depicted in over 200 vintage images, many of which are previously unpublished. Both of the city's synagogues, B'nai Zion and Agudath Achim, are represented, as are many of the rabbis, business leaders, political leaders (including three mayors), and laypeople from the community's long history.
Abstract.
Explores the Southern Jewish experience through a collection of photographs that depict the merging traditions of both cultures.
Details Jewish participation on the Civil War battlefield and throughout the Southern home front In The Jewish Confederates, Robert N. Rosen introduces readers to the community of Southern Jews of the 1860s, revealing the remarkable breadth of Southern Jewry's participation in the war and their commitment to the Confederacy. Intrigued by the apparent irony of their story, Rosen weaves a complex chronicle that outlines how Southern Jews—many of them recently arrived immigrants from Bavaria, Prussia, Hungary, and Russia who had fled European revolutions and anti-Semitic governments—attempted to navigate the fraught landscape of the American Civil War. This chronicle relates the experiences of officers, enlisted men, businessmen, politicians, nurses, rabbis, and doctors. Rosen recounts the careers of important Jewish Confederates; namely, Judah P. Benjamin, a member of Jefferson Davis's cabinet; Col. Abraham C. Myers, quartermaster general of the Confederacy; Maj. Adolph Proskauer of the 125th Alabama; Maj. Alexander Hart of the Louisiana 5th; and Phoebe Levy Pember, the matron of Richmond's Chimborazo Hospital. He narrates the adventures and careers of Jewish officers and profiles the many Jewish soldiers who fought in infantry, cavalry, and artillery units in every major campaign.
This is the first atlas of its kind to document in such great detail the turbulent history of the Jewish people.
A probing biography of world-renowned Jewish singer and actor Al Jolson and the history of his performance in and the making of The Jazz Singer Al Jolson, born Asa Yoelson, immigrated from a shtetl in Lithuania to the United States in 1894 after his father secured a job as a rabbi in Washington, D.C. A poor, Yiddish-speaking newcomer navigating a racially segregated and antisemitic America, young Jolson dreamed of becoming a star, and he did. Thanks to his immense talent and his knack for assimilating into new environments, by the time he reached his twenties he was the most famous and highly paid entertainer in America, making almost $5,000 a week at a time when the average American made $800 a year. Jolson’s public adoration and widespread acceptance as a star marked the beginning of an enriching cultural transformation, a moment when the American mind opened up to ethnic and racial differences, widening the gap of acceptability. And yet Jolson himself, despite being ferociously ambitious and gigantically talented, was crippled by insecurity, often nervous to the point of collapse, prisoner to his many vices. Through Jolson, Bernstein simultaneously breaks open the history and legacy of the cultural sensation The Jazz Singer. Not only was The Jazz Singer the first feature length film with synchronized music and dialogue, but it was also taboo smashing in its content: The Jazz Singer is all about Jews, Orthodox and otherwise. Bernstein expounds on the making of The Jazz Singer, what the film meant then and now, introducing the many individuals involved in its production, including Samson Raphaelson, a young Jewish writer whose short story was the basis for the movie; the four Warner brothers, who made a fortune off it; and George Jessel, Jolson’s rival and the star of Raphaelson's stage adaptation of his short story. In the background emerges a picture of old Hollywood in the Roaring Twenties: cutthroat and greedy yet visionary and progressive. And while The Jazz Singer represented the future in many ways, it also dredged up the worst of the past, including Jolson’s use of blackface, common at the time. At once a tale of the Judaizing of American culture and an acknowledgment of the challenges to come, Only in America is a glistening examination of a man at the center of a watershed moment in the arts.