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A showcase of the most spectacular examples of animal motifs in jewelry by master jewelers from America and Europe.
A showcase of the most spectacular examples of animal motifs in jewelry by master jewelers from America and Europe. The depiction of animals in art goes back to prehistoric cave paintings; and the early history of jewelry, from ancient Egyptian scarabs to Renaissance pendants, shows abundant examples of animal imagery. In the nineteenth century a new group of designers, seeking to satisfy the growing middle class's appetite for jewels, revived the Egyptian and Etruscan styles. Animals of all sorts were incorporated: birds, mammals, insects, reptiles, and fish. Prominent houses such as Fouquet, Fontenay, Falize, Fabergé, and Tiffany all produced a spectacular array of animal jewels that are much prized today. Design developments throughout the twentieth century—Art Nouveau, Art Deco, and those that followed—contributed impressive animal jewelry, from Lalique's intricate insects to Cartier's panthers, from Boucheron and Van Cleef & Arpels to the sophisticated imagery of Verdura. This book examines in detail the denizens of this jeweled menagerie. Great imagination and technical skill have gone into the fashioning of these precious objects, which exhibit not only meticulous craftsmanship but also grace, humor, and refinement.
"Explores the evolution of garden inspired jewelry with 375 full-color photographs from the nineteenth century to present day displaying important pieces from world famous jewelers, including Cartier, Tiffany, Mauboussin, Bulgari, Chanel, and Christian Dior"--Provided by publisher.
Byomkesh Bakshi's appeal as the self-styled inquisitor, a detective not by profession but by passion, has found him a dedicated following among generations of readers. The present collection of stories, all set in Calcutta of the fifties and sixties, brings together four mysteries that put the sleuth's remarkable mental agility to the ultimate test. In The Menagerie (adapted by master film-maker Satyajit Ray for his 1967 film Chiriakhana) Byomkesh cracks a strange case involving broken motor parts, a seemingly natural death and the peculiar inhabitants of Golap Colony who seem capable of doing just about anything to safeguard the secrets of their tainted pasts. In The Jewel Case, he investigates the mysterious disappearance of a priceless necklace, while in The Will That Vanished he solves a baffling riddle to fulfil the last wish of a close friend. And in The Quills of the Porcupine, the shrewd detective is in his element as he expertly foils the sinister plans of a ruthless opportunist. Byomkesh's exploits just as it does Bandyopadhyay's remarkable portrayal of a city struggling to overcome its colonial past and come into its own.
All Atlantis seeks the Jewel of Dunamis, which legend claims can overcome any enemy. Grayson James, human agent of the ultra-secret Otherworld Bureau of Investigation, has orders to keep it from the wrong hands—or destroy it. What he doesn't know is that Jewel is a woman, not a stone! But once he meets this precious gem, destroying her is the last thing on his mind…. Jewel, part goddess, part prophet, is a pawn in Atlantis's constant power struggles. She needs Gray's help to win freedom and uncover the secrets of her mysterious origins. Gray needs her wisdom to navigate monster-ridden Atlantis. But need blossoms into passionate love as they fight demons, dragons, vampires—and a prophecy that says the bond between them could destroy them both.
A richly illustrated volume celebrating Jewish carving traditions from the Old World to the New
Featured in the Netflix series Love, Death & Robots Bestselling author Ken Liu selects his multiple award-winning stories for a groundbreaking collection—including a brand-new piece exclusive to this volume. With his debut novel, The Grace of Kings, taking the literary world by storm, Ken Liu now shares his finest short fiction in The Paper Menagerie and Other Stories. This mesmerizing collection features many of Ken’s award-winning and award-finalist stories, including: “The Man Who Ended History: A Documentary” (Finalist for the Hugo, Nebula, and Theodore Sturgeon Awards), “Mono No Aware” (Hugo Award winner), “The Waves” (Nebula Award finalist), “The Bookmaking Habits of Select Species” (Nebula and Sturgeon Award finalists), “All the Flavors” (Nebula Award finalist), “The Litigation Master and the Monkey King” (Nebula Award finalist), and the most awarded story in the genre’s history, “The Paper Menagerie” (The only story to win the Hugo, Nebula, and World Fantasy awards). Insightful and stunning stories that plumb the struggle against history and betrayal of relationships in pivotal moments, this collection showcases one of our greatest and original voices.
“The peak of my virtuosity was in the one-act plays—like firecrackers in a rope.” —Tennessee Williams This new collection of fantastic, lesser-known one-acts contains some of Williams’s most potent, comical and disturbing short plays?Upper East Side ladies dine out during the apocalypse in Now the Cats With Jeweled Claws, while the poet Hart Crane is confronted by his mother at the bottom of the ocean in Steps Must Be Gentle. Five previously unpublished plays include A Recluse and His Guest, and The Strange Play, in which we witness a woman’s entire life lived within a twenty-four-hour span. This volume is edited, with an introduction and notes, by the editor, acting teacher, and theater scholar Thomas Keith.
The long-overdue, definitive career retrospective of an early-20th-century gag cartoonist. From the 1880s to the Roaring 1920s, Sullivant took to the drawing board and dreamed up all manner of hilarious gag cartoons featuring animals of all stripes, perennial American "types" like hayseeds and hobos, and classic characters from myths and biblical tales. These comics haven’t seen the light of day since their initial appearance in pioneering humor magazines like Puck and Judge over a century ago. Includes essays by John Cuneo, Peter de Seve, Barry Blitt, Steve Brodner, Rick Marshall, Nancy Beiman, and R.C. Harvey, with a foreword by cartoonist Jim Woodring.