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What really happened at the crucifixion? How can one who is immortal die? How can eternity be compressed into six hours? What really held Jesus' body to the cross? Chuck explores the hyper-dimensional aspects of a love letter written in blood on a wooden cross erected in Judea almost two thousand years ago. Dr. Mark Eastman highlights the medical and forensic aspects of the crucifixion.
Old Testament subjects are depicted in 136 works, 24 in full color: the creation, Adam and Eve, Cain and Abel, Hagar in the desert, Job at prayer, more. Captions cite biblical sources. "
The complete American Gods comic book series, adapted by comics legend P. Craig Russell from the New York Times bestselling and award–winning novel by writer Neil Gaiman, in an affordable paperback omnibus edition. Shadow Moon, fresh out of jail, finds his wife dead, his life in shambles, and nowhere to turn. But a chance meeting with the mysterious Mr. Wednesday thrusts him into the center of a conflict between new and old gods, where the future of human and divine life is at stake. The Hugo, Bram Stoker, Locus, World Fantasy, and Nebula award–winning novel and hit Starz television series by NEIL GAIMAN is adapted as a graphic novel! Collecting the complete American Gods comic book series, along with art process features, high res scans of original art, layouts, character designs, and bonus art by Becky Cloonan, Skottie Young, Fabio Moon, Dave McKean, and many more! Collects American Gods: Shadows #1–#9, American Gods: My Ainsel #1–#9, and American Gods: The Moment of the Storm #1–#9.
This text provides a comprehensive and definitive introduction to the literature, cultures, and theologies of the early Jewish and Christian traditions. Designed to be read with selected passages from the Bible and the Apocrypha, An Introduction to the Bible offers essential information to students with little or no experience in the academic study of religion. It will help students gain a solid background for future work in biblical studies. The revised edition includes information regarding new directions in biblical studies, a revised bibliography, and a subject index - as well as maps, charts and photographs. "This volume is pedagogically self-aware. Here speak teachers who live close to the teaching environment. The narrative account of a great deal of material is patient, attentive to detail, willing to pause to provide small instructional clues, all the time keeping the big picture in focus. This second edition of the book attests both to the vitality of its authors and to the positive reception the book has already enjoyed. Given the large cultural crisis upon us, such instruction in a context that reaches beyond 'the choir' is welcome and enormously important. Clear, well organized, up to date, and reflective of reliable scholarly consensus. Most important, I suspect, is the likelihood that its student-users will sign up for more scripture study....[The book] will help students generate not only a beginning with the Bible, but a long-term interest." --Walter Brueggemann, Columbia Theological Seminary, Decatur, Georgia. "As most instructors of introductory survey courses in biblical studies will attest, finding a suitable textbook can be quite a challenge. The revised edition of An Introduction to the Bible marks a strong contribution to the field. It is a well-structured, clearly written textbook. The authors incorporate many of the newest discussions regarding the formation and subsequent understandings of both the Hebrew Bible and the New Testament. Students using this book will be exposed to the rich content of ancient Near Eastern studies. They will also find themselves challenged to read these classical texts using some of the most recent hermeneutic arguments in circulation....An Introduction to the Bible provides an excellent entry point for a critical approach to the sacred texts of Judaism and Christianity."---C. Shaun Longstreet, Texas A&M University, excerpted from the Review of Biblical Literature, August 2003.
In this provocative work, which could not be timelier, Garry Wills, one of our country's most noted writers and historians, offers a powerful statement of his Catholic faith. Beginning with a reflection on his early experience of that faith as a child and later as a Jesuit seminarian, Wills reveals the importance of Catholicism in his own life. He goes on to challenge, in clear and forceful terms, the claim that criticism or reform of the papacy is an assault on the faith itself. For Wills, a Catholic can be both loyal and critical, a loving child who stays with his father even if the parent is wrong. Wills turns outward from his personal experiences to present a sweeping narrative covering two thousand years of church history, revealing that the papacy, far from being an unchanging institution, has been transformed dramatically over the millennia -- and can be reimagined in the future. At a time when the church faces one of its most difficult crises, Garry Wills offers an important and compelling entrée into the discussion of the church's past -- and its future. Intellectually brisk and spiritually moving, Why I Am a Catholic poses urgent questions for Catholic and non-Catholic readers alike.
The landmark text about the inner workings of the unconscious mind—from the symbolism that unlocks the meaning of our dreams to their effect on our waking lives and artistic impulses—featuring more than a hundred images that break down Carl Jung’s revolutionary ideas “What emerges with great clarity from the book is that Jung has done immense service both to psychology as a science and to our general understanding of man in society.”—The Guardian “Our psyche is part of nature, and its enigma is limitless.” Since our inception, humanity has looked to dreams for guidance. But what are they? How can we understand them? And how can we use them to shape our lives? There is perhaps no one more equipped to answer these questions than the legendary psychologist Carl G. Jung. It is in his life’s work that the unconscious mind comes to be understood as an expansive, rich world just as vital and true a part of the mind as the conscious, and it is in our dreams—those personal, integral expressions of our deepest selves—that it communicates itself to us. A seminal text written explicitly for the general reader, Man and His Symbolsis a guide to understanding the symbols in our dreams and using that knowledge to build fuller, more receptive lives. Full of fascinating case studies and examples pulled from philosophy, history, myth, fairy tales, and more, this groundbreaking work—profusely illustrated with hundreds of visual examples—offers invaluable insight into the symbols we dream that demand understanding, why we seek meaning at all, and how these very symbols affect our lives. By illuminating the means to examine our prejudices, interpret psychological meanings, break free of our influences, and recenter our individuality, Man and His Symbols proves to be—decades after its conception—a revelatory, absorbing, and relevant experience.
From the late fifteenth to the nineteenth centuries, the Hispanic Monarchy was one of the largest and most diverse political communities known in history. At its apogee, it stretched from the Castilian plateau to the high peaks of the Andes; from the cosmopolitan cities of Seville, Naples, or Mexico City to Santa Fe and San Francisco; from Brussels to Buenos Aires and from Milan to Manila. During those centuries, Spain left its imprint across vast continents and distant oceans contributing in no minor way to the emergence of our globalised era. This was true not only in an economic sense-the Hispano-American silver peso transported across the Atlantic and the Pacific by the Spanish fleets was arguably the first global currency, thus facilitating the creation of a world economic system-but intellectually and artistically as well. The most extraordinary cultural exchanges took place in practically every corner of the Hispanic world, no matter how distant from the metropolis. At various times a descendant of the Aztec nobility was translating a Baroque play into Nahuatl to the delight of an Amerindian and mixed audience in the market of Tlatelolco; an Andalusian Dominican priest was writing the first Western grammar of the Chinese language in Fuzhou, a Chinese city that enjoyed a trade monopoly with the Spanish Philippines; a Franciscan friar was composing a piece of polyphonic music with lyrics in Quechua to be played in a church decorated with Moorish-style ceilings in a Peruvian valley; or a multi-ethnic team of Amerindian and Spanish naturalists was describing in Latin, Spanish and local vernacular languages thousands of medicinal plants, animals and minerals previously unknown to the West. And, most probably, at the same time that one of those exchanges were happening, the members of the School of Salamanca were laying the foundations of modern international law or formulating some of the first modern theories of price, value and money, Cervantes was writing Don Quixote, Velázquez was painting Las Meninas, or Goya was exposing both the dark and bright sides of the European Enlightenment. Actually, whenever we contemplate the galleries devoted to Velázquez, El Greco, Zurbarán, Murillo or Goya in the Prado Museum in Madrid; when we visit the National Palace in Mexico City, a mission in California, a Jesuit church in Rome or the Intramuros quarter in Manila; or when we hear Spanish being spoken in a myriad of accents in the streets of San Francisco, New Orleans or Manhattan we are experiencing some of the past and present fruits of an always vibrant and still expanding cultural community. As the reader can infer by now, this book is about how Spain and the larger Hispanic world have contributed to world history and in particular to the history of civilisation, not only at the zenith of the Hispanic Monarchy but throughout a much longer span of time.