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What if preachers were as contagiously joyful in their preaching as Louis Armstrong was in his playing and singing? As rich in their sermonic renderings as Sarah Vaughan was in her musical vocals? As honest about heartache as Billie Holiday was every time she sang about the blues of life? As alluringly clear as the angelic voice of Ella Fitzgerald? As tenaciously uninhibited in the action of creating as Duke Ellington? Of course, this is too much to ask of people, even those called by God. However, it is not too much to ask this question: Can preaching be enhanced through the metaphor of jazz? Can an understanding of the inner dynamics of jazz--its particular forms, rules, and styles--inform one's practice of preaching as well? Can jazz's simultaneous structure and spontaneity help preachers better understand their own art? The answer to these questions, says Jones, is an unqualified yes. He explains how one can dramatically improve one's preaching through understanding and applying key elements of the musical art form known as jazz. No musical background is necessary; all examples are well explained and tied in with preaching. The key elements include innovation (what one commentator refers to as "the experimental disposition of jazz"), improvisation, rhythm, call and response, honesty about heartaches, and delight. After discussing the reality and role of each of these elements in jazz, and how they can be important for preaching as well, each chapter concludes with five exercises for applying the jazz element to preaching preparation and performance. Drawing on a deep love of jazz and enlivening the discussion with insights drawn from the realities of African American preaching, Jones introduces readers to rich and rewarding possibilities for constructing and delivering the sermon.
This contemporary classic gets a limited edition makeover with movie art and a new preface from Donald Miller. In print for nearly a decade, Blue Like Jazz has earned a coveted spot on readers' shelves and in their hearts. Many have said that Donald Miller expressed exactly what they were feeling but couldn't find the words to say themselves. In this landmark book that changed what people expected from Christian writers, that changed what people needed for their spiritual journeys, Donald Miller takes readers through a real life striving to understand relationship with God. Heartwarming and hilarious, poignant and unexpected, Blue Like Jazz has become a contemporary classic. For anyone wondering if the Christian faith is still relevant in a postmodern culture, thirsting for a genuine encounter with a God who is real, or yearning for a renewed sense of passion in life . . . Blue Like Jazz is a fresh and original perspective on life, love, and redemption.
With enthusiasm and intelligence, professor Robert Smith steps up the interest in doctrinal preaching and teaching with Doctrine That Dances.
Preaching and music are both regular elements of Christian worship, yet they often don't interact or inform each other in meaningful ways. Theologian, pastor, and musician Noel A. Snyder considers how preaching that seeks to engage hearts and minds might be helpfully informed by musical theory—so that preachers might craft sermons that sing.
The overlooked African American religious history of the phonograph industry Winner of the 2015 Frank S. and Elizabeth D. Brewer Prize for outstanding scholarship in church history by a first-time author presented by the American Society of Church History Certificate of Merit, 2015 Award for Excellence in Historical Recorded Sound Research presented by the Association for Recorded Sound Collections From 1925 to 1941, approximately one hundred African American clergymen teamed up with leading record labels such as Columbia, Paramount, Victor-RCA to record and sell their sermons on wax. While white clerics of the era, such as Aimee Semple McPherson and Charles Fuller, became religious entrepreneurs and celebrities through their pioneering use of radio, black clergy were largely marginalized from radio. Instead, they relied on other means to get their message out, teaming up with corporate titans of the phonograph industry to package and distribute their old-time gospel messages across the country. Their nationally marketed folk sermons received an enthusiastic welcome by consumers, at times even outselling top billing jazz and blues artists such as Bessie Smith and Ma Rainey. These phonograph preachers significantly shaped the development of black religion during the interwar period, playing a crucial role in establishing the contemporary religious practices of commodification, broadcasting, and celebrity. Yet, the fame and reach of these nationwide media ministries came at a price, as phonograph preachers became subject to the principles of corporate America. In Preaching on Wax, Lerone A. Martin offers the first full-length account of the oft-overlooked religious history of the phonograph industry. He explains why a critical mass of African American ministers teamed up with the major phonograph labels of the day, how and why black consumers eagerly purchased their religious records, and how this phonograph religion significantly contributed to the shaping of modern African American Christianity. Instructor's Guide
Through its shocking incongruities and transgressive forms, the grotesque offers an intriguing lens for exploring the scandal of the gospel and the challenges of Christian preaching. Drawing on diverse sources—from Swedish crime fiction and contemporary poetry to James Cone, Harriet Beecher Stowe, and Pussy Riot—this book will examine the theological, homiletical, and social implications of a grotesque gospel for contemporary preachers. The book focuses on three aspects of preaching and the grotesque: (1) the ways in which a grotesque gospel unsettles the preacher and challenges the "false patterns" that often shape Christian preaching; (2) the importance and challenges of resisting the weaponized grotesque, which dehumanizes people and furthers the power of dominant groups; (3) the incarnate Word as the carnivalesque, grotesque body of Jesus, which calls the church to become the porous and inclusive body of Christ. The Scandal of the Gospel is the written adaptation of Yale Divinity School's Beecher Lectures, given by Charles Campbell in 2018. The last chapter, "Preaching and the Environmental Grotesque," is a new addition.
"Can preaching recover a Blues sensibility and dare speak with authority in the midst of tragedy? America is living stormy Monday, but the pulpit is preaching happy Sunday. The world is experiencing the Blues, and pulpiteers are dispensing excessive doses of non-prescribed prosaic sermons with severe ecclesiastical and theological side effects." â€"from chapter 1 Uniquely gifted preacher Otis Moss III helps preachers effectively communicate hope in a desperate and difficult world in this new work based on his 2014 Yale Lyman Beecher Lectures. Moss challenges preachers to preach with a "Blue Note sensibility," which speaks directly to the tragedies faced by their congregants without falling into despair. He then offers four powerful sermons that illustrate his Blue Note preaching style. In them, Moss beautifully and passionately brings to life biblical characters that speak to today's pressing issues, including race discrimination and police brutality, while maintaining a strong message of hope. Moss shows how preachers can teach their congregations to resist letting the darkness find its way into them and, instead, learn to dance in the dark.
A New York Times Best Illustrated Book Critically acclaimed author Jabari Asim and Caldecott Honor-winning illustrator E. B. Lewis give readers a fascinating glimpse into the boyhood of Civil Rights leader John Lewis. John wants to be a preacher when he grows up—a leader whose words stir hearts to change, minds to think, and bodies to take action. But why wait? When John is put in charge of the family farm’s flock of chickens, he discovers that they make a wonderful congregation! So he preaches to his flock, and they listen, content under his watchful care, riveted by the rhythm of his voice. Celebrating ingenuity and dreaming big, this inspirational story, featuring Jabari Asim’s stirring prose and E. B. Lewis’s stunning, light-filled impressionistic watercolor paintings, includes an author’s note about John Lewis, who grew up to be a member of the Freedom Riders, chairman of the Student Nonviolent Coordinating Committee, and demonstrator on the Edmund Pettus Bridge in Selma, Alabama. John Lewis is now a Georgia congressman, who is still an activist today, recently holding a sit-in on the House floor of the U.S. Capitol to try to force a vote on gun violence. His March: Book Three recently won the National Book Award, as well as the American Library Association's Coretta Scott King Author Award, Printz Award, and Sibert Award.
Leading homiletician Jared Alcántara offers a practice-centered, collaborative, technologically innovative, next-generation introductory preaching textbook. The book breaks new ground by adopting a practice-based approach to teaching preaching and by using innovative technological delivery to enhance the educational experience of learners. Alcántara introduces the basics of Christian preaching and emphasizes the skills preachers must cultivate throughout their lives. He shows that preachers can learn effective preaching by paying keen attention to five key competencies: conviction, context, clarity, concreteness, and creativity. Featuring the perspectives of a diverse team of collaborators, The Practices of Christian Preaching is designed to prepare effective communicators for the church's multicultural future. Call-outs in the book direct readers to a companion website for further information or practice. The online resources include audio and video sermons, video responses from the author, and contributions from collaborators, enabling Alcántara to coach students by showing them instead of just telling them. A Spanish language edition is also available.
One hundred sermons that display the victorious, although sometimes painful, historical and spiritual pilgrimage of black people in America. A groundbreaking anthology, Preaching with Sacred Fire is a unique and powerful work. It captures the stunning diversity of the cultural and historical legacy of African American preaching more than three hundred years in the making. Each sermon, as editors Martha Simmons and Frank A. Thomas reveal, is a work of art and a lesson in unmatched rhetoric. The journey through this anthology—which includes selections from Jarena Lee, Frederick Douglass, Malcolm X, Martin Luther King Jr., Gardner C. Taylor, Vashti McKenzie, and many others—offers a rare view of the unheralded role of the African American preacher in American history. The collection provides new insights into the underpinnings of the black fight for emancipation and the rise and growth of the Civil Rights and Black Power movements. Sermons from the first decade of the twenty-first century point toward the future of African American preaching. Biographies of the preachers put their work in the cultural and homiletic context of their periods. The preachers of these sermons are men and women from a range of faiths, ancestries, and educational backgrounds. They draw on a vast and luminous landscape of poetic language, using metaphor, rhythm, and imagery to communicate with their congregations. What they all have in common is hope, resilience, and sacred fire. “Even during the most difficult and oppressive times,” Simmons and Thomas write in the preface, “the delivery, creativity, charisma, expressivity, fervor, forcefulness, passion, persuasiveness, poise, power, rhetoric, spirit, style, and vision of black preaching gave and gives hope to a community under siege.” This magnificent work beautifully renders the complexity, spiritual richness, and strength of African American life.