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"The Japanese Monarchy, 1931-1991", which created a sensation when first published in Japanese, clarifies US policies toward Japan's symbol emperor system before, during and after World War II. As American ambassador to Japan from 1932 to 1945, Joseph Clark Grew had contacts with groups close to the emperor as well as leading "moderates". Returning to the US after the outbreak of the war, he made many speeches, first condemning Japanese aggression, but later changing his theme from war to peace, even to suggesting that the emperor would be a key asset in stabilising Japanese society after the war, a view which was widely criticised at the time. Later, as under secretary of state, Grew came to play an important role in the formation of postwar US policy on Japan and the emperor. His view that the emperor was a pacifist who opposed and sought to end the war with the US and that thus postwar Japan should be reconstructed with the emperor and the moderates at the centre, was later adopted in the decision of Douglas MacArthur's occupation to preserve the emperor system. That the evolution of an ambassador's convictions could have such a significant impact, even to this day, on postwar US-Japan relations vividly illustrates the importance of truly understanding the history and culture of another country, whether friend or foe.
This new study examines the history of the relations between the British and Japanese monarchies over the past 150 years. Complemented by a significant plate section, with many rarely seen historical photographs and illustrations, together with supporting chronologies, this volume will become a benchmark reference on the subject.
The Rise and Fall of Modern Japanese Literature tells the story of Japanese literature from its start in the 1870s against the backdrop of a rapidly coalescing modern nation to the present. John Whittier Treat takes up both canonical and forgotten works, the non-literary as well as the literary, and pays special attention to the Japanese state’s hand in shaping literature throughout the country’s nineteenth-century industrialization, a half-century of empire and war, its post-1945 reconstruction, and the challenges of the twenty-first century to modern nationhood. Beginning with journalistic accounts of female criminals in the aftermath of the Meiji civil war, Treat moves on to explore how woman novelist Higuchi Ichiyo’s stories engaged with modern liberal economics, sex work, and marriage; credits Natsume Soseki’s satire I Am a Cat with the triumph of print over orality in the early twentieth century; and links narcissism in the visual arts with that of the Japanese I-novel on the eve of the country’s turn to militarism in the 1930s. From imperialism to Americanization and the new media of television and manga, from boogie-woogie music to Yoshimoto Banana and Murakami Haruki, Treat traces the stories Japanese audiences expected literature to tell and those they did not. The book concludes with a classic of Japanese science fiction a description of present-day crises writers face in a Japan hobbled by a changing economy and unprecedented natural and manmade catastrophes. The Rise and Fall of Japanese Literature reinterprets the “end of literature”—a phrase heard often in Japan—as a clarion call to understand how literary culture worldwide now teeters on a historic precipice, one at which Japan’s writers may have arrived just a moment before the rest of us.
Popular impressions of the imperial Japanese army still promote images of suicidal banzai charges and fanatical leaders blindly devoted to their emperor. Edward Drea looks well past those stereotypes to unfold the more complex story of how that army came to power and extended its influence at home and abroad to become one of the world's dominant fighting forces. This first comprehensive English-language history of the Japanese army traces its origins, evolution, and impact as an engine of the country's regional and global ambitions and as a catalyst for the militarization of the Japanese homeland from mid-nineteenth-century incursions through the end of World War II. Demonstrating his mastery of Japanese-language sources, Drea explains how the Japanese style of warfare, burnished by samurai legends, shaped the army, narrowed its options, influenced its decisions, and made it the institution that conquered most of Asia. He also tells how the army's intellectual foundations shifted as it reinvented itself to fulfill the changing imperatives of Japanese society-and how the army in turn decisively shaped the nation's political, social, cultural, and strategic course. Drea recounts how Japan devoted an inordinate amount of its treasury toward modernizing, professionalizing, and training its army-which grew larger, more powerful, and politically more influential with each passing decade. Along the way, it produced an efficient military schooling system, a well-organized active duty and reserve force, a professional officer corps that thought in terms of regional threat, and well-trained soldiers armed with appropriate weapons. Encompassing doctrine, strategy, weaponry, and civil-military relations, Drea's expert study also captures the dominant personalities who shaped the imperial army, from Yamagata Aritomo, an incisive geopolitical strategist, to Anami Korechika, who exhorted the troops to fight to the death during the final days of World War II. Summing up, Drea also suggests that an army that places itself above its nation's interests is doomed to failure.
The Japanese emperors, a peculiar and unique phenomenon in modern times, are the subject of this important handbook edited by Ben-Ami Shillony. An international team of leading scholars looks at these emperors - Meiji (Mutsuhito), Taishō (Yoshihito), Shōwa (Hirohito), and the present emperor Akihito – both as personalities, and as a constantly developing institution. It becomes clear that both the personalities, and the periods in which they reign(ed) have shaped Japanese monarchy, and our image of it. The essays thoroughly deal with topics such as the ideology behind the institution, the roles of the emperors and their wives, their visual representation, their links to Christianity, the antagonism they called forth in right-wing circles, Hirohito’s much-debated war responsibility, and the controversy over amending the succession rules.
Comprehensive second editions of History for the IB Diploma Paper 1, revised for first teaching in 2015. This coursebook covers Paper 1, Prescribed Subject 3: The Move to Global War of the History for the International Baccalaureate Diploma syllabus for first assessment in 2017. Tailored to the requirements of the IB syllabus and written by experienced IB History examiners and teachers, it offers authoritative and engaging guidance through the following two case studies: Japanese expansion in East Asia (1931-1941) and German and Italian expansion (1933-1940).
This reexamination of the controversial role Emperor Hirohito played during the Pacific War gives particular attention to the question: If the emperor could not stop Japan from going to war with the Allied Powers in 1941, why was he able to play a crucial role in ending the war in 1945? Drawing on previously unavailable primary sources, Noriko Kawamura traces Hirohito’s actions from the late 1920s to the end of the war, analyzing the role Hirohito played in Japan’s expansion. Emperor Hirohito emerges as a conflicted man who struggled throughout the war to deal with the undefined powers bestowed upon him as a monarch, often juggling the contradictory positions and irreconcilable differences advocated by his subordinates. Kawamura shows that he was by no means a pacifist, but neither did he favor the reckless wars advocated by Japan’s military leaders.
An accessible, analytical survey of the rise and fall of Imperial Japan in the context of its grand strategy to transform itself into a great power.