Download Free The Jadu House Book in PDF and EPUB Free Download. You can read online The Jadu House and write the review.

Lines of the Nation radically recasts the history of the Indian railways, which have long been regarded as vectors of modernity and economic prosperity. From the design of carriages to the architecture of stations, employment hierarchies, and the construction of employee housing, Laura Bear explores the new public spaces and social relationships created by the railway bureaucracy. She then traces their influence on the formation of contemporary Indian nationalism, personal sentiments, and popular memory. Her probing study challenges entrenched beliefs concerning the institutions of modernity and capitalism by showing that these rework older idioms of social distinction and are legitimized by forms of intimate, affective politics. Drawing on historical and ethnographic research in the company town at Kharagpur and at the Eastern Railway headquarters in Kolkata (Calcutta), Bear focuses on how political and domestic practices among workers became entangled with the moralities and archival technologies of the railway bureaucracy and illuminates the impact of this history today. The bureaucracy has played a pivotal role in the creation of idioms of family history, kinship, and ethics, and its special categorization of Anglo-Indian workers still resonates. Anglo-Indians were formed as a separate railway caste by Raj-era racial employment and housing policies, and other railway workers continue to see them as remnants of the colonial past and as a polluting influence. The experiences of Anglo-Indians, who are at the core of the ethnography, reveal the consequences of attempts to make political communities legitimate in family lines and sentiments. Their situation also compels us to rethink the importance of documentary practices and nationalism to all family histories and senses of relatedness. This interdisciplinary anthropological history throws new light not only on the imperial and national past of South Asia but also on the moral life of present technologies and economic institutions.
Nearly 16% of India’s population – or over 100 million people – are untouchables. Most of them, despite decades of government efforts to improve their economic and social position, remain desperately poor, illiterate, subject to brutal discrimination and economic exploitation, and with no prospect for improvement of their condition. This is the autobiography, first published in 1979, of Muli, a 40-year-old untouchable of the Bauri caste, living in the Indian state of Orissa, as told to an American anthropologist. Muli is a narrator who combines rich descriptions of daily life with perceptive observations of his social surroundings. He describes with absorbing detail what it is like to be at the bottom of Indian life, and what happens when an untouchable attempts to break out of his accepted role.
In the final year of college, Anurag’s life was falling apart – he vowed never to see Aditya, his best friend of many years again. Of course, what Aditya did was unpardonable! Not just losing his best friend, Anurag’s love Urmi too got married to someone else the day unemployed Anurag got the job of a flight purser in an airline company. But life has its twists and turns, and one never knows where it will take him. Anurag too could have never imagined all that happened thereafter. In this page-turner of a spellbinding novel, every reader would ride the crests and troughs of myriad emotions – love, hate, anger, depression, excitement and joy – that fill life’s every moment – and savour the essence of true love that is mystic and magical.
What was life like for the British men, women, and children who lived in late imperial India while serving the Raj? Empire Families treats the Raj as a family affair and examines how, and why, many remained linked with India over several generations.Due to the fact that India was never meant for permanent European settlement, many families developed deep-rooted ties with India while never formally emigrating. Their lives were dominated by long periods of residence abroad punctuated by repeated travels between Britain and India: childhood overseas followed by separation from parents and education in Britain; adult returns to India through careers or marriage; furloughs, and ultimately retirement, in Britain. As a result, many Britonsneither felt themselves to be rooted in India, nor felt completely at home when back in Britain. Their permanent impermanence led to the creation of distinct social realities and cultural identities.Empire Families sets out to recreate this society by looking at a series of families, their lives in India, and their travels back to Britain. Focusing for the first time on the experiences of parents and children alike, and including the Beveridge, Butler, Orwell, and Kipling families, Elizabeth Buettner uncovers the meanings of growing up in the Raj and an itinerant imperial lifestyle.
These essays argue that recentring Asia necessitates a revision not only of notions of Asia but also of the centre itself. On the one hand, recentring Asia asserts the centrality of overlooked Asian histories, encounters and identities to world history, culture and geopolitics. On the other hand, recentring provides a way to address and rethink the concept of the centre, a term critical to Asian Studies, area studies and, more broadly, to the study of globalization, postcolonialism, diaspora, modernism and modernity. Drawing on new approaches in these fields, Recentring Asia asks the reader to rethink the centre not as a single site towards which all is oriented, but as a zone of encounter, exchange and contestation.
Domicile and Diaspora investigates geographies of home and identity for Anglo-Indian women in the 50 years before and after Indian independence in 1947. The first book to study the Anglo-Indian community past and present, in India, Britain and Australia. The first book by a geographer to focus on a community of mixed descent. Investigates geographies of home and identity for Anglo-Indian women in the 50 years before and after Indian independence in 1947. Draws on interviews and focus groups with over 150 Anglo-Indians, as well as archival research. Makes a distinctive contribution to debates about home, identity, hybridity, migration and diaspora.
Th e art of vernacular painting in India is not only varied and rich but also intriguing for several reasons. With such observations the book addresses certain issues, like the validity of the historical information on Indian Art that excludes vernacular trends. The information on vernacular art in India has either been ignored such as in ancient literary discourses or inadvertently misconstrued within the theoretical purviews of modern days. If the hierarchy of the Hindu caste system has marginalised the culture of the lower rung groups, the lexicon of twentieth century anthropological studies has seen this art as material evidence of undeveloped societies; both creating the same value: to be patronised but not ‘art’. Can art be weighed on a scale of development? Arguments have been developed within the specifi c focus on scroll paintings by the itinerant painter bards in Bengal. Th e bardic tradition has been known to exist in India since a pre-Christian era and still continues within two vibrant trends of vernacular art forms – Bangla and Santhal pat. Th e book redefi nes and repositions the notion of art with contemporary folk art. As the picture Plates are self-evident, the book draws attention on a world of art that has not been present in Indian Art History.
The standard image of the Raj is of an aloof, pampered and prejudiced British elite lording it over an oppressed and hostile Indian subject population. Like most caricatures, this obscures as much truth as it reveals. The British had not always been so aloof. The earlier, more cosmopolitan period of East India Company rule saw abundant 'interracial' sex and occasional marriage, alongside greater cultural openness and exchange. The result was a large and growing 'mixed-race' community, known by the early twentieth century as Anglo-Indians. Notwithstanding its faults, Empire could never have been maintained without the active, sometimes enthusiastic, support of many colonial subjects. These included Indian elites, professionals, civil servants, businesspeople and minority groups of all kinds, who flourished under the patronage of the imperial state, and could be used in a 'divide and rule' strategy to prolong colonial rule. Independence was profoundly unsettling to those destined to become minorities in the new nation, and the Anglo-Indians were no exception. This refreshing account looks at the dramatic end of British rule in India through Anglo-Indian eyes, a perspective that is neither colonial apologia nor nationalist polemic. Its history resonates strikingly with the complex identity debates of the twenty-first century.