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John Richard Jackson (1810-1870) was born in New York City, lived in Ohio and Iowa and died in DeSoto, Illinois. He was a descendant of William Jackson (1728-1783) who immigrated with his family to Philadelphia from Bermuda in 1730. Descendants lived in Iowa, Wyoming, Utah, Washington, California, and elsewhere.
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Recent and increasing interest in art market studies—the dealers, mediators, advisors, taste makers, artists, etc.—indicate that the transaction of art and decorative art is anything but linear. Taking as its point of departure two of the most active agents of the late nineteenth century, Wilhelm von Bode and Stefano Bardini, the essays in this volume also look beyond, to other art market individuals and their vast and frequently interconnected, social and professional networks. Newly told history taken from rich business, epistolary and photographic archives, these essays examine the art market, within a broader and more complex context. In doing so, they offer new areas of inquiry for mapping of works of art as they were exchanged over time and place.
 Cumberland Posey began his career in 1911 playing outfield for the Homestead Grays, a local black team in his Pennsylvania hometown. He soon became the squad's driving force as they dominated semi-pro ball in the Pittsburgh area. By the late 1930s the Grays were at the top of the Negro Leagues with nine straight pennant wins. Posey was also a League officer; he served 13 years as the first black member of the Homestead school board; and he wrote an outspoken sports column for the African American weekly, the Pittsburgh Courier. He was regarded as one of the best black basketball players in the East; he was the organizer of a team that held the consensus national black championship five years running. Ten years after his induction into the National Baseball Hall of Fame, he became a member of the Naismith Memorial Basketball Hall of Fame--one of only two athletes to be honored by two pro sports halls.
Beginning in 1924, Proceedings are incorporated into the Apr. no.