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A sizzling summer seduction… becomes a blazing battle of desire! It sounded like heaven: an apartment in a small Italian town—the perfect summer escape. But after a number of setbacks, Charli Olson finds herself stranded, with nowhere to go—until gorgeous Massimo Castellini offers her a room in his luxurious villa. Massimo finds Charli's blond prettiness hard to resist. Although he's vowed he'll never love again, he amuses himself with her seduction. But Charli surprises Massimo with her strong will. Suddenly the casual affair becomes a dark battle of desire—which Massimo fully intends to win….
Includes an excerpt from "The marrying season."
Wealthy Lorenzo Foscari had received threats against his life. But he was outraged when his insurance company assigned him a bodyguard—especially since they’d sent him the sexiest woman he’s ever seen! Antonia Simpson knew it would be a tough assignment, but the real challenge was resisting Lorenzo’s seductive Italian charm. Because, once he’d kissed her, Lorenzo seemed quite happy to let Antonia guard his body...day and night...
Bella is thinking of running away from her stressful life as an actress when she suddenly remembers Sergio, her stepbrother. Though it may seem odd, he was her first love. After all, they aren’t biologically related and he is dashingly handsome! Perhaps she can rely on him… Sergio, however, is bewildered by her phone call. He’s done his best to avoid her ever since the day his desire for her first awoke! Still, now that he has become a powerful billionaire, maybe it isn’t a bad idea to play a new game. What will happen to innocent Bella when she walks into Sergio’s trap?※This work is originally colored.
Bella is thinking of running away from her stressful life as an actress when she suddenly remembers Sergio, her stepbrother. Though it may seem odd, he was her first love. After all, they aren’t biologically related and he is dashingly handsome! Perhaps she can rely on him… Sergio, however, is bewildered by her phone call. He’s done his best to avoid her ever since the day his desire for her first awoke! Still, now that he has become a powerful billionaire, maybe it isn’t a bad idea to play a new game. What will happen to innocent Bella when she walks into Sergio’s trap?
His tantalizing revenge! Tycoon Marco Borsatto gave Stacey Jackson her first taste of pleasure…only to devastate her with accusations of treachery. Ever since, waitress Stacey has buried any hint of vulnerability behind a cool facade—she refuses to open herself up to hurt again. Except Marco isn't a man to forgive and forget! When he rescues Stacey from another man, one look at Stacey's luscious form is enough to remind him of her bitter betrayal—and their electrifying magnetism! Marco won't allow Stacey to slip through his fingers again: his touch will be his vengeance!
No other place on earth is as full both of promise and of dread as the city; it is at once alienating and exciting. These concentrations of people have not, however, come about as the result of vast immutable, impersonal forces, but because of human choices. The worsening or betterment of urban life will also be the result of choices. Our choices. That cities display and represent the personal desires of their inhabitants is central to Joseph Rykwert’s argument in The Seduction of Place. Insisting that they are the physical constructs of communities, he travels through history to trace their roots in ancient times and outlines current attempts and future possibilities to improve the metropolis. Rykwert includes a broad range of urban landscapes: 18th-and 19th-century Paris and London, the current sprawl of Mexico City and Cairo, planned cities like Brasilia, and, finally, New York, the world capital. Always opinionated and often controversial, Rykwert assesses how and why urban projects from the past succeeded or failed and what lessons can be drawn from them for the future. Ultimately, The Seduction of Place is a deeply felt and powerfully reasoned call for a commitment by every citizen to the creation of a more humane place to live.
Through an explanation of forty figures in European culture, ^The Seduction of the Mediterranean argues that the Mediterranean, classical and contemporary, was the central theme in homoerotic writing and art from the 1750s to the 1950s. Episodes of exile, murder, drug-taking, wild homosexual orgies and court cases are woven into an original study of a significant theme in European culture. The myth of a homoerotic Mediterranean made a major contribution to general attitudes towards Antiquity, the Renaissance and modern Italy and Greece.
The stories in this book are about ordinary everyday human beings as we are each challenged and often socially seduced biologically, psycho-socially, spiritually, and economically as biopsychosocial and spiritual beings. These are also riveting true stories of the biopsychosocial and spiritual being who demonstrates the courage to stand strong during challenges of social seduction not just for oneself, but also for others. Many of us muster up the courage to do the things that are right according to our spiritual faith which for me includes my Christian ethics meaning even when we do not necessarily feel like doing them. We find the courage to not do the things were being hedonistically enticed or seduced into doing when we know its not morally right, or against our practicing spiritual ethics which clearly tells us not to do them. While many biopsychosocial and spiritual beings pray, some chant, others meditate, study/tarry, etc. Often this is based upon our individually unique beliefs and practices we are allowed here in America. My Christian Ethics however are rooted in the Science of Biblical Hermeneutics which truly empowers me with full armor and the sword of the spirit that sustains and keeps me steady allowing me to maintain my inner peace in the midst of storms including the ones shared in this book.
The Mirage of America in Contemporary Italian Literature and Film explores the use of images associated with the United States in Italian novels and films released between the 1980s and the 2000s. In this study, Barbara Alfano looks at the ways in which the individuals portrayed in these works – and the intellectuals who created them – confront the cultural construct of the American myth. As Alfano demonstrates, this myth is an integral part of Italians’ discourse to define themselves culturally – in essence, Italian intellectuals talk about America often for the purpose of talking about Italy. The book draws attention to the importance of Italian literature and film as explorations of an individual’s ethics, and to how these productions allow for functioning across cultures. It thus differentiates itself from other studies on the subject that aim at establishing the relevance and influence of American culture on Italian twentieth-century artistic representations.