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“Abide by the contract that I’m going to present to you. You have no right to refuse.” With these words, the devilish Rocco Mondelli, a wealthy man from Milan, threatened Olivia. Rocco thinks Olivia is a temptress who goes after wealthy men and that she is the one who deceived his grandfather. Olivia is outraged that Rocco would believe her capable of such behavior…yet she can’t suppress her response to Rocco’s gaze. How can he affect her so when he clearly thinks so little of her?
What is it about Italy that inspires passion, fascination, and utter devotion? This quirky guide to the Italian way of life, with its fifty witty mini-essays on iconic Italian subjects, will answer that question as well as entertain and delight both real and armchair travelers. Topics range from expressive hand gestures to patron saints, pasta, parmesan, shoes, opera, the Vespa, the Fiat 500, gelato, gondolas, and more. History, folklore, superstitions, traditions, and customs are tossed in a delicious sauce that also includes a wealth of factual information for the sophisticated traveler:• why lines, as we know them, are nonexistent in Italy• why a string of coral beads is often seen around a baby’s wrist• what the unlucky number of Italy is (it’s not thirteen, unless seating guests at a table, when it IS thirteen–taking into account the outcome of the Last Supper)• why red underwear begins to appear in shops as the New Year approaches In addition to the lyrical and poetic, Italianissimo provides useful and indispensable information for the traveler: deciphering the quirks of the language (while English has only one word for “you,” in Italy there are three), the best place to find balsamic vinegar (in Modena, of course), the best gelato (in Sicily, where they first invented it using the snow from Mount Etna). There are also recommendations for little-known museums and destinations (the Bodoni museum, the Pinocchio park, legendary coffee bars).This is a new kind of guidebook overflowing with enlightening and hilarious miscellaneous information, filled with luscious graphics and unforgettable photographs that will decode and enrich all trips to Italy–both real and imaginary.
In this battle of wills, the only winner will be passion in this exhilarating marriage romance by Michelle Smart. In this game of revenge, She’ll meet her enemy at the altar… Billionaire Gianni Rossi destroyed Issy Seymore’s family legacy…and it’s time for payback. Issy has a plan: she’ll get him onto a yacht headed for the Caribbean, distract him then take down his company! Gianni has been onto Issy from the start, outmaneuvering her at every turn. But, as the heat between them rises, it’s the Italian who begins to feel out of his depth. To finally end the charade, he calls her bluff with an outrageous marriage proposal. Then Issy makes one last move—by saying yes! From Harlequin Presents: Escape to exotic locations where passion knows no bounds. Read all the A Billion-Dollar Revenge books Book 1: Bound by the Italian's ''I Do'' by Michelle Smart Book 2: Expecting Her Enemy's Heir by Pippa Roscoe
An Italian Did What the British Could Not Do – There is an urgent need to frame the right strategy for the development of meat and poultry production in the country. This will certainly bring prosperity to millions of our rural citizens and create employment in rural India. Having achieved the Green Revolution, the white revolution and the Blue Revolution, it is time to ask the question can the Pink Revolution be far behind? Certainly, this will require a large investment in infrastructure, mainly in cold storage, and modern meat processing plants. Without a strong and dependable cold chain, a vital sector like the meat industry, which is based mostly on perishable products, cannot survive and grow.
Shakespeare and the Italian Renaissance investigates the works of Shakespeare and his fellow dramatists from within the context of the European Renaissance and, more specifically, from within the context of Italian cultural, dramatic, and literary traditions, with reference to the impact and influence of classical, coeval, and contemporary culture. In contrast to previous studies, the critical perspectives pursued in this volume’s tripartite organization take into account a wider European intertextual dimension and, above all, an ideological interpretation of the 'aesthetics' or 'politics' of intertextuality. Contributors perceive the presence of the Italian world in early modern England not as a traditional treasure trove of influence and imitation, but as a potential cultural force, consonant with complex processes of appropriation, transformation, and ideological opposition through a continuous dialectical interchange of compliance and subversion.