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Explaining Auschwitz and Hiroshima explores the way in which the main combatant societies of the Second World War have historicised that experience. Since 1945, debates in Germany about `the past that would not fade away' have been reasonably well-known. But in this book, Richard Bosworth maintains that Germany is not unique. He argues that in Britain, France, Italy, the USSR and Japan, as well as in Germany the traumatic history of the `long Second World War' has remained crucial to the culture and the politics of post-war societies. Each has felt a compelling need to interpret this past event and thus to `explain' `Auschwitz' and `Hiroshima'. Bosworth explores the bitter controversies that have developed around a particular interpretation of the war, such as disputes over A.J.P. Taylor's, Origins of the Second World War , Marcel Ophul's film, The Sorrow and the Pity , Renzo De Felice's biography of Mussolini in the 1970s or in post- Glasnost debates about the historiographies of the Commonwealth of Independent States. Richard Bosworth's book is a wide-ranging and thoughtful excursion into comparative history.
A trenchant analysis of the evolution and motivations of British historians' fascination with the European continent.
These essays explore various topics in European history ranging from a study of the medieval Abbey of Bury St. Edmunds to an essay on the issue of the restoration of the Kaiser prior to Hitler's assumption of power. Enno Kraeh contributes a personal narrative of philosophical journey through the study of history. Three of the essays address literary and cultural themes dealing with German theatre politics, belle epoque opera, and Polish drama. The volume has strong representation on Austrian history, including essays on diplomacy, the Anschluss, and Austrian anti-Semitism.