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The notorious Nazi leader’s attempt to take war prisoners hostage at the end of WWII is revealed in this lively and expertly researched history. During the final weeks of the Second World War, Heinrich Himmler assembled the most famous and noteworthy SS prisoners be taken hostage. Himmler’s plan was to use these individuals as bargaining chips to save the Reich—or, failing that, himself. Known as the Prominenten, this group included European politicians and former heads of state, five British survivors of the ‘Great Escape,’ two MI5 agents, and Irish born POWs. This meticulously researched study sheds new light on how the British prisoners came to be integrated with a multinational group of VIPs in Dachau concentration camp, including German family groups of men, women and children; relatives of those implicated in plot to kill Hitler. The lively narrative describes kidnapping, escape attempts, interpersonal conflict, betrayal and comradeship. It also reveals intrigues and love affairs among the prisoners, culminating in their dramatic attempt to free themselves from the SS.
This is a study of the early writings of Virginio Gayda (1885-1944), a talented but amoral Italian journalist whose career spanned two world wars. A keen observer, prolific writer and propagandist during his stint as the newspaper La Stampa’s special correspondent in Habsburg Vienna, Gayda lent his considerable skills to promote an aggressive foreign policy. No one did more than he to poison relations between the Italian and Yugoslav peoples. His is the story of a respected journalist who chose an ultranationalist path to fascism and international fame. Not uninfluenced by rank careerism and material reward he forsook his roots to embrace the antisemitic “race” laws of 1938 and Italy’s disastrous partnership with Nazi Germany.
Dachau to the Dolomites is the dramatic but little-known story of a group of prominent Nazi SS hostages transported from various concentration camps to a remote Alpine valley in the final days of the Third Reich. Five Irishmen were among the 160 prisoners whom Himmler and other SS leaders attempted to use as barter to save the regime or, as a final resort, themselves. As well as eminent international statesmen, aristocrats and clergy, the group contained opposition German generals and civilian relatives of those who had plotted against Hitler, including the family of Claus von Stauffenberg, who placed the bomb in Hitler's Wolf's Lair. Among the hostages were a number of British officers, survivors of the famous 'Great Escape', and also Colonel John McGrath from Roscommon, a World War I veteran who had left his job as manager of Dublin's Theatre Royal to rejoin the British Army in 1939. They had been held with Russian, Italian and Polish special prisoners as 'Nacht und Nebel' - Night and Fog - prisoners, whose existence was a state secret. They lived in constant danger of execution, a fate some did not escape, including Stalin's son, who died following a fracas with Irish prisoners. It is an astonishing and epic tale encompassing heroic endurance, escape, betrayal, tragedy and love.
Paths out of the Apocalypse uses violence as a prism through which to investigate the profound social, cultural, and political changes experienced by (post-) Habsburg Central Europe during and immediately after the Great War. It compares attitudes toward, and experiences and practices of,physical violence in the mostly Czech-speaking territories of Bohemia and Moravia, the German-speaking territories that would constitute the Republic of Austria after 1918, and the mostly German-speaking region of South Tyrol. Based on research in national and local archives and copious secondaryliterature, the study argues that, in the context of total war, physical violence became a predominant means of conceptualizing and expressing social-political demands as well as a means of demarcating various notions of community and belonging. The authors apply an interdisciplinary understandingof violence informed by sociological and psychological theories as well as by rigorous empirical historiographical approach. First, they examine the most severe kind of physical violence - murder - against the backdrop of shifting scientific and media discourses during the war and its immediateaftermath. Second, the authors use numerous cases of collective violence, ranging from less serious everyday conflicts to massive hunger demonstrations and riots, to unravel its 'language', thus deciphering the attitudes and values shared among an ever-growing group of perpetrators. Paths out of theApocalypse thus fundamentally rethinks some key topics currently debated in the scholarship on early twentieth-century Central Europe, the First World War, violence, nationalism, and modern European comparative social and cultural history.
The first exploration of how Mussolini employed population settlement inside the nation and across the empire to strengthen Italian sovereignty.
What is fascism? By focusing on the concrete: what the fascists did, rather than what they said, the esteemed historian Robert O. Paxton answers this question. From the first violent uniformed bands beating up “enemies of the state,” through Mussolini’s rise to power, to Germany’s fascist radicalization in World War II, Paxton shows clearly why fascists came to power in some countries and not others, and explores whether fascism could exist outside the early-twentieth-century European setting in which it emerged. "A deeply intelligent and very readable book. . . . Historical analysis at its best." –The Economist The Anatomy of Fascism will have a lasting impact on our understanding of modern European history, just as Paxton’s classic Vichy France redefined our vision of World War II. Based on a lifetime of research, this compelling and important book transforms our knowledge of fascism–“the major political innovation of the twentieth century, and the source of much of its pain.”
Mussolini in Ethiopia, 1919–1935 looks in detail at the evolution of the Italian Fascist regime's colonial policy within the context of European politics and the rise to power of German National Socialism. It delves into the tortuous nature of relations between the National Fascist Party and the National Socialist German Workers' Party (NSDAP), while demonstrating how, ultimately, a Hitler-led Germany proved the best mechanism for overseas Italian expansion in East Africa. The book assesses the emergence of an ideologically driven Fascist colonial policy from 1931 onwards and how this eventually culminated in a serious clash of interests with the British Empire. Benito Mussolini's successful flouting of the League of Nations' authority heralded a new dark era in world politics and continues to have its resonance in today's world.
The twentieth century saw a proliferation of media discourses on colonialism and, later, decolonisation. Newspapers, periodicals, films, radio and TV broadcasts contributed to the construction of the image of the African “Other” across the colonial world. In recent years, a growing body of literature has explored the role of these media in many colonial societies. As regards the Italian context, however, although several works have been published about the links between colonial culture and national identity, none have addressed the specific role of the media and their impact on collective memory (or lack thereof). This book fills that gap, providing a review of images and themes that have surfaced and resurfaced over time. The volume is divided into two sections, each organised around an underlying theme: while the first deals with visual memory and images from the cinema, radio, television and new media, the second addresses the role of the printed press, graphic novels and comics, photography and trading cards.