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This volume contains the proceedings of the Italia Judaica Jubilee Conference, held at Tel Aviv University 3-5 January, 2010, on the occasion of the jubilee celebration of outstanding scholarship on the history of Italian Jewry.
Musical culture in Jewish communities in early modern Italy was much more diverse than researchers originally thought. An interdisciplinary reassessment, Music and Jewish Culture in Early Modern Italy evaluates the social, cultural, political, economic, and religious circumstances that shaped this community, especially in light of the need to recognize individual experiences within minority populations. Contributors draw from rich materials, topics, and approaches as they explore the inherently diverse understandings of music in daily life, the many ways that Jewish communities conceived of music, and the reception of and responses to Jewish musical culture. Highlighting the multifaceted experience of music within Jewish communities, Music and Jewish Culture in Early Modern Italy sheds new light on the place of music in complex, previously misunderstood environments.
The book represents the largest treasure trove of fragments of medieval Hebrew manuscripts found in book-bindings in Italian libraries and archives. It presents a complete bibliography and several articles by the leading scholars in the field bringing to light a large number of new discoveries.
In Living under the Evil Pope, Martina Mampieri presents the Hebrew Chronicle of Pope Paul IV, written in the second half of the sixteenth century by the Italian Jewish moneylender Benjamin Neḥemiah ben Elnathan (alias Guglielmo di Diodato) from Civitanova Marche. The text remained in manuscript for about four centuries until the Galician scholar Isaiah Sonne (1887-1960) published a Hebrew annotated edition of the chronicle in the 1930s. This remarkable source offers an account of the events of the Papal States during Paul IV’s pontificate (1555-59). Making use of broad archival materials, Martina Mampieri reflects on the nature of this work, its historical background, and contents, providing a revised edition of the Hebrew text as well as the first unabridged English translation and commentary. Martina Mampieri has been granted a special mention of excellence in the Alberigo Award 2021 by the European Academy of Religion and Fondazione per le Scienze Religiose (https://www.europeanacademyofreligion.org/alberigo-award) and a special mention of excellence in the Pirovano Award 2022 by the Istituto Luigi Sturzo in Rome (http://sturzo.it/blog/2023/06/12/lassegnazione-del-premio-desiderio-pirovano-2022/). "Martina Mampieri provides scholars with a source of great interest, which helps better understand the complex period following the election of Pope Paul IV Carafa from a Jewish perspective. This is undoubtedly an important book that contributes to the advancement of our knowledge regarding that historical moment." -Alessandra Veronese, AJS Review 45/1 (2021) "This valuable source is now available to the many – the many including, and this is no small thing, those who study the history of historical writing for itself as that writing began emerging from the shadows at just this time. We are deeply indebted." -Kenneth Stow, University of Haifa, Emeritus, Journal of Modern Jewish Studies 20/1 (2021) "By triangulating important themes in early modern history with a rich and lengthy narrative source, Mampieri has produced an outstanding contribution to the ever-growing literature on interreligious and intercultural relations in the Papal States." -Frank Lacopo, Sixteenth Century Journal LIII/2 (2022)
Around the Point is a unique collection that brings to readers the works of almost thirty scholars dealing with Jewish literature in various Jewish and non-Jewish languages, such as Hebrew, Yiddish, Ladino, French, Italian, German, Hungarian, Serbian, Polish, and Russian. Although this volume does not cover all the languages of Jewish letters, it is a significant endeavor in establishing the realm of multilingual international study of Jewish literature and culture. Among the questions under discussion, are the problems of the definition of Jewish identity and literature, literary history, language choice and diglossy, lingual and cultural influences, intertextuality, Holocaust literature, Kabbala and Hassidism, Jewish poetics, theatre and art, and the problems of the acceptance of literature.
Sorkin seeks to reorient Jewish history by offering the first comprehensive account in any language of the process by which Jews became citizens with civil and political rights in the modern world.
Socrates, Or On Human Knowledge, published in Venice in 1651, is the only work written by a Jew that contains so far the promise of a genuinely sceptical investigation into the validity of human certainties. Simone Luzzatto masterly developed this book as a pièce of theatre where Socrates, as main actor, has the task to demonstrate the limits and weaknesses of the human capacity to acquire knowledge without being guided by revelation. He achieved this goal by offering an overview of the various and contradictory gnosiological opinions disseminated since ancient times: the divergence of views, to which he addressed the most attention, prevented him from giving a fixed definition of the nature of the cognitive process. This obliged him to come to the audacious conclusion of neither affirming nor denying anything concerning human knowledge, and finally of suspending his judgement altogether. This work unfortunately had little success in Luzzatto’s lifetime, and was subsequently almost forgotten. The absence of substantial evidence from his contemporaries and that of his epistolary have thus increased the difficulty of tracing not only its legacy in the history of philosophical though, but also of understanding the circumstances surrounding the writing of his Socrates. The present edition will be a preliminary study aiming to shed some light on the philosophical and historical value of this work’s translation, indeed it will provide a broader readership with the opportunity to access this immensely complicated work and also to grasp some aspects of the composite intellectual framework and admirable modernity of Venetian Jewish culture in the ghetto.
Cover -- Contents -- Preface -- Acknowledgments -- Abbreviations -- 1. Introduction -- 2. "Whither Am I to Go?": Old Yiddish Love Song in a European Context -- 3. (Non- )Intersecting Parallel Lives: Pasquino in Rome and on the Rialto -- 4. Purim Play as Political Action in Diasporic Europe and/as Ancient Persia -- 5. Vashti and Political Revolution: Gender Politics in a Topsy-Turvy World -- 6. The Political Liminality of Mordecai in Early Ashkenaz -- 7. Feudal Bridal Quest Turned on Its Jewish Head -- 8. The Other of Another Other: Yiddish Epic's Discarded Muslim Enemy -- 9. Conclusion -- Appendix: Elia Levita's Short Poems (English translation) -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- H -- I -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- W -- Y
The origins of Judaism’s regional ‘subcultures’ are poorly understood, as are Jewish identities other than ‘Ashkenaz’ and ‘Sepharad’. Through case studies and close textual readings, this volume illuminates the role of geopolitical boundaries, cross-cultural influences, and migration in the medieval formation of Jewish regional identities.
This exhaustive history of Provençal Jewry examines the key aspects of Jewish life in Provence over some 1,500 years of cultural florescence with far-reaching consequences. A seminal examination of the crucial role of the Jews of Provence in shaping medieval Jewish culture in the Mediterranean basin.