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Two adventurers, prospecting for gold in the jungles of Mexico, stumble across a lost Aztec city and cause an ancient evil to be unleashed. An early science fiction masterpiece written by Gertrude Barrows Bennett, writing as Francis Stevens. Discovering a lost city in the Mexican jungle, two adventurers embark on a terrifying journey. Disturbing ancient gods and nightmare creatures, they find a hidden civilization of Aztecs and bring dark magic into the modern world. With a potent cocktail of romance, revenge and swampish evil this book is one of the earliest examples of fantasy and remains an enthralling read. Gertrude Barrows Bennett, writing as Francis Stevens, is often regarded as the founder of dark fantasy and was admired by H.P. Lovecraft amongst many, with some ranking her alongside Mary Shelley in impact and imaginative power. Foundations of Feminist Fiction. The early 1900s saw a quiet revolution in literature dominated by male adventure heroes. Both men and women moved beyond the norms of the male gaze to write from a different gender perspective, sometimes with female protagonists, but also expressing the universal freedom to write on any subject whatsoever.
The New York Times No.1 bestseller Greg Iles keeps the pages turning in this ‘splendidly creepy, compulsive’ (Daily Telegraph) serial killer thriller.
In this new study of the lead-up to the Great War, David G. Morgan-Owen deals with an aspect of the war seldom discussed for the simple reason that it never actually came to pass: a German invasion of the United Kingdom. Morgan-Owen makes the case that this fear of invasion played a central role in the formation of British strategy.
Published by Nodens Books. This is a dark tale of the mystery and horror that gathered over the vast pile of gables that was Ormesby, the ancestral home of the Ormes family which, lost in one of the wildest and most isolated reaches of the Berkshires, was the topic of whispered and fearful comment by the natives for miles around. Recluses in the great mansion, guarded by a pack of ferocious dogs, the family jealously nursed its secret. Ormond Ormes, last of a long line of New England merchant princes, sometimes ventured into the world to make a slight effort to straighten out the confusion of his affairs. But his beautiful sister, Gray, was at home with the ghosts, even jested about them with a kind of macabre humor, and never stirred from the dusty passages, the ranks of little used chambers, and the wild grounds of Ormesby. There were other Ormes women there, silent creatures living in their memories, cowering in terror under the fate that threatened the family. Into this atmosphere young Seaverns was plunged when, jobless and down to his last cent, he accepted an offer from Ormond Ormes to complete a history of Early American literature for which Ormond's grandfather had gathered the enormous library that now reposed under thick layers of dust at Ormesby. But the history was never written, for Seaverns had few moments of peace once he crossed the threshold of the ill-fated house. Good horror stories are among the great rarities of the publishing world. We are fortunate in having this thrilling narrative unfolded by J.U. Nicolson, whose rich imagination has produced such volumes of poetry as "The King of the Black Isles" and "Sonnets of a Minnesinger," and whose already well developed ability to spin a tale was sharpened during the long years he spent on his monumental modern English version of Chaucer's Canterbury Tales. It is with good reason, then, that we expect Fingers of Fear to take its place beside such great horror stories as Dracula and The Turn of the Screw.
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The mighty Connla is weary from the tiresome and bloody battle fought in the name of his father, Conn, and his land, Erin. Willingly, he lets himself become intoxicated by the surreal beauty of a fairy-woman who offers to take him to a faraway, forbidden land where all his desires will be fulfilled. He welcomes the opportunity to be away from the gruesome war that has consumed his life for so long, but what price will the warrior pay to be in a land void of death, loss and pain? Does the pleasure of the company of the stunning stranger outweigh the price he must pay to remain in THE ISLES OF THE BLEST?