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In the spring of 1355 evil were spreading abroad. Tidings which you cannot bury, nor hide. News had come secretly and fleetingly to Venice that Lewis (Louis) of Hungary, who had previously looted Venetian waters, was on his way to a second invasion, and had given over the Dalmatian towns to the Ban of Bosnia to ravage. Young Zuan Gradenigo, making his way on foot from the crowded Merceria into the Piazza di San Marco, ran upon his friend, the young German captain, whom men called Il Lupo—even though his name was Wölfart—and learned, what almost every other man in the city already knew about Lewis of Hungary. The two men were standing beside one of the gayly painted booths at the foot of the great Campanile, still eagerly discussing the matter and its probable outcome, half an hour later, when a servant in the livery of the doge touched young Zuan’s arm and, in a low tone, gave him a message. Gradenigo turned back to the German. "My uncle wishes to see me at once in the palace," he said. At the head of the great stair two men were awaiting him, and they led him at once through a narrow passage with secret sliding-doors to the inner cabinet of the private apartments of the newly elected doge, his uncle, Giovanni Gradenigo. What was young Zuan tasked with? What happened next you may well ask and what adventures await young Zuan? Well you’ll have to download this book and read for yourself what lies in store for young Zuan Gradenigo and the mission he was about to be sent on. Don’t wait! Do it now! ------------------- KEYWORDS/TAGS: Island of Enchantment, isle, enchant, action, adventure, invasion, pillage, pillaging, Wolfart, Zuan Gradenigo, doge of venice, 1335AD, Lewis of Hungary, invade, Venetian waters, territory, riches, Merceria, Piazza di San Marco, Il Lupo, the wolf, Campanile, secret passage, assignation, Giovanni Gradenigo, inner, cabinet, sanctum, private apartments, sail, palace, love, lust, evil, princess, task, children’s book, children’s story, folklore, myths, legends, Adriatic Sea, Gulf of Manfredonia, Ionian Sea, Venetian Lagoon, Lido, Malamocco, Chioggia, Marano-Grado Lagoon, caravel, carrack, balinger, crayer, Birlinn, galley,
Simon the loyal has vowed never to love, for love makes a warrior weak. His arranged marriage to a beautiful Norman heiress would be duty and no more. But more than duty stirs his blood when he first sees Ariane. She has known only coldness from men and a betrayal so deep it all but killed her soul. Wanting no man, trusting no man, speaking only through the sad songs she draws from her harp, Ariane comes to Simon an unwilling bride. They wed to bring peace to the disputed lands, but marriage alone is not enough. Simon must teach Ariane passion, she must teach him trust. And both must surrender to the sweet violence of love′s enchantment. . .or die.
Provides articles covering children's literature from around the world as well as biographical and critical reviews of authors including Avi, C.S. Lewis, J.K. Rowling, and Anno Mitsumasa.
They call him the Hound of Hell.... Lord Roland Strathmore has been ordered by the king to find and capture Lady Kyla Warwick, a noblewoman running from rumors of scandal and murder. One of England's fiercest warriors, Strathmore is torn between his loyalty to the king and his pledge to the elusive woman he has never met. For Strathmore was once betrothed to the fiery Lady Kyla--until her family's fall from grace halted plans for their union. When Kyla is seized by Strathmore, she vows to seek vengeance against the man she considers a traitor. But she's surprised when her hatred for her newfound enemy is matched by a powerful attraction--a temptation at odds with her desire to reclaim her freedom. Fueled by his own unspoken passion, Strathmore is willing to risk everything to help his beautiful captive discover the truth about her shocking past--even if only the most desperate act will save her from further ruin...or perhaps even death.
Returning home triumphant from the Crusades, Dominic le Sabre is determined to claim the bride promised to him by the king, but the high-born Celtic beauty is equally determined to resist him.
The Erotics of Grief considers how emotions propagate power by exploring whose lives are grieved and what kinds of grief are valuable within and eroticized by medieval narratives. Megan Moore argues that grief is not only routinely eroticized in medieval literature but that it is a foundational emotion of medieval elite culture. Focusing on the concept of grief as desire, Moore builds on the history of the emotions and Georges Bataille's theory of the erotic as the conflict between desire and death, one that perversely builds a sense of community organized around a desire for death. The link between desire and death serves as an affirmation of living communities. Moore incorporates literary, visual, and codicological evidence in sources from across the Mediterranean—from Old French chansons de geste, such as the Song of Roland and La mort le roi Artu and romances such as Erec et Enide, Philomena, and Floire et Blancheflor; to Byzantine and ancient Greek novels; to Middle English travel narratives such as Mandeville's Travels. In her reading of the performance of grief as one of community and remembrance, Moore assesses why some lives are imagined as mattering more than others and explores how a language of grief becomes a common language of status among the medieval Mediterranean elite.
Weaving a tapestry of fact and fiction, Sara Donati’s epic novel sweeps us into another time and place . . . and into a breathtaking story of love and survival in a land of savage beauty. It is December of 1792. Elizabeth Middleton leaves her comfortable English estate to join her family in a remote New York mountain village. It is a place unlike any she has ever experienced. And she meets a man unlike any she has ever encountered—a white man dressed like a Native American: Nathaniel Bonner, known to the Mohawk people as Between-Two-Lives. Determined to provide schooling for all the children of the village, Elizabeth soon finds herself locked in conflict with the local slave owners as well as with her own family. Interweaving the fate of the Mohawk Nation with the destiny of two lovers, Sara Donati’s compelling novel creates a complex, profound, passionate portait of an emerging America. Praise for Into the Wilderness “My favorite kind of book is the sort you live in, rather than read. Into the Wilderness is one of those rare stories that let you breathe the air of another time, and leave your footprints on the snow of a wild, strange place. I can think of no better adventure than to explore the wilderness in the company of such engaging and independent lovers as Elizabeth and her Nathaniel.”—Diana Gabaldon “Each time you open a book you hope to discover a story that will make your spirit of adventure and romance sing. This book delivers on that promise.”—Amanda Quick “A beautiful tale of both romance and survival…Here is the beauty as well as the savagery of the wilderness and, at the core of it all, the compelling story of the love of a man and a woman, both for the untamed land and for one another.”—Allan W. Eckert “Lushly written . . . Exemplary historical fiction.”—Kirkus Reviews “Epic in scope, emotionally intense.”—BookPage
Welcome to the dark side of Camelot. The acclaimed author of Mortal Engines delivers a “powerfully inventive” re-creation of the King Arthur tale (Booklist, starred review). Gwynna is just a girl who is forced to run when her village is attacked and burns to the ground. To her horror, she is discovered, but it is Myrddin the bard, a traveler and spinner of tales, who has found her. He agrees to protect Gwynna if she will agree to be bound in service to him. Gwynna is frightened but intrigued, for this Myrddin serves the young, rough, and powerful Arthur. In the course of their travels, Myrddin transforms Gwynna into the mysterious Lady of the Lake, a boy warrior, and a spy. It is part of a plot to transform Arthur from the leader of a ragtag war-band into King Arthur, the greatest hero of all time. If Gwynna and Myrrdin’s trickery is discovered, what will become of Gwynna? Worse, what will become of Arthur? Only the endless battling, the mighty belief of men, and the sheer cunning of one remarkable girl will tell. “Nodding to canon and history while not particularly following either Reeve, like Myrddin, turns hallowed myth and supple prose to political purposes, neatly skewering the modern-day cult of spin and the age-old trickery behind it. Smart teens will love this.” —Publishers Weekly (starred review) “Is there room for yet another reworking of the Arthur legend? If it’s this one, yes . . . Absorbing, thought-provoking and unexpectedly timely.” —Kirkus Reviews (starred review) “A multilayered tour de force for mature young readers.” —School Library Journal