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Describes the life of the famous composer, who immigrated to the United States at age five and became inspired by the rhythms of jazz and blues in his new home.
Irving Berlin (1888–1989) was unable to read or write music and could only play the piano in the key of F-sharp major; yet, for the first half of the twentieth century he was America's most successful and most representative songwriter, composing such hits as "Alexander's Ragtime Band," "Cheek to Cheek," "Let's Face the Music and Dance," "Puttin' on the Ritz," "White Christmas," "Anything You Can Do," "There's No Business Like Show Business," and "God Bless America." As Thousands Cheer, winner of the Ralph J. Gleason Music Book Award, explores with precision and sensitivity Berlin's long, prolific career; his self-doubt and late-blooming misanthropy; and the tyrannical control he exerted over his legacy of song. From his immigrant beginnings through Tin Pan Alley, Broadway, and Hollywood to his reclusive and bitter final years, this definitive biography reveals the man who wrote 1500 songs but could never quash the fear that, for all his success, he wasn't quite good enough.
From the prizewinning Jewish Lives series, a fast†‘moving, musically astute portrait of arguably the greatest composer of American popular music Irving Berlin (1888–1989) has been called—by George Gershwin, among others—the greatest songwriter of the golden age of the American popular song. “Berlin has no place in American music,” legendary composer Jerome Kern wrote; “he is American music.” In a career that spanned an astonishing nine decades, Berlin wrote some fifteen hundred tunes, including “Alexander’s Ragtime Band,” “God Bless America,” and “White Christmas.” From ragtime to the rock era, Berlin’s work has endured in the very fiber of American national identity. Exploring the interplay of Berlin’s life with the life of New York City, noted biographer James Kaplan offers a visceral narrative of Berlin as self†‘made man and witty, wily, tough Jewish immigrant. This fast†‘paced, musically opinionated biography uncovers Berlin’s unique brilliance as a composer of music and lyrics. Masterfully written and psychologically penetrating, Kaplan’s book underscores Berlin’s continued relevance in American popular culture. About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award. More praise for Jewish Lives: “Excellent.” – New York times “Exemplary.” – Wall St. Journal “Distinguished.” – New Yorker “Superb.” – The Guardian
"God Bless America", "White Christmas", and "There's No Business Like Show Business" are just some of the more than 1,000 songs written by Irving Berlin. Here is an affectionate, intimate, frank memoir of America's most famous and enduring songwriter of this century by his daughter. Photos.
The Irving Berlin Reader offers fascinating glimpses the life and work of this most famous of American songwriters. Berlin is presented here in full through writings from his earliest years to the present, including Berlin's own thoughts on songwriting. Many of the articles are otherwise difficult or impossible to find, and all are expertly contextualized by Ben Sears's introductions.
This picture-book biography examines the life of Irving Berlin, one of the most well-known composers in America.
When he was just 13 years old, a young Russian immigrant named Izzy Baline left his New York City home and had to support himself. It was a struggle for several years, as he sang for pennies and often slept in flophouses or on park benches. Soon after changing his name to Irving Berlin and writing a series of hit songs, he became rich beyond his wildest imagination. For several decades, he was the most successful composer of American pop music. He wrote White Christmas, which broke sales records for years. Starting in the mid-1950s with the rise of Elvis Presley and rock and roll music, Berlin eventually lost nearly all of his popularity. Yet in the aftermath of the horrible events of September 11, 2001, the citizens of this nation needed a certain type of music to remind them what a great country it is. Irving Berlin s God Bless America supplied that need.
An inspiring portrait of an immigrant and the gift he gave his new home. Persecuted as Jews, Izzy Baline and his family emigrated from Russia to New York, where he fell in love with his new country. He heard music everywhere and was full to bursting with his own. Izzy's thump-two-three, ting-a-ling, whee tunes soon brought him acclaim as the sought-after songwriter Irving Berlin. He ignited the imaginations of fellow countrymen and women with his Broadway and Hollywood numbers, crafting tunes that have become classics we still sing today. But when darker times came and the nation went to war, it was time for Irving to compose a new kind of song: A boom-rah-rah song. A big brass belter. A loud heart-melter. A song for America. And so "God Bless America" was born, the heart swelling standard that Americans have returned to again and again after its 1918 composition. This is the tale of how a former refugee gave America one of its most celebrated patriotic songs. With stirring, rhythmic text by Adah Nuchi and delightful, energetic art by Rob Polivka, readers will be ready to hum along to this exuberant picturebook.
From patriotic "God Bless America" to wistful "White Christmas," Irving Berlin's songs have long accompanied Americans as they fall in love, go to war, and come home for the holidays. Irving Berlin's American Musical Theater is the first book to fully consider this songwriter's immeasurable influence on the American stage. Award-winning music historian Jeffrey Magee chronicles Berlin's legendary theatrical career, providing a rich background to some of the great composer's most enduring songs, from "There's No Business Like Show Business" to "Puttin' on the Ritz." Magee shows how Berlin's early experience singing for pennies made an impression on the young man, who kept hold of that sensibility throughout his career and transformed it into one of the defining attributes of Broadway shows. Magee also looks at darker aspects of Berlin's life, examining the anti-Semitism that Berlin faced and his struggle with depression. Informative, provocative, and full of colorful details, this book will delight song and theater aficionados alike as well as anyone interested in the story of a man whose life and work expressed so well the American dream.
To chronicle the life of "America's songster", Furia draws on original research and documents from the Berlin estate to provide a full picture of Berlin's life and achievements. 30 illustrations. Index. Sonography.