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The former German U-boat commander Herbert Werner navigates readers through the waters of World War II, recounting four years of the most significant and savage battles. By war's end, 28,000 out of 39,000 German sailors had disappeared beneath the waves.
The USS Monitor famously battled the CSS Virginia (the armored and refitted USS Merrimack) at Hampton Roads in March 1862. This updated edition of David A. Mindell's classic account of the ironclad warships and the human dimension of modern warfare commemorates the 150th anniversary of this historic encounter. Mindell explores how mariners—fighting "blindly," below the waterline—lived in and coped with the metal monster they called the "iron coffin." He investigates how the ironclad technology, new to war in the nineteenth century, changed not only the tools but also the experience of combat and anticipated today’s world of mechanized, pushbutton warfare. The writings of William Frederick Keeler, the ship’s paymaster, inform much of this book, as do the experiences of everyman sailor George Geer, who held Keeler in some contempt. Mindell uses their compelling stories, and those of other shipmates, to recreate the thrills and dangers of living and fighting aboard this superweapon. Recently, pieces of the Monitor wreck have been raised from their watery grave, and with them, information about the ship continues to be discovered. A new epilogue describes the recovery of the Monitor turret and its display at the USS Monitor Museum in Newport News, Virginia. This sensitive and enthralling history of the USS Monitor ensures that this fateful ship, and the men who served on it, will be remembered for generations to come.
A wounded Nazi Germany U-boat limps toward the coast of Louisiana, where the crew's only chance of survival rests with an isolated clan of Cajuns who do not recognize any government nor the war. Original.
When his father is killed fighting for the Union in the War Between the States, thirteen-year-old Tom Carroll must take a job to help support his family. He manages to find work at a bustling ironworks in his hometown of Brooklyn, New York, where dozens of men are frantically pounding together the strangest ship Tom has ever seen. A ship made of iron. Tom becomes assistant to the ship's inventor, a gruff, boastful man named Captain John Ericsson. He soon learns that the Union army has very important plans for this iron ship called the Monitor. It is supposed to fight the Confederate "sea monster"--another ironclad--the Merrimac. But Ericsson is practically the only person who believes the Monitor will float. Everyone else calls it "Ericsson's Folly" or "the iron coffin." Meanwhile, Tom's position as Ericsson's assistant has made him a target of Confederate spies, who offer him money for information about the ship. Tom finds himself caught between two certain dangers: an encounter with murderous spies and a battle at sea in an iron coffin
The crucifix is in! You can fool most of the people most of the time. In The God Con, Lee Moller, a life-long atheist and skeptic, looks at organized religion through the lens of the con. Organized religion has been selling an invisible product, that it never has to deliver, for thousands of years. It has given us bigotry, rampant pedophilia, terrorism, and bloodshed beyond imagining. And its acolytes have, in turn, given organized religion power over their bank accounts, their reproduction, and their very “souls”.
Macabre tales of death and mourning in Victorian America.
Ned and Nancy track down a ghostly saboteur in the twenty-third book in the Nancy Drew Diaries series, a fresh approach to a classic series. Nancy and Ned are visiting Coffin Hall, an estate turned rare books library, doing research on the library’s rumored ghost for an episode of the NedTalks podcast when a fire breaks out in the records room. One of the library’s security guards accuses Ned of arson—after all, he was the only one in the room when the fire started—but Ned swears it wasn’t him. He was trying to stop the fire. He tells Nancy he saw a lady in blue right before the incident, and thinks it was Henrietta Coffin, the ghost of Coffin Hall! Nancy is confident her boyfriend is innocent, and she’s determined to identify the real culprit, though she’s pretty sure it wasn’t of the paranormal sort. When she investigates further, she learns that the fire was just the latest in a string of recent strange and inexplicable incidents plaguing Coffin Hall. It’s increasingly apparent that someone has more than a passing interest in shutting down the library. But who—or what—is responsible? And why?
“A lifetime’s worth of workbench philosophy in a heartfelt memoir about the connection between a father and son” (Kirkus Reviews)—the acclaimed author of The Hard Way on Purpose confronts mortality, survives loss, and finds resilience through an unusual woodworking project—constructing, with his father, his own coffin. David Giffels grew up fascinated by his father’s dusty, tool-strewn workshop and the countless creations it inspired. So when he enlisted his eighty-one-year-old dad to help him build his own casket, he thought of it mostly as an opportunity to sharpen his woodworking skills and to spend time together. But the unexpected deaths of his mother and, a year later, his best friend, coupled with the dawning realization that his father wouldn’t be around forever for such offbeat adventures—and neither would he—led to a harsh confrontation with mortality and loss. Over the course of several seasons, Giffels returned to his father’s barn in rural Ohio, a place cluttered with heirloom tools, exotic wood scraps, and long memory, to continue a pursuit that grew into a meditation on grief and optimism, a quest for enlightenment, and a way to cherish time with an aging parent. With wisdom and humor, Giffels grapples with some of the hardest questions we all face as he and his father saw, hammer, and sand their way through a year bowed by loss. Furnishing Eternity is “an entertaining memoir that moves through gentle absurdism to a poignant meditation on death and what comes before it” (Publishers Weekly). “Tender, witty and, like the woodworking it describes, painstakingly and subtly wrought. Furnishing Eternity continues Giffels’s unlikely literary career as the bard of Akron, Ohio…Only a very skilled engineer of a writer can transform the fits and starts, the fitted corners and sudden gouges of the assembly process into a kind of page-turning drama” (The New York Times Book Review).