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This collection charts the vital contextual backgrounds to James Joyce's life and writing. The essays collectively show how Joyce was rooted in his times, how he is both a product and a critic of his multiple contexts, and how important he remains to the world of literature, criticism and culture.
Examines the relationship between Yeats, Irish literary nationalism and the publishing industry during the Irish Literary Revival in the late Nineteenth Century. It highlights the factors that shaped Yeats Irish literary nationalism and examines the way he continually modified his journalism and poetry to accommodate the often antagonistic perspectives of his Catholic, Protestant and Unionist editors and readers on contemporary political and cultural issues. Yeats' texts are read not just as aesthetic artifacts but as documents of their time, caught in the complexities of Irish politics and literary nationalism and influenced by fiercely partisan editorial advocacy and agendas. In doing so it illustrates that the standards bequeathed by Yeats' Celtic nationalism can be radically revised. This books sheds new light on the Irish Literary Revival which was propagated through the periodical press. By reinserting Yeats' texts into their environment of primary publication, and rereading them in the contexts for which they were first written, this study significantly enhances our understanding of that time. It casts an entirely new light on a text's meaning and significance, and poses radical challenges to the established canon.
First published in 1979, Irish Identity and the Literary Revival, through the works of W.B. Yeats, James Joyce, J. M. Synge, and Sean O’Casey, documents the complex spectrum of political, social and other pressures that helped fashion modern Ireland. At least three sets of cultural assumptions coexisted in Ireland during the years between 1890 and 1930, -- English, Irish and Anglo-Irish, each united by a common language but divided by considerable tensions and strain. The question of Irish identity forms the central theme of the study, and illustrates how it was a major, even obsessive concern for these writers. Subsidiary and interwoven themes constantly recur. Themes such as the concepts of the peasant and the hero, political nationalism, the meaning of Ireland’s history and the validity of her cultural traditions. Rather than use the literature concerned as merely endorsing evidence for a sociological or political thesis, this study allows its major themes and issues to emerge and develop from direct and close study of the work of the writers. This book will be of interest to students of literature and history.
Selina Guinness (Dun Laoghaire) Ireland through the stereoscope: reading the cultural politics of theosophy in the Irish Literary Revival Leeann Lane DCU) 'There are compensations in the congested districts for their poverty': � and the idealized peasant of the agricultural co-operative movement Liam MacMath�na (DCU) From manuscripts to street signs via S�adna: the Gaelic League and the changing role of literacy in Irish, 1875-1915 "na N� Bhroim�il (Mary Immac.) American influence on the Gaelic League: inspiration or control? Mary Stakelum (UL) A song to sweeten Ireland's wrong: music education and the Celtic Revival Elizabeth Crooke (UU) Revivalist archaeology and museum politics during the Irish Revival Janice Helland (Queen's, King.) Embroidered spectacle: Celtic Revival as aristocratic display Elaine Cheasley Paterson (QUB) Crafting a national identity: the Dun Emer Guild, 1902-8 Marnie Hay (UCD) Explaining Uladh: cultural nationalism in Ulster Lucy McDiarmid (Villanova U) Revivalist belligerence: three controversies Alex Davis (UCC) Whoops from the peat-bog?: Joseph Campbell and the London avant-garde Maria O'Brien (UU) Thomas William Rolleston: the forgotten man G.K. Peatling (Guelph U) Robert Lynd, paradox and the Irish revival: 'Acting-out' or 'Working-through'? Brian Griffin (Bath Spa) The Revival at local level: Katherine Frances Purdon's portrayal of rural Ireland Michael McAteer A currency crisis: modernist dialectics in The Countess Cathleen Mary Burke (QUB) Eighteenth-century European scholarship and nineteenth-century Irish literature: Synge's Tinker's Wedding and the orientalizing of 'Irish Gypsies' Patrick Lonergan (NUIG) 'The sneering, lofty conception of what they call culture': O'Casey, popular culture and the Literary Revival
Handbook of the Irish Revival collects for the first time many of the essays, articles, and letters written during the Revival.
This book is the first comprehensive critical assessment of the aesthetic and social ideals of Lady Augusta Gregory, founder, patron, director, and dramatist of the Abbey Theatre in Dublin. It elaborates on her distinctive vision of the social role of a National Theatre in Ireland, especially in relation to the various reform movements of her age: the Pre-Raphaelite Movement, the Co-operative Movement, and the Home Industries Movement. It illustrates the impact of John Ruskin on the aesthetic and social ideals of Lady Gregory and her circle that included Horace Plunkett, George Russell, John Millington Synge, William Butler Yeats, and George Bernard Shaw. All of these friends visited the celebrated Gregory residence of Coole Park in Country Galway, most famously Yeats. The study thus provides a pioneering evaluation of Ruskin’s immense influence on artistic, social, and political discourse in Ireland in the late nineteenth and early twentieth century.
Irish and English on opposite pages - I Being chapter VI of the Songs of Connacht, now for the first time collected, edited and translated - II Being chapter VII of the Songs of Connacht, now for the first time collected, edited, and translated Vol 1 is paperback edn and vol 2 is hard back.
This educational edition, with the full play text and an introduction to the playwright, features a detailed analysis of the language, structure and characters of the play, and textual notes explaining difficult words and references. It contains: - The full playtext - An introduction to the playwright, his background and his work - A detailed analysis of language, structure and characters in the play - Features of performance - Textual notes explaining difficult words and references
A History of Irish Women's Poetry is a ground-breaking and comprehensive account of Irish women's poetry from earliest times to the present day. It reads Irish women's poetry through many prisms – mythology, gender, history, the nation – and most importantly, close readings of the poetry itself. It covers major figures, such as Máire Mhac an tSaoi, Eavan Boland, Eiléan Ní Chuilleanáin, as well as neglected figures from the past. Writing in both English and Irish is considered, and close attention paid to the many different contexts in which Irish women's poetry has been produced and received, from the anonymous work of the early medieval period, through the bardic age, the coterie poets of Anglo-Ireland, the nationalist balladeers of Young Ireland, the Irish Literary Revival, and the advent of modernity. As capacious as it is diverse, this book is an essential contribution to scholarship in the field.