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This classic collection provides fretted dulcimer players with an authentic Irish repertoire. The 31 selections include jigs, slides, hornpipes, polkas, reels, slow airs, harp tunes, and songs. Accompaniment chords and musical notation are provided for other instruments. The modal music of Ireland fits well to the modal techniques and nuances of the dulcimer. It can drone like the uillean pipes, be rhythmic as a bodhran, and melodic like a fiddle. Lois gives the dulcimer player an important introduction to the techniques of applying Irish music to the dulcimer. Consider this the beginning of a new approach to an old music, and a point of departure for your own interpretations of tunes you love
A collection of songs, jigs, hornpipes, airs, polkas, and marches from the Celtic lands of Scotland, Ireland, and England. the songs are arranged for mountain dulcimer primarily in 1-5-8 (Mixolydian) tuning, along with a few tunes in 1-5-5 (Ionian) tuning. the arrangements make use of the capo, as well as playing tunes in Em and Bm, and include a Part II for a suggested harmony on selected songs.. the book is accompanied by a CD recording of each tune. Song titles include: George Brabazon, Off She Goes, Irish Lamentation, Keel Row, Water Is Wide, Loch Lomond, Foggy Dew, and many more. Intermediate playing level suggested.
In folk tradition, stories of love lost, betrayal, jealousy, conflict, emigration, and the supernatural are often immortalized in songs of many traditions, demonstrating that singing has been a universal vehicle for the human condition. the criteria for this wonderful collection of prose and melodies is from Celtic traditions that have been with us for hundreds of years. These compositions have been arranged so that each will work both as an air and as a song. All of the selections in the book appear on the companion CD.
Of all the mountain dulcimer books published over the past 20 years, this book is the jam-session standard. Contains 40 favorite fiddle tunesthat can easily be played in the regular keys and upto speed. In notation and tablature. Level of difficulty - intermediate. (Arranged for the beginner to advanced player intraditional keys fo they can be played with other instruments. Accompaniment chords included.)**Note - only 25 songs of the 40 total from the book are on online audio
This book is to encourage dulcimer players at the intermediate-to-advanced level to play the “right” way. If you’re going to play a few Irish tunes, why not play them the way they were intended to be played? Then you can enjoy what other Irish musicians have enjoyed for hundreds of years. This book can teach you several basic, simple techniques that create the feel of traditional Irish music.
Dulcimer Jam takes common and obscure tunes heard in jam sessions and arranges them for hammered dulcimer, fretted dulcimers (with tablature), and other instruments to play in a jam session setting.
Perhaps no instrument better represents the music of Appalachia than the fretted dulcimer. The instrument was no longer confined to back porches and local music halls when Jean Ritchie so melodically thrust herself and her dulcimer into the national limelight during the folk revival of the 1950s. But where did the dulcimer, known to exist in no other folk culture in the world, come from? In The Story of the Dulcimer, Ralph Lee Smith traces the dulcimer's beginnings back to European immigration to America in the eighteenth and early nineteenth centuries. As German immigrants settled in Pennsylvania and Appalachia, they brought with them scheitholts, a type of northern European fretted zither. As German immigrants intermingled with English and Scotch-Irish immigrants, the scheitholt, which was customarily played to a slower tempo in German cultural music, began to be musically integrated into the faster tempos of English and Scotch-Irish ballads and folk songs. As Appalachia absorbed an increasing flow of English and Scotch-Irish immigrants and the musical traditions they brought with them, the scheitholt steadily evolved into an instrument that reflected this folk music amalgamation, and the modern dulcimer was born. In this second edition, Smith brings the dulcimer's history into the twenty-first century with a new preface and updates to the original edition. Copiously illustrated with images of both antique scheitholts and contemporary dulcimers, The Story of the Dulcimer is a testament to the enduring musical heritage of Appalachia and solves one of the region's musical mysteries.
This collection presents a colorful array of music for the fretted dulcimer illustrating a wide variety of playing styles and techniques. Mel Bay Publications asked Loisto author this method book/collection because of the adventurous diversity of her playing techniques and musical interests. It is a tour de force of mountain dulcimer playing techniques, ranging from traditional southern Appalachian to Cajun music, cowboy songs, sea chanteys, black spirituals, traditional Irish, Scottish, and English music, camp-meeting songs, and European, Mexican, Israeli, and Oriental folk music. The book also offer basic instruction on reading music and tablature, right- and left-hand techniques such as hammer-ons and pull-offs, strumming, fingerpicking, flatpicking, various tunings, and accompaniment chords. The pieces themselves are arranged in notation and tablature for the three-string dulcimer in a variety of tunings with lyrics where appropriate
"The Miracle Dulcimer" describes the instant-play method, how to get started with the dulcimer, tips on how to start a group for regularly playing music, personal stories, and a collection of 27 songs. The Miracle Dulcimer's 27 easy-play songs and instant-play method is ideal for individuals and groups who wish to play music but lack the skill or desire to learn. Natalie Buske Thomas, author of the Serena Wilcox Mysteries, created The Miracle Dulcimer Method when her mother was terminally ill, to enable her mother to instantly play music, without ever having played an instrument before and without any knowledge of how to read sheet music. The Miracle Dulcimer Method is a good option for anyone who wishes to play a real musical instrument (a mountain dulcimer, relatively inexpensive and can even be built from a kit) but lacks the ability or the desire to learn an instrument. This method is a wonderful solution for people with disabilities, special needs, and anyone who would benefit from music therapy. The instant-play method is also a great fit for playing music in groups, such as in church or community centers -- non musicians and children can play right away -- an excellent choice for fellowship and social events for people from all walks of life, mixed ages, and skill levels beginning with "never played an instrument before." Whether you are looking for a new option for a community group, seeking music therapy for yourself or a loved one, or you simply want to play music without the hassle of learning how, this book is for you!
Words and music for 16 songs from The Ritchie Family of Kentucky. How to tune and play and recollections of the dulcimer's local history. Illustrations and drawings.