Download Free The Irish Citizen 1912 1920 Book in PDF and EPUB Free Download. You can read online The Irish Citizen 1912 1920 and write the review.

With five Nobel Prize-winners, seven Pulitzer Prize-winners and two Booker Prize-winning novelists, modern Irish writing has contributed something special and permanent to our understanding of the twentieth century. Irish Writing in the Twentieth Century provides a useful, comprehensive and pleasurable introduction to modern Irish literature in a single volume. Organized chronologically by decade, this anthology provides the reader with a unique sense of the development and richness of Irish writing and of the society it reflected. It embraces all forms of writing, not only the major forms of drama, fiction and verse, but such material as travel writing, personal memoirs, journalism, interviews and radio plays, to offer the reader a complete and wonderfully varied sense of Ireland's contribution our literary heritage. David Pierce has selected major literary figures as well as neglected ones, and includes many writers from the Irish diaspora. The range of material is enormous, and ensures that work that is inaccessible or out of print is now easily available. The book is a delightful compilation, including many well known pieces and captivating "discoveries," which anyone interested in literature will long enjoy browsing and dipping into.
A major new history of the experiences and activities of Irish nationalist women in the early twentieth century.
A New History of Ireland is the largest scholarly project in modern Irish history. In 9 volumes, it provides a comprehensive new synthesis of modern scholarship on every aspect of Irish history and prehistory, from the earliest geological and archaeological evidence, through the Middle Ages, down to the present day. Volume VII covers a period of major significance in Ireland's history. It outlines the division of Ireland and the eventual establishment of the Irish Republic. It provides comprehensive coverage of political developments, north and south, as well as offering chapters on the economy, literature in English and Irish, the Irish language, the visual arts, emigration and immigration, and the history of women. The contributors to this volume, all specialists in their field, provide the most comprehensive treatment of these developments of any single-volume survey of twentieth-century Ireland.
This collection explores how the British left has interacted with the ‘Irish question’ throughout the twentieth century, the left’s expression of solidarity with Irish republicanism and relationships built with Irish political movements. Throughout the twentieth century, the British left expressed, to varying degrees, solidarity with Irish republicanism and fostered links with republican, nationalist, socialist and labour groups in Ireland. Although this peaked with the Irish Revolution from 1916 to 1923 and during the ‘Troubles’ in the 1970s–80s, this collection shows that the British left sought to build relationships with their Irish counterparts (in both the North and South) from the Edwardian to Thatcherite period. However these relationships were much more fraught and often reflected an imperial dynamic, which hindered political action at different stages during the century. This collection explores various stages in Irish political history where the British left attempted to engage with what was happening across the Irish Sea. The chapters in this book were originally published in the journal, Contemporary British History.
Women, Press, and Politics explores the literary and historical significance of women writing for the most influential body of nationalist journalism during the Irish revival, the advanced nationalist press. This work studies women’s writings in the Irish national tradition, focusing in particular on leading feminine voices in the cultural and political movements that helped launch the Eater Rising of 1916: Augusta Gregory, Alice Milligan, Maud Gonne, Constance Markievicz, Delia Larkin, Hanna Sheehy Skeffington, and Louie Bennett. Karen Steele argues that by examining the innovative work of these writers from the perspective of women’s artistry and women’s political investments, we can best appreciate the expansive range of their cultural productions and the influence these had on other nationalists, who went on to shape Irish politics and culture in the decades to come.
This ambitious book explores challenges to male hegemony throughout continental Europe over the past 250 years. For general readers and those interested primarily in the historical record, it provides a comprehensive, comparative account of feminist developments in European societies, as well as a rereading of European history from a feminist perspective. By placing gender, or relations between women and men, at the center of European politics, it aims to reconfigure our understanding of the European past and to make visible a long but neglected tradition of feminist thought and politics. On another level the book seeks to disentangle some misperceptions and to demystify some confusing contemporary debates about the Enlightenment, reason, nature, and public vs. private, equality vs. difference. In the process, the author aims to show that gender is not merely 'a useful category of analysis', but that sexual difference lies at the heart of human thought and politics.
This landmark book, reissued with a new foreword to mark the centenary of Irish women being granted the right to vote, is the first comprehensive analysis of the Irish suffrage movement from its mid-nineteenth-century beginnings to when feminist militancy exploded on the streets of Dublin and Belfast in the early twentieth century. Younger, more militant suffragists took their cue from their British counterparts, two of whom travelled to Ireland to throw a hatchet into the carriage of Prime Minister Herbert Asquith on O’Connell Bridge in 1912 (missing him but grazing Home Rule leader John Redmond, who was in the same carriage; both politicians opposed giving women the Vote). Despite such dramatic publicity, and other non-violent campaigning, women’s suffrage was a minority interest in an Ireland more concerned with the issue of gaining independence from Britain. The particular complexity of the Irish struggle is explored with new perspectives on unionist and nationalist suffragists and the conflict between Home Rule and suffragism, campaigning for the vote in country towns, life in industrial Belfast, conflicting feminist views on the First World War, and the suffragist uncovering of sexual abuse and domestic violence, as well as the pioneering use of hunger strike as a political tool. The ultimate granting of the franchise in 1918 represented the end of a long-fought battle by Irish women for the right to equal citizenship, and the beginning of a new Ireland that continues to debate the rights and equality of its female citizens.
This book discusses little-known linkages between two seemingly distant peoples, the Polish and the Irish, whose historical experiences share important similarities. Both Ireland and Poland have been subject to foreign rule, which they overturned in 1916 and 1918 respectively. Their predominantly Catholic societies were among the first to grant voting rights to women a century ago. This volume uses the centenary of both Ireland and Poland (re)gaining national independence and the political empowerment of women in these countries as a point of departure to analyse selected aspects of Polish and Irish people’s struggle for autonomy. Cases of mutual assistance, including the awareness-raising campaigns organized by Western women in support of the independence and suffragist movements in Poland, are presented along with examples of grassroots self-organization, foreign press coverage, and military and diplomatic efforts to empower the Poles and the Irish.
Literature from the 'political' 1930s has often been read in contrast to the 'aesthetic' 1920s. This collection suggests a different approach. Drawing on recent work expanding our sense of the political and aesthetic energies of interwar modernisms, these chapters track transitions in British literature. The strains of national break-up, class dissension and political instability provoked a new literary order, and reading across the two decades between the wars exposes the continuing pressure of these transitions. Instead of following familiar markers - 1922, the Crash, the Spanish Civil War - or isolating particular themes from literary study, this collection takes key problems and dilemmas from literature 'in transition' and reads them across familiar and unfamiliar cultural works and productions, in their rich and contradictory context of publication. Themes such as gender, sexuality, nation and class are thus present throughout these essays. Major writers such as Woolf are read alongside forgotten and marginalised voices.