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This book radically reassesses the reform of the Irish Church in the twelfth century, on its own terms and in the context of the English Invasion that it helped precipitate. Professor Ó Corráin sets these profound changes in the context of the pre-Reform Irish church, in which he is a foremost expert. He re-examines how Canterbury's political machinations drew its archbishops into Irish affairs, offering Irish kings and bishops unsought advice, as if they had some responsibility for the Irish church: the author exposes their knowledge as limited and their concerns not disinterested. The Irish Church, its Reform and the English Invasion considers the success of the major reforming synods in giving Ireland a new diocesan structure, but equally how they failed to impose marriage reform and clerical celibacy, a failure mirrored elsewhere.
The Rise and Fall of Christian Ireland describes the emergence, long dominance, sudden division, and recent decline of Ireland's most important religion, as a way of telling the history of the island and its peoples. Throughout its long history, Christianity in Ireland has lurched from crisis to crisis. Surviving the hostility of earlier religious cultures and the depredations of Vikings, evolving in the face of Gregorian reformation in the eleventh and twelfth centuries and more radical protestant renewal from the sixteenth century, Christianity has shaped in foundational ways how the Irish have understood themselves and their place in the world. And the Irish have shaped Christianity, too. Their churches have staffed some of the religion's most important institutions and developed some of its most popular ideas. But the Irish church, like the island, is divided. After 1922, a border marked out two jurisdictions with competing religious politics. The southern state turned to the Catholic church to shape its social mores, until it emerged from an experience of sudden-onset secularization to become one of the most progressive nations in Europe. The northern state moved more slowly beyond the protestant culture of its principal institutions, but in a similar direction of travel. In 2021, 1,500 years on from the birth of Saint Columba, Christian Ireland appears to be vanishing. But its critics need not relax any more than believers ought to despair. After the failure of several varieties of religious nationalism, what looks like irredeemable failure might actually be a second chance. In the ruins of the church, new Patricks and Columbas shape the rise of another Christian Ireland.
The thousand years explored in this book witnessed developments in the history of Ireland that resonate to this day. Interspersing narrative with detailed analysis of key themes, the first volume in The Cambridge History of Ireland presents the latest thinking on key aspects of the medieval Irish experience. The contributors are leading experts in their fields, and present their original interpretations in a fresh and accessible manner. New perspectives are offered on the politics, artistic culture, religious beliefs and practices, social organisation and economic activity that prevailed on the island in these centuries. At each turn the question is asked: to what extent were these developments unique to Ireland? The openness of Ireland to outside influences, and its capacity to influence the world beyond its shores, are recurring themes. Underpinning the book is a comparative, outward-looking approach that sees Ireland as an integral but exceptional component of medieval Christian Europe.
Paralleling his friend Alexis de Tocqueville's visit to America, Gustave de Beaumont traveled through Ireland in the mid-1830s to observe its people and society. In Ireland, he chronicles the history of the Irish and offers up a national portrait on the eve of the Great Famine. Published to acclaim in France, Ireland remained in print there until 1914. The English edition, translated by William Cooke Taylor and published in 1839, was not reprinted. In a devastating critique of British policy in Ireland, Beaumont questioned why a government with such enlightened institutions tolerated such oppression. He was scathing in his depiction of the ruinous state of Ireland, noting the desperation of the Catholics, the misery of repeated famines, the unfair landlord system, and the faults of the aristocracy. It was not surprising the Irish were seen as loafers, drunks, and brutes when they had been reduced to living like beasts. Yet Beaumont held out hope that British liberal reforms could heal Ireland's wounds. This rediscovered masterpiece, in a single volume for the first time, reproduces the nineteenth-century Taylor translation and includes an introduction on Beaumont and his world. This volume also presents Beaumont's impassioned preface to the 1863 French edition in which he portrays the appalling effects of the Great Famine. A classic of nineteenth-century political and social commentary, Beaumont's singular portrait offers the compelling immediacy of an eyewitness to history.
In 1943, thirty-two Irish POWs refused a Gestapo request to work for Germany. They were sent to a labour camp, where they were starved, beaten and forced to dig the foundations for a Nazi super-structure codenamed Bunker Valentin - an immense U-boat factory. Thousands of the camp's prisoners perished, including five of the Irishmen; bodies fell into the foundations and were never recovered. The surviving Irishmen were saved by the goodwill of decent Germans.Among them was Harry Callan, a Catholic boy from Derry who went to sea at sixteen as a British Merchant Navy seaman. His ship had been captured by a German raider two years before he ended up at the labour camp. Harry was unable to speak about the brutality he experienced for decades after he was liberated. When he finally began to tell his story, his family were shocked by what they heard.In his eighties, Harry agreed to revisit the site of his incarceration. He found local historians had no evidence of the Irish prisoners: they had disappeared from official records. Determined to give his comrades recognition, he began working to preserve their memory. This is the gripping story of Harry's capture, resistance and liberation.But above all, it is the final chapter in his quest to honour the forgotten heroes of Bunker Valentin.
Medieval Ireland is often described as a backward-looking nation in which change only came about as a result of foreign invasions. By examining the wealth of under-explored evidence available, Downham challenges this popular notion and demonstrates what a culturally rich and diverse place medieval Ireland was. Starting in the fifth century, when St Patrick arrived on the island, and ending in the fifteenth century, with the efforts of the English government to defend the lands which it ruled directly around Dublin by building great ditches, this up-to-date and accessible survey charts the internal changes in the region. Chapters dispute the idea of an archaic society in a wide-range of areas, with a particular focus on land-use, economy, society, religion, politics and culture. This concise and accessible overview offers a fresh perspective on Ireland in the Middle Ages and overthrows many enduring stereotypes.
This book presents a fresh perspective on eleventh- and twelfth-century Irish architecture, and a critical assessment of the value of describing it, and indeed contemporary European architecture in general, as “Romanesque”. Medieval Irish Architecture and the Concept of Romanesque is a new and original study of medieval architectural culture in Ireland. The book’s central premise is that the concept of a “Romanesque” style in eleventh- and twelfth-century architecture across Western Europe, including Ireland, is problematic, and that the analysis of building traditions of that period is not well served by the assumption that there was a common style. Detailed discussion of important buildings in Ireland, a place marginalised within the “Romanesque” model, reveals the Irish evidence to be intrinsically interesting to students of medieval European architecture, for it is evidence which illuminates how architectural traditions of the Middle Ages were shaped by balancing native and imported needs and aesthetics, often without reference to Romanitas. This book is for specialists and students in the fields of Romanesque, medieval archaeology, medieval architectural history, and medieval Irish studies.
Situating former Harvard neurosurgeon Dr. Eben Alexander's Near-Death Experience within the ontological landscape of Romanity, or, the 'Byzantine'-Ottoman Continuum of Roman Ecumenicity, namely: Judaism, Christianity, and Islam, God's Gift, World's Deception is a unique exploration of this unique NDE, attesting to its vital and organic ties to those experiences of the New Testament Fathers of the 'Byzantine' Apostolic Catholic Orthodox Church (ἡ τῶν πάντων ἑνότης, the unity of all being/existents), which came to them via theosis. The book claims that Dr. Alexander's experience is indeed a continuation and completion of the theophanic visions of the Old Testament Prophets, and is linked to the imaginal divine becomings of the Koranic Ottoman vahdet-i vücud tasavvuf Masters ('the unity-of-Being' Sufism, in both Sunni and Alevi traditions); but also highlights the distorting effects of the interpretive resources available in the predominantly neo-Gnostic-cratic West (religious and secular), as well as its Globalist agenda, creating an unfit backdrop for an exegetical attempt at the Proof of Heaven Experience. Ultimately, God's Gift, World's Deception reconfirms the engendered existence of the Divine-human Ecumene as a historically spiritual-somatic reflection of the Divine Realm, and, above all, it shows the Theanthropic Lord Jesus Christ as the True Om, the Real Hakîkat-ı Muhammediyye, and the Eternal Tao.