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Although the policy has frequently been dismissed as either incoherent or inconsequential, it very nearly succeeded in its objectives and certainly brought about a profound transformation in the political, social, and economic landscape of Ireland."--BOOK JACKET.
Contains the 4th session of the 28th Parliament through the 1st session of the 48th Parliament.
Éamon de Valera is the most remarkable man in the history of modern Ireland. Much as Churchill personified British resistance to Hitler and de Gaulle personified the freedom of France, de Valera personified Irish independence. From his emergence in the aftermath of the 1916 rebellion as the republican leader, he bestrode Irish politics like a colossus for over fifty years. On the eve of the centenary of the Irish revolution, one of Ireland's most eminent historians explains why Eamon de Valera was such a divisive figure that he has never until now received the recognition he deserves. This biography reconciles an acknowledgement of de Valera's catastrophic failure in 1921-22, when his petulant rejection of the Anglo-Irish Treaty shaped the dimensions of a bloody civil war, with an appreciation of his subsequent greatness as the statesman who single-handedly severed the ties with Britain and defined nationalist Ireland's sense of itself.
Reproduction of the original: English as we speak it in Ireland by P.W. Joyce
Irish Materialisms: The Nonhuman and the Making of Colonial Ireland, 1690-1830, is the first book to apply recent trends in new materialist criticism to Ireland. It radically shifts familiar colonial stereotypes of the feminized, racialized cottier according to the Irish peasantry's subversive entanglement with nonhuman materiality. Each of the chapters engages a focused case study of an everyday object in colonial Ireland (coins, flax, spinning wheels, mud, and pigs) to examine how each object's unique materiality contributed to the colonial ideology of British paternalism and afforded creative Irish expression. The main argument of Irish Materialisms is its methodology: of reading literature through the agency of materiality and nonhuman narrative in order to gain a more egalitarian and varied understanding of colonial experience. Irish Materialisms proves that new materialism holds powerful postcolonial potential. Through an intimate understanding of the materiality Irish peasants handled on a daily basis, this book presents a new portrait of Irish character that reflects greater empowerment, resistance, and expression in the oppressed Irish than has been previously recognized.
Contemporary Irish Documentary Theatre is the first anthology of Irish documentary drama. It features five challenging plays by Irish writers, and one by an international author, interrogating and commenting on crucial events of Irish history and of the diaspora, with introductory essays by established academics. Together these plays represent the most innovative development in contemporary Irish theatre and illuminate the social and political realities of contemporary Ireland. The first two plays, of 2010 and 2013, deal with scandals of clerical and institutional abuse, and use as source material the Ryan Report of 2009, and the documents from the 2008 Irish Bank Guarantee. The next two, of 2014 and 2013, concern interpretations of the most iconic moment of Irish history: the Easter Rising. The first of these is based on published statements of participants in the event and the second on the lived experiences of those in the contemporary Republic whose founding ideals have not been realized . The last two plays, of 2015 and 2016, widen the view to the history of the Irish in the diaspora: one retelling the history of emigration to England based on published research material; and the other tracing Roger Casement's experiences in the Amazon and his subsequent participation in the Easter Rising using extracts from his diaries and other writings. The plays included and discussed are: No Escape by Mary Raftery Guaranteed by Colin Murphy Of This Brave Time by Jimmy Murphy History by Grace Dyas My English Tongue, My Irish Heart by Martin Lynch The Two Deaths of Roger Casement by Domingos Nunez