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The Irish Republican Army (IRA) has for decades pursued the goal of unifying its homeland into a single sovereign nation, ending British rule in Northern Ireland. Over the years, the IRA has been dramatized in motion pictures directed by John Ford (The Informer), Carol Reed (Odd Man Out), David Lean (Ryan's Daughter), Neil Jordan (Michael Collins), and many others. Such international film stars as Liam Neeson, James Cagney, Richard Gere, James Mason and Anthony Hopkins have portrayed IRA members alternately as heroic patriots, psychotic terrorists and tormented rebels. This work analyzes celluloid depictions of the IRA from the 1916 Easter Rising to the peace process of the 1990s. Topics include America's role in creating both the IRA and its cinematic image, the organization's brief association with the Nazis, and critical reception of IRA films in Ireland, Britain and the United States.
Analysing historical and contemporary examples, this book offers a thematically-informed synthesis of influential research on Irish audio-visual culture.
Exhaustively researched and accessibly written, D.W. Griffith: Master of Cinema is a remarkably comprehensive biography of the legendary director and his days creating his craft at the American Biograph Company between 1908 through 1913. Meticulously detailed, utilizing a wealth of archival documents and photographs, the book effectively details Griffith’s place as a film pioneer. Even a casual film fan can see the lines being drawn from the techniques Griffith developed to modern cinematic experience. Ira Gallen’s exploration of Griffith’s family and his early life sets the stage for his career, and give great context for who he would become. His intricate details about early stage and film paint such a vivid and evocative picture of the time that you will be truly drawn into another world while reading it.
"In all film there is the desire to capture the motion of life, to refuse immobility," Agnes Varda has noted. But to capture the reality of human experience, cinema must fasten on stillness and inaction as much as motion. Slow Movies investigates movies by acclaimed international directors who in the past three decades have challenged mainstream cinema's reliance on motion and action. More than other realist art cinema, slow movies by Lisandro Alonso, Nuri Bilge Ceylan, Pedro Costa, Jia Zhang-ke, Abbas Kiarostami, Cristian Mungiu, Alexander Sokurov, Bela Tarr, Gus Van Sant and others radically adhere to space-times in which emotion is repressed along with motion; editing and dialogue yield to stasis and contemplation; action surrenders to emptiness if not death.
This timely collection of essays considers the nature and direction of Irish film and television, and also explores the contributions of other media including radio and the internet to contemporary Irish culture. It includes topics such as the first Irish-language soap opera, the new Irish gangsters, Irish identity post-11 September, images of Belfast in recent Irish film, female punishment in Irish history and culture, and print and radio coverage of the `Roy Keane affair' as a proving ground for new Irish masculinity. Keeping it Real: Irish Film and Television reflects a desire to hear new voices on new topics, as well as a current popular and academic desire to extend the notion of Irishness to include not just the inhabitants of the State but also the wider diaspora - particularly of Great Britain and North America, questioning issues of national identity and ethnicity - and is therefore required reading for those interested in Irish film, media and cultural studies.
Behind the Mask is the most comprehensive investigation available of the rise of the IRA and its political wing, Sinn Fein. Author Peter Taylor has achieved unprecedented access to IRA members and documents, Irish and British soldiers, politicians, and eyewitnesses to The Troubles. From the Easter rising in 1916 to the ceasefire in effect today, the history and politics of the conflict are laid out here with deadly clarity.
Sliver, Ira Levin’s chilling tale of psychological suspense, takes readers on a twisted journey of obsession and seduction inside a glittering New York City high-rise. This edition includes a brand-new foreword by award-winning screenwriter and producer Rockne S. O’Bannon. When successful book editor Kay Norris moves into a high-end “sliver” building on the Upper East Side of Manhattan, little does she realize her every move is being monitored by an intricate system of surveillance cameras watched by a mysterious voyeur. As she delves deeper into the unsettling truth behind this surveillance, Kay becomes entangled in an extremely dangerous game—where nothing is as it seems, and one false move could spell disaster. A sinuously erotic thriller, Sliver’s atmospheric setting, “Fabergé egg” construction (Peter Straub), and characters drawn with “a texture and a reality that’s almost eerie” (Stephen King) evoke Levin’s signature bestsellers Rosemary’s Baby and The Stepford Wives and showcase his unparalleled ability to captivate readers and leave them questioning their sense of security and reality. Adapted into a major motion picture starring Sharon Stone, Sliver will grip you with its exploration of the darkest depths of human behavior and the inescapable lure of voyeurism in the digital age.
Would the 'real' IRA please stand up? Why, and how, the IRA splintered. The Real IRA, the Continuity IRA, the Irish National Liberation Army, the Official IRA and the Provisional IRA have all assumed responsibility for the struggle for Irish freedom over the course of the late-20th century. Yet as recently as 1969 there was only one Irish Republican Army trying to unify Ireland using physical force., Andrew Sanders explains how and why the transition from one IRA to several IRAs occurred, analysing all the dissident factions that have emerged since the outbreak of the Northern Ireland troubles. He looks at why these groups emerged, what their respective purposes are, and why, in an era of relative peace and stability in Northern Ireland, they seek to prolong the violence that cost over 3500 lives.
The Great War is over, and change is in the air, in this novel that brings to life the exciting days of early British radio…and one woman who finds her voice while working alongside the brilliant women and men of the BBC. London, 1926. American-raised Maisie Musgrave is thrilled to land a job as a secretary at the upstart British Broadcasting Corporation, whose use of radio—still new, strange, and electrifying—is captivating the nation. But the hectic pace, smart young staff, and intimidating bosses only add to Maisie’s insecurity. Soon, she is seduced by the work—gaining confidence as she arranges broadcasts by the most famous writers, scientists, and politicians in Britain. She is also caught up in a growing conflict between her two bosses, John Reith, the formidable Director-General of the BBC, and Hilda Matheson, the extraordinary director of the hugely popular Talks programming, who each have very different visions of what radio should be. Under Hilda’s tutelage, Maisie discovers her talent, passion, and ambition. But when she unearths a shocking conspiracy, she and Hilda join forces to make their voices heard both on and off the air…and then face the dangerous consequences of telling the truth for a living. READERS GUIDE INCLUDED
A portrayal of the Irish Republican Army includes coverage of its associations with Qaddafi's regime, Margaret Thatcher's secret diplomacy with Gerry Adams, and the Catholic Church's negotiations with Republican leadership.