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This text explores the role of the media in the American electoral process, focusing on Iowa as a prism on the national scene. The author examines the beginning of the precinct caucuses and the events which thrust them into the political spotlight in the early 1970s.
If Barack Obama had not won in Iowa, most commentators believe that he would not have been able to go on to capture the Democratic nomination for president. Why Iowa? offers the definitive account of those early weeks of the campaign season: from how the Iowa caucuses work and what motivates the candidates’ campaigns, to participation and turnout, as well as the lingering effects that the campaigning had on Iowa voters. Demonstrating how “what happens in Iowa” truly reverberates throughout the country, five-time Iowa precinct caucus chair David P. Redlawsk and his coauthors take us on an inside tour of one of the most media-saturated and speculated-about campaign events in American politics. Considering whether a sequential primary system, in which early, smaller states such as Iowa and New Hampshire have such a tremendous impact is fair or beneficial to the country as a whole, the authors here demonstrate that not only is the impact warranted, but it also reveals a great deal about informational elements of the campaigns. Contrary to conventional wisdom, this sequential system does confer huge benefits on the nominating process while Iowa’s particularly well-designed caucus system—extensively explored here for the first time—brings candidates’ arguments, strengths, and weaknesses into the open and under the media’s lens.
Smaller in population than several U.S. cities, the state of Iowa has become an unexpected and unparalleled proving ground for would-be presidential candidates. The Iowa caucuses provide a unique brand of retail politics, on the decline in an age of multi-million dollar advertising blitzes. Potential candidates have gone to extraordinary lengths to impress Iowa's voters, dying their hair, changing their wardrobes, posing--and giving speech after speech. This book chronicles the most important events of each Iowa caucus since 1972 and reveals how the unassuming Midwestern state came to be an unlikely powerhouse in presidential politics.
Simple text and illustrations explain university life.
Winner of the third biennial Center for Documentary Studies/Honickman First Book Prize Robert Frank, Prize Judge In Driftless, Danny Wilcox Frazier's dramatic black-and-white photographs portray a changing Midwest of vanishing towns and transformed landscapes. As rural economies fail, people, resources, and services are migrating to the coasts and cities, as though the heart of America were being emptied. Frazier's arresting photographs take us into Iowa's abandoned places and illuminate the lives of those people who stay behind and continue to live there: young people at leisure, fishermen on the Mississippi, veterans on Memorial Day, Amish women playing cards, as well as more recent arrivals: Lubavitcher Hasidic Jews at prayer, Latinos at work in the fields. Frazier's camera finds these newcomers while it also captures activities that seemingly have gone on forever: harvesting and hunting, celebrating and socializing, praying and surviving. This collection of photographs is a portrait of contemporary rural Iowa, but it is also more that that. It shows what is happening in many rural and out-of-the-way communities all over the United States, where people find ways to get by in the wake of closing factories and the demise of family farms. Taken by a true insider who has lived in Iowa his entire life, Frazier's photographs are rich in emotion and give expression to the hopes and desires of the people who remain, whose needs and wants are complicated by the economic realities remaking rural America. Poetic and dark but illuminated with flashes of insight, Frazier's stunning images evoke the brilliance of Robert Frank's The Americans. To view an image gallery, click here.
An overview of Iowa's Native American tribes that discusses their history, culture, language, and traditions, and includes illustrations.