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A central, although unappreciated, dimension of psychoanalysis is the complex oral tradition through which analysts verbally reconstruct their lives and careers. The Inward Eye captures a significant portion of this tradition. In a series of interviews initially conceived as an aspect of their psychoanalytic education, Laurie Raymond and Susan Rosbrow-Reich skillfully elicit the fascinating personal stories of 16 senior analysts. The interviewees, who represent diverse theoretical traditions and cultural backgrounds, share a willingness to reflect candidly on their preanalytic years, their formative influences, their entry into psychoanalysis, and their relationships with mentors and colleagues. Out of this skillfully guided journey into the personal past emerges a vital human context for understanding the theoretical preferences and clinical styles of analysts as diverse as Arthur Valenstein, Joseph and Anne-Marie Sandler, Jacob Arlow, Andre Green, Leo Stone, Leo and Anita Rangell, Edward Weinshel, Merton M. Gill, Albert Solnit, W. Clifford M. Scott, James McLaughlin, Rebecca Solomon, Joyce McDougall, M. Robert Gardner, and Janine Chasseguet-Smirgel. Raymond and Rosbrow-Reich succeed in capturing the essential humanity of all their interview subjects, in showing how their subjects' lives outside the consulting room have shaped, and in turn been shaped by, the analytic identities they assume behind the couch. An engrossing read, wonderfully revelatory of its creative subjects, The Inward Eye is also an invaluable contribution to psychoanalytic history.
Taking its title and cue from the Wordsworth poem "I Wandered Lonely as a Cloud," The Inward Eye assembles together a visceral and enigmatic array of contemporary paintings, collages, drawings, sculptures and installations that emphasizes perception and reverie, from James Lee Byars' "Slit Moon" and Vija Celmins' engraving of the ocean surface, to Katharina Fritsch's vanitas and Howard Hodgkins' painterly memory of a dinner in Italy.
"The classic Wordsworth poem is depicted in vibrant illustrations, perfect for pint-sized poetry fans."
NEW YORK TIMES BESTSELLER From the celebrated author of Inward comes the second in series, a collection of poetry and short prose focused on understanding how past wounds impact our present relationships. In Clarity & Connection, Yung Pueblo describes how intense emotions accumulate in our subconscious and condition us to act and react in certain ways. In his characteristically spare, poetic style, he guides readers through the excavation and release of the past that is required for growth. To be read on its own or as a complement to Inward, Yung Pueblo’s second work is a powerful resource for those invested in the work of personal transformation, building self-awareness, and deepening their connection with others.
For almost a century the concept of guilt, as embedded in drive theory, has dominated psychoanalytic thought. Increasingly, however, investigators are focusing on shame as a key aspect of human behavior. This volume captures a range of compelling viewpoints on the role of shame in psychological development, psychopathology, and the therapeutic process. Donald Nathanson has assembled internationally prominent authorities, engaging them in extensive dialogue about their areas of expertise. Concise introductions to each chapter place the authors both historically and theoretically, and outline their emphases and contributions to our understanding of shame. Including many illustrative clinical examples, the book covers such topics as the relationship between shame and narcissism, shame's central place in affect theory, psychosis and shame, and shame in the literature of French psychoanalysis and philosophy.
A brief, elegant, rediscovered novel of the Fifties, much in the vein of the author's mentor Muriel Spark, about an Englishwoman who misunderstands her and her family's past."
Among the most gifted and accomplished poets of his generation (Mark Rudman). The three long poems in Eye Against Eye convey the wrought particulars of intimate human relations, perceptions of the landscape, and the historical moment, tense with political exigencies. Mayan ruins invoke the collapsing Twin Towers, love between parents and child blister with tension, and a bicycle thief shatters the narcotic illusion of a private accord. Also contained is Late Summer Entry, a series of poetic commentaries on Sally Mann's landscape photographs. Eye Against Eye, Forrest Gander's third book with New Directions, cries out an ethical concern for the ways we see each other and the world, the potential to share a vision that acknowledges our commonality. As always with Gander's poetry, suspensions and repetitions drive toward a complex emotional experience, evoking the multifaceted, multi-vocal surge of our present.
From poet, meditator, and speaker Yung Pueblo, comes the first in series, a collection of poetry and prose that explores the movement from self-love to unconditional love, the power of letting go, and the wisdom that comes when we truly try to know ourselves. It serves as a reminder to the reader that healing, transformation, and freedom are possible.