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Report on author's observations of "inviting-in" feast held by Eskimos at St. Michael, Alaska in January, 1912. Feast is appeal to spirits represented by masks worn by participants for future success in hunting. Describes the dance house, songs, dances, masks etc. used in connection with this festival. (AB 6776).
Inuit art, both ancient and contemporary, has inspired the interest of scholars, collectors and art lovers around the globe. This book examines Inuit art from prehistory to the present with special attention to methodology and aesthetics, exploring the ways in which it has been influenced by and has influenced non-Inuit artists and scholars. Part One gives the history of the main art-producing prehistoric traditions in the North American arctic, concentrating on the Dorset who once flourished in the Canadian region. It also demonstrates the influence of theories such as evolutionism, diffusionism, ethnographic comparison, and shamanism on the interpretation of prehistoric Inuit art. Part Two demonstrates the influence of such popular theories as nationalism, primitivism, modernism, and postmodernism on the aesthetics and representation of twentieth-century Canadian Inuit art. This discussion is supported by interviews conducted with Inuit artists. A final chapter shows the presence of Inuit art in the mainstream multi-cultural environment, with a discussion of its influence on Canadian artist Nicola Wojewoda. The work also presents various Inuit artists' reactions to Wojewoda's work.
Paper based on observations on the ceremonial dances of the Eskimo in the Bering Strait district.
The 1st volume (1896) includes important publications of 1895.
Report on author's observations of "inviting-in" feast held by Eskimos at St. Michael, Alaska in January, 1912. Feast is appeal to spirits represented by masks worn by participants for future success in hunting. Describes the dance house, songs, dances, masks etc. used in connection with this festival. (AB 6776).