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More&More is an art and research project that explores the language and mechanics of global trade, container shipping, and the exchange of goods. It questions a mercantile structure that by necessity disallows the presence of ocean as a real space in order to flatten the world into a Pangaea of capital. The project is presented in two volumes, released in conjunction with an exhibition of Marina Zurkow's work (with collaborators Sarah Rothberg, Surya Mattu, and others) at bitforms gallery in New York City in February 2016.This book, More&More (The Invisible Oceans), is a catalog of the exhibition, featuring many full-color images of the art on display (including video stills, bespoke bathing suits, and fungal sculptures), as well as an introduction by Marina Zurkow and a conversation between Zurkow and international curator Kathleen Forde.
In The Empty Ocean, acclaimed author and artist Richard Ellis tells the story of our continued plunder of life in the sea and weighs the chances for its recovery. Through fascinating portraits of a wide array of creatures, he introduces us to the many forms of sea life that humans have fished, hunted, and collected over the centuries, from charismatic whales and dolphins to the lowly menhaden, from sea turtles to cod, tuna, and coral. Rich in history, anecdote, and surprising fact, Richard Ellis’s descriptions bring to life the natural history of the various species, the threats they face, and the losses they have suffered. Killing has occurred on a truly stunning scale, with extinction all too often the result, leaving a once-teeming ocean greatly depleted. But the author also finds instances of hope and resilience, of species that have begun to make remarkable comebacks when given the opportunity. Written with passion and grace, and illustrated with Richard Ellis’s own drawings, The Empty Ocean brings to a wide audience a compelling view of the damage we have caused to life in the sea and what we can do about it. "
NATIONAL BESTSELLER • A riveting, adrenaline-fueled tour of a vast, lawless, and rampantly criminal world that few have ever seen: the high seas. There are few remaining frontiers on our planet. But perhaps the wildest, and least understood, are the world's oceans: too big to police, and under no clear international authority, these immense regions of treacherous water play host to rampant criminality and exploitation. Traffickers and smugglers, pirates and mercenaries, wreck thieves and repo men, vigilante conservationists and elusive poachers, seabound abortion providers, clandestine oil-dumpers, shackled slaves and cast-adrift stowaways—drawing on five years of perilous and intrepid reporting, often hundreds of miles from shore, Ian Urbina introduces us to the inhabitants of this hidden world. Through their stories of astonishing courage and brutality, survival and tragedy, he uncovers a globe-spanning network of crime and exploitation that emanates from the fishing, oil, and shipping industries, and on which the world's economies rely. Both a gripping adventure story and a stunning exposé, this unique work of reportage brings fully into view for the first time the disturbing reality of a floating world that connects us all, a place where anyone can do anything because no one is watching.
George Adamski's lost debut puts his teaching on par with 21st-century science Until it was wrested from the mists of time, The Invisible Ocean (1932) was unknown to even Adamski's most dedicated students. Depicting cosmos as a sea of consciousness in which life expresses itself at its multifarious levels of manifestation, it shows that Adamski's interest and teaching were consistent throughout his life and, if anything, only matured in their expression. In The Sea of Consciousness Gerard Aartsen presents George Adamski's earliest teaching in the context of systems science -- which holds that nothing is separate, that everything interacts and evolves as an integral system -- and reveals how Adamski's philosophy and teaching were far ahead of their time. Reading Adamski's first publication alongside the insights from the very forefront of 21st-century scientific thinking should prompt a complete reassessment of his work on the part of everyone who is less than convinced that Adamski could be speaking from a higher level of understanding than most of us have access to. This is a volume of historical importance that could well signal the ultimate rehabilitation of George Adamski's reputation. About the author: Gerard Aartsen is a lifelong student of the Ageless Wisdom teaching and the author of four books about the extraterrestrial presence that have all been published in multiple languages. His work is based on the paradigm that Life is universal and One, expressing itself through the evolution of consciousness at all levels of existence, and that humanity must begin to manifest its oneness in diversity in order to survive and thrive.
Nobel Prize winner Al Gore wrote of Deborah Cramer's previous book Great Waters, "I urge everyone to read this book, to act on its message, and to pass on its teachings." Now Cramer offers a groundbreaking book for an even more urgent time. Our lives depend on the sea. As gifted science writer Deborah Cramer makes clear in this extraordinary volume, the ocean has been earth's lifeline for more than three and a half billion years. Life began in the scalding inferno of deep-sea hot springs. The first cell, the first plant, and the first animal were all born in the sea. Climate changes wrought by the sea created evolutionary pathways for mammals and gave rise to our human ancestors some 200,000 years ago. The one, interconnected sea still sustains us. Invisible plants in the ocean's sunlit surface give us air to breathe. Rushing currents supply water to the atmosphere's protective greenhouse and rain to dry land. But as Cramer reveals in this sweeping look at earth's biography, the vital partnership between earth and the life it nourishes has recently been disrupted. Today, a single terrestrial species, man, has begun to alter the health of the sea itself. The mark of humans on the seas is now everywhere—from the fertile waters of continental shelves to the icy reaches of the poles, from the dazzling diversity of coral reefs to the porous edge of estuaries. Even the open ocean bears clear traces of our harmful ways. Scientists believe human impact may have already sparked a catastrophic event that could change the sea and the earth irrevocably: the sixth mass planetary extinction on a scale unseen since the demise of the dinosaurs 65 million years ago. But unlike the forces that caused previous extinctions, humankind can make a choice. We can choose the mark we wish to make and the legacy we leave behind. Written in the passionate tradition of Rachel Carson, Smithsonian Ocean is at once a book for our time and for the ages. Carson wrote: "One way to open your eyes is to ask yourself: What if I had never seen this before? What if I knew I would never see it again?" Cramer's powerful and inspiring message is equally a wake-up call: "We hold earth's life-giving waters—and our future—in our hands." Our lives depend on the sea.
Invisible as the seas and oceans may be for so many of us, life as we know it is almost always connected to, and constituted by, activities and occurrences that take place in, on and under our oceans. The Routledge Handbook of Ocean Space provides a first port of call for scholars engaging in the ‘oceanic turn’ in the social sciences, offering a comprehensive summary of existing trends in making sense of our water worlds, alongside new, agenda-setting insights into the relationships between society and the ‘seas around us’. Accordingly, this ambitious text not only attends to a growing interest in our oceans, past and present; it is also situated in a broader spatial turn across the social sciences that seeks to account for how space and place are imbricated in socio-cultural and political life. Through six clearly structured and wide-ranging sections, The Routledge Handbook of Ocean Space examines and interrogates how the oceans are environmental, historical, social, cultural, political, legal and economic spaces, and also zones where national and international security comes into question. With a foreword and introduction authored by some of the leading scholars researching and writing about ocean spaces, alongside 31 further, carefully crafted chapters from established as well as early career academics, this book provides both an accessible guide to the subject and a cutting-edge collection of critical ideas and questions shaping the social sciences today. This handbook brings together the key debates defining the ‘field’ in one volume, appealing to a wide, cross-disciplinary social science and humanities audience. Moreover, drawing on a range of international examples, from a global collective of authors, this book promises to be the benchmark publication for those interested in ocean spaces, past and present. Indeed, as the seas and oceans continue to capture world-wide attention, and the social sciences continue their seaward ‘turn’, The Routledge Handbook of Ocean Space will provide an invaluable resource that reveals how our world is a water world.
Investigating the entanglement of industry, politics, culture, and economics at the frontier of ocean excavations through an innovative union of art and science. The oceans are crucial to the planet's well-being. They help regulate the global carbon cycle, support the resilience of ecosystems, and provide livelihoods for communities. The oceans as guardians of planetary health are threatened by many forces, including growing extractivist practices. Through the innovative lens of artistic research, Prospecting Ocean investigates the entanglement of industry, politics, culture, and economics at the frontier of ocean excavation. The result is a richly illustrated study that unites science and art to examine the ecological, cultural, philosophical, and aesthetic reverberations of this current threat to the oceans. Prospecting Oceans takes as its starting point an exhibition by the photographer and filmmaker Armin Linke, which was commissioned by TBA21–Academy, London, and first shown at the Institute of Marine Science (CNR-ISMAR) in Venice. Linke is concerned with making the invisible visible, and here he unmasks the technologies that enable extractions from the ocean, including future seabed mining for minerals and sampling of genetic data. But the book extends far beyond Linke's research, presenting the latest research from a variety of fields and employing art as the place where disciplines can converge. Integrating the work of artists with scientific, theoretical, and philosophical analysis, Prospecting Ocean demonstrates that visual culture offers new and urgent perspectives on ecological crises.
In Breaking the Ocean, diversity and inclusion specialist Annahid Dashtgard addresses the long-term impacts of exile, immigration, and racism by offering a vulnerable, deeply personal account of her life and work. Annahid Dashtgard was born into a supportive mixed-race family in 1970s Iran. Then came the 1979 Revolution, which ushered in a powerful and orthodox religious regime. Her family was forced to flee their homeland, immigrating to a small town in Alberta, Canada. As a young girl, Dashtgard was bullied, shunned, and ostracized both by her peers at school and adults in the community. Home offered little respite, with her parents embroiled in their own struggles, exposing the sharp contrasts between her British mother and Persian father. Determined to break free from her past, Dashtgard created a new identity for herself as a driven young woman who found strength through political activism, eventually becoming a leader in the anti–corporate globalization movement of the late 1990s. But her unhealed trauma was re-activated following the 9/11 terrorist attacks. Suffering burnout, Dashtgard checked out of her life and took the first steps towards personal healing, a journey that continues to this day. Breaking the Ocean introduces a unique perspective on how racism and systemic discrimination result in emotional scarring and ongoing PTSD. It is a wake-up call to acknowledge our differences, addressing the universal questions of what it means to belong and ultimately what is required to create change in ourselves and in society.
Compendium of extraordinary adventures and supranormal events and phenomena men have witnessed on the high seas.