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In a world increasingly run by algorithms and artificial intelligence, Hatim Rahman traces how organizations are using algorithms to control workers in an “invisible cage.” Inside the Invisible Cage uses unique longitudinal data to investigate how digital labor platforms use algorithms to dictate the actions of high-skilled workers by determining accepted behaviors, work opportunities, and even success. As Hatim Rahman explains, employers can use algorithms to shift rules and guidelines without notice, explanation, or recourse for workers. The invisible cage signals a profound shift in the way markets and organizations categorize and ultimately control people. Unlike previous forms of labor control, the invisible cage is ubiquitous, yet it is also opaque and shifting, which makes breaking free from it difficult for workers. This book traces how the invisible cage was developed over time and the implications it has for the spread of new technology, such as generative artificial intelligence. Inside the Invisible Cage also provides organizations, workers, and policymakers with insights on how to ensure the future of work has truly equitable, mutually beneficial outcomes.
Exposure anxiety is increasingly understood as a crippling condition affecting a high proportion of people on the autism spectrum. Based on personal experience, this book describes the condition and its underlying physiological causes, and presents approaches and strategies that can be used to combat it.
The jailer's evil spirit torments residents. The demonic black entity appears in broad daylight. The ghost of a trapped child still searches for her mother. These examples are just a taste of the terrifying phantoms and tortured souls that dwell in the Cage, a cottage in Essex, England, that was used to imprison those accused of witchcraft in the 16th century. When Vanessa Mitchell moved into the Cage, she had no idea that a paranormal nightmare was waiting for her. From her first day living there, Vanessa saw apparitions walk through her room, heard ghostly growls, and was even slapped and pushed by invisible hands. After three years of hostile paranormal activity, Vanessa moved out, fearing for her young son's safety. Then paranormal researcher Richard Estep went in to investigate. Spirits of the Cage chronicles the time that Vanessa and Richard spent in the Cage, uncovering the frightening and fascinating mysteries of the spirits who lurk within it.
MAGIC RULES. WE SERVE. In a darkly fantastical debut set in modern-day Britain, magic users control everything: wealth, politics, power—and you. If you’re not one of the ultimate one-percenters—the magical elite—you owe them ten years of service. Do those years when you’re old, and you’ll never get through them. Do them young, and you’ll never get over them. This is the darkly decadent world of Gilded Cage. In its glittering milieu move the all-powerful Jardines and the everyday Hadleys. The families have only one thing in common: Each has three children. But their destinies entwine when one family enters the service of the other. They will all discover whether any magic is more powerful than the human spirit. Have a quick ten years. . . . Look for all three books in the mesmerizing Dark Gifts trilogy: GILDED CAGE • TARNISHED CITY • BRIGHT RUIN Praise for Gilded Cage “Beautifully characterised and compellingly plotted, Gilded Cage is an impressive debut.”—The Guardian “Exquisitely wicked . . . a lavishly opulent, yet brutally vivid, alternate England which subtly questions modern beliefs . . . If ever there was a speculative fiction book that captured the zeitgeist of an era this is it.”—SFFWorld “An alternate modern-day England where enticing drama and social unrest mix with aristocratic scandal and glamorous magic . . . conjuring up the specters of Les Misérables and Downton Abbey . . . an absorbing first installment that presages an intriguing new fantasy series.”—Kirkus Reviews “Gilded Cage is a heart-pounding combination of dark magic, political revolution, and forbidden romance that had me addicted from the first page!”—Danielle L. Jensen, USA Today bestselling author of The Malediction Trilogy “Devious and deliciously dark with lashings of magic, mystery, and mayhem, this juggernaut of a book will keep you hanging on by your fingernails until the very last page.”—Taran Matharu, New York Times bestselling author of the Summoner series “A dark and intriguing vision of an alternate, magic-drenched Britain, Gilded Cage kept me up long into the night.”—Aliette de Bodard, author of The House of Shattered Wings
David Foster Wallace’s Infinite Jest raised expectations of what a novel might do. As he understood fiction to aim at what it means to be human, so he hoped his work might relieve the loneliness of human suffering. In that light, The Fact of the Cage shows how Wallace’s masterpiece dramatizes the condition of encagement and how it comes to be met by "Abiding" and through inter-relational acts of speaking and hearing, touching, and facing. Revealing Wallace’s theology of a "boneless Christ," The Fact of the Cage wagers that reading such a novel as Infinite Jest makes available to readers the redemption glimpsed in its pages, that reading fiction has ethical and religious significance—in short, that reading Infinite Jest makes one better. As such, Plank’s work takes steps to defend the ethics of fiction, the vital relation between religion and literature, and why one just might read at all.
These essays by Old Dominion University students deal with two questions: What impact do their own race, class, gender, and ethnic identities have upon them as students? How do their culture and the university culture interact to affect their ability to learn? The focus of these essays is on the overlap between the students identities as students and their identities based on gender, race, class, and ethnic origin. The project began as an assignment in a women s studies class at Old Dominion University in 1993, when students in a mixed graduate and undergraduate course were asked to write a brief analysis of themselves as students, accounting for the impact of gender, race, and social class on what they studied, what they heard in class, how they were treated in the classroom, how they treated others there, and what their level of comfort in the university was. Invited to add other variables, such as religion, nationality, age, sexual orientation, or disability if they considered these significant to their identities as studentsthe students were urged to consider not only the disadvantages these various identities gave them but also the privileges and advantages. The resulting essays stimulated great interest in what students had to say and led to the formation of The Broad Minds Collectivemade up of four students from the class as well as its instructorwhich set about the task of soliciting and collecting additional essays. Although most essays contain overlapping themes, the editors detected four motifs that encompass virtually every essay included in the book. In the section "Cultural Perceptions and Assumptions," students show their awareness of how culturally defined categories affect education. Essays in "Belonging and Alienation in the Classroom" discuss the students level of comfort in the classroom and the degree to which they feel they belong at the university. The essays in "Making Sense of Our Lives Through Education" reveal the students use of education to learn more about the forces that shape them. "In Search of an Education" highlights students efforts to wrest what they feel they need from a college education. Rather than presenting a "multicultural educational theory" or conducting a sterile sociological study, The Broad Minds Collective has allowed students to speak for themselves. Abstraction is replaced by stories of personal conflict, struggle, and victory."""
"CAGES is a haunting and revealing novel that concerns the ethics and motives of scientific inquiry in which two neurologists are engaged in divergent quests: one to locate the source of memory and the other to study speech patterns in humans by analyzing and manipulating bird vocalization. Both men use experiments on live songbirds in a laboratory on a university campus, and both become romantically intertwined with a woman lab assistant who takes issue with their methods, and argues for the "agency" of all living things. Overshadowing this trio are significant figures from their individual pasts--a distant mother, a former girlfriend, a best friend and ornithological expert who dies tragically while conducting field research in the Amazon, and a mentor turned lover and nemesis. This is a subtly layered novel rich in natural description and sense of place that grapples with serious philosophical and moral themes, peopled by characters who must confront the emotional truths in their lives in order to be released from their own, individual cages"--
First published in 1975, The Cage was a graphic novel before there was a name for the genre. Considered an early masterpiece of the genre, the Canadian cult comic has been out of print for decades. The new edition includes an introduction by Canadian comics master and Lemony Snicket collaborator Seth (Palookaville; It's a Good Life, If You Don't Weaken). Cryptic and disturbing, like Dave Gibbons (Watchmen) illustrating a film by Ozu, The Cage spurns narrative for atmosphere, guiding us through a series of disarrayed rooms and desolate landscapes, tracking a stuttering and circling time and a sequence of objects: headphones, inky stains, bedsheets. It's not about where we're going but how – if – we get there.
The authors assert that traditional sociological theories of human nature and society do not pay sufficient attention to the evolution of "big-brained hominoids," resulting in assumptions about humans' propensity for "groupness" that go against the record of primate evolution. When this record is analyzed in detail, and is supplemented by a review of the social structures of contemporary apes and the basic types of human societies (hunter-gathering, horticultural, agrarian, and industrial), commonplace criticisms about the de-humanizing effects of industrial society appear overdrawn, if not downright incorrect. The book concludes that the mistakes in contemporary social theory - as well as much of general social commentary - stem from a failure to analyze humans as "big-brained" apes with certain phylogenetic tendencies. This failure is usually coupled with a willingness to romanticize societies of the past, notably horticultural and agrarian systems