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Not only do "modern" Jewish languages like Yiddish and Hebrew have their own Jewish writers, but every major Western tongue?from German and Russian to English and Portuguese?does as well. These writers are often at the crossroad between the two traditions: their Jewish one and their own national one. Is there such a thing as a modern Jewish literary tradition, one navigating across linguistic and national lines? If so, how should one define it? Ilan Stavans is uniquely qualified to answer these questions and to comment on the power and challenges of cultural margins and literary crossings. He has been at the forefront of an appreciation of the Jewish literary tradition that is less asphyxiating, more global. His reflections on Jewish Latin America have won him the nickname "pathfinder." This incomparable volume showcases Stavans's most insightful and provocative?and at times controversial?observations on transnational Jewish culture and literature. Stavans explores the problems and prospects of representing Jewish experiences through such media as Holocaust memoirs and Jewish museums; astutely comments on well-known intellectual figures, including Lionel Trilling, Isaac Babel, Primo Levi, Harold Bloom, and Walter Benjamin; engages in memorable conversations with Norman Manea, Joseph Brodsky, and Ariel Dorfman; and offers compelling glimpses of revelatory moments in his own life.
Biographies of some of the greatest adventurers of the British empire: Cecil John Rhodes, Richard Francis Burton, John Nicholson, Henry Montgomery Lawrence, William Walker, and Charles George Gordon.
In this compact but highly concentrated study, the author unites clinical and literary critical skills in an attempt to go beyond familiar psychological commentary on Henry James and conduct a detailed and rigorous psychoanalytic investigation into recurring and psychologically significant patterns in his major and minor fiction. Drawing freely on material from notebooks, letters, and other biographical sources, the volume centres on James's unconscious fantasies concerning the human body, mostly the damaged or incomplete human body. These core fantasies are firmly placed at the root of James's creativeness. While one of these fantasies of physical mutilation finds expression in the famous “obscure hurt” of James's late teens, the author develops a hypothesis concerning their much earlier history and their place in the larger psychological constellation of the James family. Accordingly, Henry James Senior, his wife Mary, together with William and Alice James, all figure largely in the intricate and perilous family context of Henry's creative activity. This book also includes original factual research, casting sidelights on matters such as the relation between James's early work and that of Dr Silas Weir Mitchell, and on the early history of psychoanalysis in the United States, including William James's meeting with Freud and his view of early psychoanalytic thinking, and Henry's contact as a patient with early psychoanalytic practitioners at the beginning of the twentieth century.
Born in Chicago, Dorothea Brande (1893-1948) was a widely respected journalist, lecturer, editor, fiction writer and writing instructor. Brande is widely known for her enduring guide to the creative process, Becoming a Writer, originally published in 1934 and still popular today. In 1936, Brande published an inspirational masterwork of practical psychology, Wake Up and Live! which she wrote during the Great Depression. Wake Up and Live! opened the eyes of thousands of people to a whole new idea of living, as it taught them how to concentrate on the things that really matter. Her most successful book, with more than 34 printings and over 1 million copies sold, it was an inspiration and lesson to all that success is within reach of everyone. For many years, Wake Up and Live!, with its simple and sound advice for personal excellence, rivaled the popularity of popular works such as Think and Grow Rich and How to Win Friends and Influence People. It is considered one of the greatest success guides ever written. Now, this beautifully designed classic of self-improvement, can help you revolutionize your existence and lead you to find the success you desire and so rightly deserve. In this remarkable work you will learn: Why Do We Fail? The Will to Fail Victims of the Will to Fail The Rewards of Failure Righting the Direction The System in Operation Warnings and Qualifications On Saving Breath The Task of the Imagination
Is the Bible actually a love story between a deity and a people? And what does this love story have to do with the modern world? In With All Thine Heart distinguished cultural critic Ilan Stavans speaks to freelance writer Mordecai Drache about love in the Bible. Presented in an engaging, conversational format and touched with striking artwork, the textured dialogue between Stavans and Drache is meant to show how the Bible is a multidimensional text and one that, when considered over the course of history, still has the power to shape our world. The theme of love provides the connective tissue that binds this work. Addressing a wide range of topics, from biblical archaeology and fundamentalism to Hollywood movies, lexicography, and the act of praying, With All Thine Heart suggests that the Hebrew Bible is a novel worth decoding patiently, such as one does with classics like Don Quixote de la Mancha, In Search of Lost Time, and Anna Karenina. Similar to the protagonists in these tales, biblical characters, although not shaped with the artistic nuance of modern literature, allow for astonishing insight. This exploration of love through the pages of the Bible--organized chronologically from Genesis to Exodus and followed by insightful meditations on the Song of Songs and the Book of Job--is a delightful intellectual and spiritual treat . . . Shema Ysrael!
This volume collects four sharp philosophical essays by Ilan Stavans on the acquisition of knowledge in multi-ethnic environments, the role that dictionaries play in the preservation of memory, the function of libraries in the electronic age, and the uses of censorship. In the second part of the volume, Verónica Albin engages Stavans in a series of four conversations in which he expounds on the arguments he developed in the essays.
For almost twenty years, Ilan StavansÑdescribed by the Washington Post as "Latin AmericaÕs liveliest and boldest critic and most innovative cultural enthusiast"Ñhas interviewed path-breaking intellectuals and artists in a wide range of media. As host of the critically acclaimed PBS series La Plaza, he interviews guests on pressing issues that affect the Western Hemisphere today, asking hard-hitting questions on immigration, religion, bilingualism, race, and democracy. This book collects for the first time in one volume StavansÕs most provocative and enlightening interviews with Hispanics from both sides of the Rio Grande. Spontaneous and surprising, these conversations reflect Latino life in the United States in all its facets. Among the more than two dozen selections, Edward James Olmos talks about Hispanics in Hollywood; John Leguizamo describes how he shapes a stage show; author Richard Rodriguez reflects on his gang background; Esmeralda Santiago takes on the Puerto Rican stereotype; and Piri Thomas shares thoughts on the writing of Down These Mean Streets. "A conversation is a tango," writes Stavans, "for it takes two to dance it." Conversations with Ilan Stavans invites readers to catch the rhythm and enjoy these unique meetings of minds.
Studies the influence of the plastic arts on the major writers of Latin American modernism. Painting Modernism demonstrates the influence of painting and sculpture on the work of the major writers of Latin American modernism. Through his analysis, Ivan A. Schulman, a foundational figure in the field, offers a concise and new interpretation of works by José Asunción Silva, Julián del Casal, Rubén Darío, José Juan Tablada, and José Martí. Traditional critical discourse on modernism has emphasized the nature of this movement in terms of its self-referentiality, fragmentation, elitist/escapist concepts, and subjective notions of cultural and aesthetic authenticity. Schulman breaks from this approach and examines these works as products of subjectively generated social/artistic practices that are inseparable from socioeconomic transformations and the chaotic cultural crises of the modern world.
Jews and Latinos have been unlikely partners through tumultuous times. This groundbreaking, eclectic book of readings, edited by Ilan Stavans, whom The Washington Post described as "one of our foremost cultural critics," offers a sideboard of the ups and downs of that partnership. It includes some seventy canonical authors, Jews and non-Jews alike, through whose diverse oeuvre-poetry, fiction, theater, personal and philosophical essays, correspondence, historical documents, and even kitchen recipes-the reader is able to navigate the shifting waters of history, from Spain in the tenth century to the Spanish-speaking Americas and the United States today. The Reader showcases the writings of such notable authors as Solomon ibn Gabirol, Maimonides, Miguel de Cervantes, Henry W. Longfellow, Miguel de Unamuno, Federico García Lorca, Jorge Luis Borges, Jacobo Timerman, Mario Vargas Llosa, Ruth Behar, and Ariel Dorfman to name only a few.
An impressive list of authors examine how abjection can be discussed in relation to a host of different subjects, including marginality and gender.