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The notion of text is perhaps themost used and discussed withinsocial and human sciences. Nevertheless,it is surprisingly one ofthe worst defined. Philology andLinguistics, Literary Criticism andAesthetics, Philosophy of Language,Hermeneutics, Ethnology,Psychoanalysis, Sociology, Semiotics:all these disciplines referin various ways to the “text”, tomake of it the basic object of theiranalysis or to measure the distancethey keep from it. So whatdoes “text” mean? What genealogydoes this concept have? Whyis there “no salvation outside thetext”? This book shows why thetext should be the formal model toexplain all human, social, culturaland historic phenomena and, asa consequence, the product of adouble invention: first as a socioculturalconfiguration, secondlyas an analytical reconstruction.
John C. Poirier examines the “theopneustic” nature of the Scripture, as a response to the view that “inspiration” lies at the heart of most contemporary Christian theology. In contrast to the traditional rendering of the Greek word theopneustos as “God-inspired” in 2 Tim 3:16, Poirier argues that a close look at first- and second-century uses of theopneustos reveals that the traditional inspirationist understanding of the term did not arise until the time of Origen in the early third century CE, and that in every pre-Origen use of theopneustos the word instead means “life-giving.” Poirier thus conducts a detailed investigation of theopneustos as it appears in the fifth Sibylline Oracle, the Testament of Abraham, Vettius Valens, Pseudo-Plutarch (Placita Philosophorum), and Pseudo-Phocylides, all of whom understand the word to mean “life-giving.” He also studies the use of the cognate term theopnous in Numenius, the Corpus Hermeticum, on an inscription at the Great Sphinx of Giza, and on an inscription at a nymphaeum at Laodicea on the Lycus. Poirier argues that a rendering of “life-giving” also fits better within the context of 2 Tim 3:16, and that this meaning survived late enough to figure in a fifth-century work by Nonnus of Panopolis. He further traces the pre-Origen use of theopneustos among the Church Fathers. Poirier concludes by addressing the implication of rethinking the traditional understanding of Scripture, stressing that the lack of “God-inspired” scripture ultimately does not affect the truth status of the gospel as preached by the apostles.
John C. Poirier examines the “theopneustic” nature of the Scripture, as a response to the view that “inspiration” lies at the heart of most contemporary Christian theology. In contrast to the traditional rendering of the Greek word theopneustos as “God-inspired” in 2 Tim 3:16, Poirier argues that a close look at first- and second-century uses of theopneustos reveals that the traditional inspirationist understanding of the term did not arise until the time of Origen in the early third century CE, and that in every pre-Origen use of theopneustos the word instead means “life-giving.” Poirier thus conducts a detailed investigation of theopneustos as it appears in the fifth Sibylline Oracle, the Testament of Abraham, Vettius Valens, Pseudo-Plutarch (Placita Philosophorum), and Pseudo-Phocylides, all of whom understand the word to mean “life-giving.” He also studies the use of the cognate term theopnous in Numenius, the Corpus Hermeticum, on an inscription at the Great Sphinx of Giza, and on an inscription at a nymphaeum at Laodicea on the Lycus. Poirier argues that a rendering of “life-giving” also fits better within the context of 2 Tim 3:16, and that this meaning survived late enough to figure in a fifth-century work by Nonnus of Panopolis. He further traces the pre-Origen use of theopneustos among the Church Fathers. Poirier concludes by addressing the implication of rethinking the traditional understanding of Scripture, stressing that the lack of “God-inspired” scripture ultimately does not affect the truth status of the gospel as preached by the apostles.
This book explores examples of this process of invention and addresses the complex interaction of past and present in a fascinating study of ritual and symbolism.
An orphan and thief, Hugo lives in the walls of a busy train station. He desperately believes a broken automaton will make his dreams come true. But when his world collides with an eccentric girl and a bitter old man, Hugo's undercover life are put in jeopardy. Turn the pages, follow the illustrations and enter an unforgettable new world!
"Presents evidence that the themes of the Book of Mormon represent the religious and cultural issues that were prevalent during the Protestant Reformation, not from Joseph Smith's time and place, and that virtually all the language of the original text of the book dates from the 1530s through the 1730s"--Provided by publisher.
This book explores the hypothesis that the types of inscription or text used by a given community of practitioners are designed in the very same process as the one producing concepts and results. The book sets out to show how, in exactly the same way as for the other outcomes of scientific activity, all kinds of factors, cognitive as well as cultural, technological, social or institutional, conjoin in shaping the various types of writings and texts used by the practitioners of the sciences. To make this point, the book opts for a genuinely multicultural approach to the texts produced in the context of practices of knowledge. It is predicated on the conviction that, in order to approach any topic in the history of science from a theoretical point of view, it may be fruitful to consider it from a global perspective. The book hence does not only gather papers dealing with geometrical papyri of antiquity, sixteenth century French books in algebra, seventeenth century scientific manuscripts and paintings, eighteenth and nineteenth century memoirs published by European academies or scientific journals, and Western Opera Omnia. It also considers the problems of interpretation relating to reading Babylonian clay tablets, Sanskrit oral scriptures and Chinese books and illustrations. Thus it enables the reader to explore the diversity of forms which texts have taken in history and the wide range of uses they have inspired. This volume will be of interest to historians, philosophers of science, linguists and anthropologists
The discovery of manuscripts in Qumran--the Dead Sea Scrolls--and other sites in the Wilderness of Judah has stimulated a period of unparalleled activity in the study of the biblical text. Students and teachers in this field are overwhelmed with the thousands of articles that have appeared in hundreds of journals in the last thirty years. The older handbooks surveying biblical textual criticism have become hopelessly obsolete. Frank Cross and Shemaryahu Talmon have designed a collection of essays to help the serious student find his way in this transformed field of research. Some of the essays are general surveys, some propound new theories, several publish manuscript data of revolutionary importance. The editors have contributed previously unpublished papers suggesting new approaches to the fundamental task of textual criticism. A list of published manuscripts or manuscript fragments from the Judaean Desert and a bibliography are included.
This book examines Boccaccio's pivotal role in legitimizing the vernacular literature of Dante, Petrarch and Cavalcanti through argument, narrative and transcription.