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Drama. Poetry. California Interest. Somewhere between monologue and stage direction, the one-act plays in THE INVENTION OF MONSTERS / PLAYS FOR THE THEATRE center around what it means to be ill-cast in life. How it feels to wear a costume, a body, a face. How sex can be both transformative and nightmarish. Each scene-poem is the tip of an iceberg, evoking a larger performance rather than operating as a conventional script. A new kind of theatre text, these plays/poems beg to be performed, with exactly how depending entirely on the reader.
It has often been claimed that "monsters"--supernatural creatures with bodies composed from multiple species--play a significant part in the thought and imagery of all people from all times. The Origins of Monsters advances an alternative view. Composite figurations are intriguingly rare and isolated in the art of the prehistoric era. Instead it was with the rise of cities, elites, and cosmopolitan trade networks that "monsters" became widespread features of visual production in the ancient world. Showing how these fantastic images originated and how they were transmitted, David Wengrow identifies patterns in the records of human image-making and embarks on a search for connections between mind and culture. Wengrow asks: Can cognitive science explain the potency of such images? Does evolutionary psychology hold a key to understanding the transmission of symbols? How is our making and perception of images influenced by institutions and technologies? Wengrow considers the work of art in the first age of mechanical reproduction, which he locates in the Middle East, where urban life began. Comparing the development and spread of fantastic imagery across a range of prehistoric and ancient societies, including Mesopotamia, Egypt, Greece, and China, he explores how the visual imagination has been shaped by a complex mixture of historical and universal factors. Examining the reasons behind the dissemination of monstrous imagery in ancient states and empires, The Origins of Monsters sheds light on the relationship between culture and cognition.
Giants, cannibals and other monsters were a regular feature of Renaissance illustrated maps, inhabiting the Americas alongside other indigenous peoples. In a new approach to views of distant peoples, Surekha Davies analyzes this archive alongside prints, costume books and geographical writing. Using sources from Iberia, France, the German lands, the Low Countries, Italy and England, Davies argues that mapmakers and viewers saw these maps as careful syntheses that enabled viewers to compare different peoples. In an age when scholars, missionaries, native peoples and colonial officials debated whether New World inhabitants could – or should – be converted or enslaved, maps were uniquely suited for assessing the impact of environment on bodies and temperaments. Through innovative interdisciplinary methods connecting the European Renaissance to the Atlantic world, Davies uses new sources and questions to explore science as a visual pursuit, revealing how debates about the relationship between humans and monstrous peoples challenged colonial expansion.
Monsters are more than things that go bump in the night... Monsters are lurking in the woods, beneath the waves, and within our favorite books, films, and games--and there are good reasons why they appear so often. Monsters are manifestations of our fears and symbols of our society--not to mention they're a lot of fun--but each should serve a purpose and enhance the themes and tension in your fiction. In Writing Monsters, best-selling author Philip Athans uses classic examples from books, films, and the world around us to explore what makes monsters memorable--and terrifying. You'll learn what monsters can (and should) represent in your story and how to create monsters from the ground up. Writing Monsters includes: • In-depth discussions of where monsters come from, what they symbolize, and how to best portray them in fiction • Informative overviews of famous monsters, archetypes, and legendary creatures • A Monster Creation Form to help you create your monster from scratch • An annotated version of H.P. Lovecraft's chilling story "The Unnamable" Whether you write fantasy, science fiction, or horror, your vampires, ghouls, aliens, and trolls need to be both compelling and meaningful. With Writing Monsters, you can craft creatures that will wreak havoc in your stories and haunt your readers' imaginations--and nightmares.
Wayne Burrows keeps getting lost in the same place. His brother Nathan stays lost wherever he goes. This is the story of the Burrows brothers, told over the course of fifty years, their lives presented alongside a changing America. Also featuring a terribly thin man, sinister corporate agents, dream experiments, flesh on canvas, an old revolver, an ominous black satchel, and a rockin' yellow Corvette.
Tenderness is not a notion commonly associated with the Romans, whose mythical origin was attributed to brutal rape. Yet, as Hérica Valladares argues in this ground-breaking study, in the second half of the first century BCE Roman poets, artists, and their audience became increasingly interested in describing, depicting, and visualizing the more sentimental aspects of amatory experience. During this period, we see two important and simultaneous developments: Latin love elegy crystallizes as a poetic genre, while a new style in Roman wall painting emerges. Valladares' book is the first to correlate these two phenomena properly, showing that they are deeply intertwined. Rather than postulating a direct correspondence between images and texts, she offers a series of mutually reinforcing readings of painting and poetry that ultimately locate the invention of a new romantic ideal within early imperial debates about domesticity and the role of citizens in Roman society.
A side-splitting and informative guide to creative writing by author/illustrator comedic duo Andy and Olaf, jam-packed with lashings of monster-inspired fun. Unleash your creative monster and write stories to inspire, amaze and awe your friends. With top tips on getting your story started, learn essential skills for storytellers in this brilliant guide to writing. Give your descriptions claws, add a little bite to your writing and feed your monster inspiration with over 50 writing prompts and exercises.
"A comprehensive modern-day bestiary."--The New Yorker
Pete Von Sholly's History of Monsters is a glorious look at the phenomenon of monsters as they figure in pop culture as well as from the anthropological, psychological and societal angles. This unprecedented illustrated pageant, presented as an accordion folded hardcover book, shows the actual history of monsters from man's earliest fears of the darkness beyond the fire to today's nightmares to see how these terrors found expression in myth, legend, and entertainment. But whatever the time or medium it's always in the unknown where the monsters lurk and fester and wait. Step into Pete Von Sholly's History of Monsters and experience the story as never before. "This astounding work traces the evolution and proliferation of monsters through all human history and many cultures, with over 1,100 different examples intertwined into a colorful, informative and fascinating book on a scale that has never before been attempted. Take a guided tour through the dark side of legend, myth, superstition, fiction, animation, film, television and even cryptozoology, and meet every monster that has haunted your nightmares - and quite a few that haven't (yet) - in this fantastic panorama wrought with the skills of a mature master of the genre." - Richard Milner, former editor of Natural History magazine and author of Charles R. Knight - The Artist Who Saw Through Time and Darwin's UniverseZ