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Solly Greenfields, the first of the taxi poets, has been shot dead. At the Institute for Taxi Poetry, where they train young people to write poetry on the bodywork of Cape Town's taxis, Solly's protégé Adam Ravens tries to make sense of his death. Who killed Solly, and why is Adam's son acting so odd? In the world of Imraan Coovadia's new tragicomic novel taxi companies thrive in a single-party state. Taxi poets are admired, sliding-door men rule, professors and politicians strut and fret and connive in a society shaped by violence and ambition, love, and the unsettling power of the imagination.
Cliff Fyman's Taxi Night is a splendid and powerful book-length poem in four parts. The real-life patter and ambience of his fares reach the hackie, Fyman, as he transports a rainbow cast of denizens around the boroughs from 5 p.m. until 5 a.m. The first two sections are transcribed from overheard cellphone combat, or a jiving fare who tries to play Fyman verbally, or more than a few nutcases. But Fyman's show is the farthest thing from a freak show. Each appearance at the mike, so to speak, is brief. Fyman presents the words he captures in precisely sculpted form, ingenious line breaks, one word lines - from-the-gut poems which retain a credible verbatim and are rigorously artful. Eloquence in their realism. The last two sections increasingly are transcribed from Fyman's own silent, deeply inner verbatim. These pieces are equally Swiss-movement poems. Vibrant slices of anonymous lives rendered with a dramedy of depth and compassion. A moving celebration of whatever we become when we buy a ride and take to the backseat stage. -JOHN GODFREYTaxi Night is strong and clear like an ink drawing with bold lines that are few and stark but tell the whole story, the place and time, the people, how they think and speak, the music of it, a documentation of the undocumented, simultaneously very close and very far, which is how people are. -TANIA SUSSKINDThere's no better place to view the human condition than the driver's seat of a New York City cab. Just ask poet Cliff Fyman, who has transformed his stint behind the wheel into Taxi Night, a touching, sometimes mind-blowing work. Through lovingly handled "found" material; curious diction; and acute, sometimes deadpan observation, Fyman gives the reader all the drama, humor and pathos that comes from a steady stream of humanity in the backseat. He has an excellent ear for everyday speech and the sharp editing skills of a top-notch documentarian. Read Taxi Night slowly or breathlessly. Read it all the way through or read it in bits. Either way, you're in for a great ride. -PETER BUSHYEAGER Dude, they are pure gold! They capture the upper class in unguarded moments. Yr bits are the highlight of my day! -RON KOLM
Praise for Bill Berkson: "A serene master of syntactical sleight and transformer of the mundane into the marvelous."—Publishers Weekly Wide-ranging and experimental, Expect Delays confronts past and present with rare equilibrium, eyeballing mortality while appreciating the richness and surprise, as well as the inevitable griefs, inherent in the time allowed. Dress Trope Critics should wear white jackets like lab technicians; curators, zoo keepers' caps; and art historians, lead aprons to protect them from impending radiant fact. Bill Berkson is a poet, critic, and professor emeritus at the San Francisco Art Institute.
Winner of the National Book Critics Circle Award for Nonfiction, this brilliantly reported and beautifully crafted book explores the clash between a medical center in California and a Laotian refugee family over their care of a child.
Social Poetics documents the imaginative militancy and emergent solidarities of a new, insurgent working class poetry community rising up across the globe. Part autobiography, part literary criticism, part Marxist theory, Social Poetics presents a people’s history of the poetry workshop from the founding director of the Worker Writers School. Nowak illustrates not just what poetry means, but what it does to and for people outside traditional literary spaces, from taxi drivers to street vendors, and other workers of the world.
Set in India and South Africa, "The Wedding"--a subcontinental version of "The Taming of the Shrew"--is a brilliantly funny and tender first novel about the choices we make and the homes that we build.
There was nothing in the room to surprise her. She could understand exactly what had happened. She had known about this in the morning. She had known about it the day before, the month before, and in fact since the moment of her birth. The violent death of her biologist husband forces Nafisa into a world of illegal organ transplants, bribery, and scientific and political controversy. With an acute sense of the disruptions of contemporary South Africa, and its keen feeling for love and loss, High Low In-between reveals Nafisa’s relationships with the people close to her and the anarchic currents of life and death she discovers.
The poems in this brilliant follow-up to the National Book Award finalist Archeophonics, are concerned with grieving, with poetry and death, with beauty and sadness, with light. As Ben Lerner has written, "Gizzi's poetry is an example of how a poet's total tonal attention can disclose new orders of sensation and meaning. His beautiful lines are full of deft archival allusion." With litany, elegy, and prose, Gizzi continues his pursuit toward a lyric of reality. Saturated with luminous detail, these original poems possess, even in their sorrowing moments, a dizzying freedom.
Postcolonial Poetics is about how we read postcolonial and world literatures today, and about how the structures of that writing shape our reading. The book’s eight chapters explore the ways in which postcolonial writing in English from various 21st-century contexts, including southern and West Africa, and Black and Asian Britain, interacts with our imaginative understanding of the world. Throughout, the focus is on reading practices, where reading is taken as an inventive, border-traversing activity, one that postcolonial writing with its interests in margins, intersections, subversions, and crossings specifically encourages. This close, sustained focus on reading, reception, and literariness is an outstanding feature of the study, as is its wide generic range, embracing poetry, essays, and life-writing, as well as fiction. The field-defining scholar Elleke Boehmer holds that literature has the capacity to keep reimagining and refreshing how we understand ourselves in relation to the world and to some of the most pressing questions of our time, including resistance, reconciliation, survival after terror, and migration.
From a Natal boarding school in the seventies and Soviet spies in London in the eighties to the 1995 Rugby World Cup and intrigue in the Union Buildings, Tales of the Metric System shows how ten days spread across four decades send tidal waves through the lives of ordinary and extraordinary South Africans alike. An unforgettable cast of characters includes Ann, who is trying to protect her husband and son in 1970, and Victor, whose search for a missing document in 1973 will change his life forever. Rock guitarist Yash takes his boy to the beach on Boxing Day in 1979 to meet his revolutionary cousin, while Shanti, his granddaughter, loses her cellphone and falls in love twice on a lucky afternoon in 2010. Playwrights, politicians, philosophers, and thieves, all caught in their individual stories, burst from the pages of Imraan Coovadia’s Tales of the Metric System as it measures South Africa’s modern history in its own remarkable units of imagination. Simple in concept, complex in construction, a novel which is so much more than the sum of its parts, one which purports to examine the randomness of life while delicately drawing the eye to the butterfly effect of individual acts and exposing the interconnectedness of people. In pristine prose and with a telling eye for detail, Tales of the Metric System leaves the reader with a sense of having undertaken a journey through the familiar only to arrive somewhere completely new – Aminatta Forna, author of The Memory of Love