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Alex Ryan is happier than she believed possible and her relationship with fellow police officer CJ St. Clair is the reason. But in the blink of an eye her world falls into darkness. An accident leaves her injured and sidelined--and suspicious about the circumstances. Then tragedy strikes at the heart of her family. It seems like random violence until the worst blow falls, leaving Alex devastated. Alex has no proof that there is more than terrible coincidence at work, but she can't accept that her life is fated to be filled with shadows and pain. She must unravel the mystery and motive behind the tragic changes in her life--and fight to regain her love. Brainy is the new sexy in Erica Abbott's celebrated, reader favorite series.
In her latest collection, The Insomnia Poems, Grace Nichols explores those nocturnal hours when Sleep (the thief who nightly steals your brain) is hard to come by, and the politics of the day hard to shut out, never mind the lavender-scented pillow. Here memories of her own Guyana childhood mingle with the sleeping spectres of dreams and folk legends such as Sleeping Beauty. A lyrical interweaving of tones and textures invites the reader into the zones between sleep and no-sleep, between the solitude of the dark and the awakening of the light. The Insomnia Poems is Grace Nichols's first new collection since Picasso, I Want My Face Back (2009). Neither that collection nor this one is included in her Bloodaxe retrospective, I Have Crossed an Ocean (2010).
Poets have always drawn inspiration from the wild fancies of dream life. We spend a third of our lives asleep, and throughout history our nocturnal visions have engaged the interpretive talents of our greatest writers. This treasury of poets–Sidney, Donne, Blake, Keats, Wordsworth, Whitman, Rilke, Plath, Graves, Roethke, Bishop, Moore, Updike, and many more–encompasses lullabies, invocations, aubades, songs, epigrams, and stories, in every conceivable mood from the broadly comic to the tragic. It includes poems about daydreams and nightmares, about falling asleep and about waking up, about insomnia, night thoughts, monsters of the dark, twilight, dawn, and the rebirth of morning. From Auden’s “Lullaby” to Rossetti’s “Nuptial Sleep,” from Salvatore Quasimodo’s “Insomnia” to Thom Gunn’s “Annihilation of Nothing,”Poems of Sleep and Dreamsevokes the whole haunting, magical spectrum of sleep and dream.
Mixes the haunted world of the poet's East European memory with the American present in verses that fill the wee hours of the evening with angels, pigs, riddles, cemeteries, and dolls that smile
The Australian poet John Kinsella’s vivid and urgent new collection addresses the crisis of being that currently afflicts us: Kinsella addresses a situation where the creations of the human imagination, the very means by which we extend our empathies into the world – art, music and philosophy – suddenly find themselves in a world that not only denies their importance, but can sometimes seem to have no use for them at all. In an attempt to find a still point from which we might reconfigure our perspective and address the paradoxes of our contemporary experience, Kinsella has written poems of self-accusation and angry protest, meditations on the nature of loss and trauma, and full-throated celebrations of the natural world. Ranging from Jam Tree Gully, Western Australia to the coast of West Cork, Ireland, haunted by historical and literary figures from Dante to Emily Brontë (whom Kinsella has obsessed over since he was a child, and who intervenes in the poet’s attempts to come to grips with ideas of colonization and identity), Insomnia may be Kinsella’s most various and powerful collection to date.
Bob Hicok's poems are often edgy, brazen, and funny. They’re just as likely to be soulful, reflective, and provocative. Usually at the same time. As Hicok builds toward the punchline of a poem set up with his characteristic wit, he zigs into seriousness. A thoughtful meditation that builds to a moment of epiphany zags into comedy. Hicok's fluid ability to shift moods, the richness of his visual palette, and his idiosyncratic use of language fill the pages of Insomnia Diary. The fourth collection of poetry from this former automotive die designer delivers more of the cunning brilliance that has become Hicok's hallmark.
A sumptuously packaged and eye-catching compendium of reflections by great poets of the world, from ancient to contemporary, on a subject almost everyone knows all too well: insomnia. Color illustrations throughout.
Everything Awake was written during a dreamy, disorienting period of insomnia. In the middle of the night, I began studying Catullus, imagining that his hendecasyllabic rhythms might shush me to sleep. Instead, they prompted a series of eleven-line poems with eleven syllables per line. I was drawn to the number, via Catullus, because it felt both excessive and insufficient, just like the space of an insomniac's day. Eleven opened up onto an expanse in which I could think about dwelling, in a day, at the foot of a wind-swept mountain, in a family of humans, animals and plants, all of whom needed my care. Like Catullus's neoteric poems, these poems attempt to bring the private, domestic space to bear upon the larger, public sphere in hopes that each might inform the other. The assumption of these poems is an ancient one-our most basic daily acts of care, and our most intimate relationships, define our relationship to the larger world. My hope is that these poems might offer one humble account of care in our deeply damaged world. "In Steensen's verse the elusive "seam between dawn and dreams" is luminous, tenderly sewn into gardens of quiet, tucked between tumultuous days and nights. When we find ourselves sleepless, when there is "no feed," when we are "out to sea" her poems are rowboats, groves, refuge. In Everything Awake the known gives birth to the unknown and brings us closer not only to lucid dreams, but to the necessity of lucid wakefulness. This beautiful book provides solace for the unmoored, not by providing fixity, but by reminding us that the lens of the sacred is made of consciousness, excludes nothing, and is always curious." -Laynie Browne
Book of My Nights is the first poetry collection in ten years by one of the world's most acclaimed young poets. In Book of My Nights, Li-Young Lee once again gives us lyrical poetry that fuses memory, family, culture and history. In language as simple and powerful as the human muscle, these poems work individually and as a full-sequence meditation on the vulnerability of humanity. Marketing Plans: o National advertising o National media campaign o National and regional author appearances o Advance reader copies o Course adoption mailing Li-Young Lee burst onto the American literary scene with the publication of Rose, winner of the 1986 Delmore Schwartz Memorial Poetry Award from The Poetry Society of America. He followed that astonishing book with The City in Which I Love You, which was The Lamont Poetry Selection of The Academy of American Poets. Mr. Lee has appeared on National Public Radio a number of times and The Power of the Word, the PBS television series with Bill Moyers. Rose and The City in Which I Love You are in the 19th and 17th printings respectively, making them two of the highest-selling contemporary poetry books in the United States. Moreover, Mr. Lee's poems have been translated into more than a dozen languages. He currently lives in Chicago.