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Fortescue, Sir John. De Laudibus Legum Angliae. A Treatise in Commendation of the Laws of England. With Translation by Francis Gregor. Notes by Andrew Amos and a Life of the Author by Thomas (Fortescue) Lord Clermont. Cincinnati: Robert Clarke & Co., 1874. lxiv, 302 pp. Reprinted 1999 by The Lawbook Exchange, Ltd. LCCN 99-16485. ISBN 1-58477-019-8. Hardcover. * Written in 1470, De Laudibus was intended for the instruction of Edward, Prince of Wales. Written in the form of a dialogue, this book contains one of the earliest sketches of the English legal system. This is the first appearance of the modern edition, based on the 1825 Amos edition, which includes for the first time the life of the author by Lord Clermont, a direct descendant, as well as his corrected version of both the text and translation, these having appeared only in an 1869 privately published edition of Fortescue's works limited to 120 family copies.
Many early modern poets and playwrights were also members of the legal societies the Inns of Court and these authors shaped the development of key genres of the English Renaissance, especially lyric poetry, dramatic tragedy, satire, and masque. But how did the Inns come to be literary centers in the first place, and why were they especially vibrant at particular times? Early modernists have long understood that urban setting and institutional environment were central to this phenomenon: in the vibrant world of London, educated men with time on their hands turned to literary pastimes for something to do. Lawyers at Play proposes an additional, more essential dynamic: the literary culture of the Inns intensified in decades of profound transformation in the legal profession. Focusing on the first decade of Elizabeth's reign, the period when a large literary network first developed around the societies, this study demonstrates that the literary surge at this time developed out of and responded to a period of rapid expansion in the legal profession and in the career prospects of members. Poetry, translation, and performance were recreational pastimes; however, these activities also defined and elevated the status of inns-of-court men as qualified, learned, and ethical participants in England's "legal magistracy": those lawyers, judges, justices of the peace, civic office holders, town recorders, and gentleman landholders who managed and administered local and national governance of England. Lawyers at Play maps the literary terrain of a formative but understudied period in the English Renaissance, but it also provides the foundation for an argument that goes beyond the 1560s to provide a framework for understanding the connections between the literary and legal cultures of the Inns over the whole of the early modern period.
This introductory text explores the historical origins of the main legal institutions that came to characterize the Anglo-American legal tradition, and to distinguish it from European legal systems. The book contains both text and extracts from historical sources and literature. The book is published in color, and contains over 250 illustrations, many in color, including medieval illuminated manuscripts, paintings, books and manuscripts, caricatures, and photographs.
Originally published: 5th ed. Boston: Little, Brown and Co., 1956.