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Reunited with the only man to have ever broken my heart… To escape from the unwanted advances of her mom’s new boyfriend, Laurel flees into a hotel penthouse and is astonished when she’s greeted by Christiano, her former brother-in-law and first crush. Who would have guessed she would see him again like this? Christiano offers to help her…but only in exchange for her body! Laurel knows she should refuse the cruel offer, as this is the man who trampled over her feelings all those years ago. But she’s never been able to forget him…
At the turn of the thirteenth century, a tolerant, wealthy, and cultured society blossomed in what is now southwestern France. Occitania was the domain of the Counts of Toulouse. Its people valued poetry, music, and literature over warfare. Their language Occitan, was the lingua franca of the courts of Europe. Their troubadours traveled widely and were popular sources of news and entertainment. Tragically, their success struck fear in the minds of the pope and kings, so a brutal crusade was launched to destroy a people that sought only peace. Seven hundred years later, as the battles raged on the Normandy beaches, a sleepy little town in the Limousin woke up to what they expected to be like any other. But this day they were to have unwelcome visitors, the Waffen SS. The Chrysalis of Oc is a sweeping historical tale that links thirteenth and twentieth century France and the bloody crusades that changed the course of the world forever.
"It is impossible to resist this novel's wit, grace, and charm." --Lauren Groff, author of The Monsters of Templeton and Arcadia A smart and slyly funny tale of love, temptation, confusion, and commitment; a triumphant and beautifully executed recasting of Edith Wharton's The Age of Innocence. Newly engaged and unthinkingly self-satisfied, twenty-eight-year-old Adam Newman is the prize catch of Temple Fortune, a small, tight-knit Jewish suburb of London. He has been dating Rachel Gilbert since they were both sixteen and now, to the relief and happiness of the entire Gilbert family, they are finally to marry. To Adam, Rachel embodies the highest values of Temple Fortune; she is innocent, conventional, and entirely secure in her community--a place in which everyone still knows the whereabouts of their nursery school classmates. Marrying Rachel will cement Adam's role in a warm, inclusive family he loves. But as the vast machinery of the wedding gathers momentum, Adam feels the first faint touches of claustrophobia, and when Rachel's younger cousin Ellie Schneider moves home from New York, she unsettles Adam more than he'd care to admit. Ellie--beautiful, vulnerable, and fiercely independent--offers a liberation that he hadn't known existed: a freedom from the loving interference and frustrating parochialism of North West London. Adam finds himself questioning everything, suddenly torn between security and exhilaration, tradition and independence. What might he be missing by staying close to home?
Seduced by her rescuer... Desperate to escape a predatory suitor, Laurel Forrester has no one to turn to in Rome but her stepbrother, Cristiano Ferrero. A dangerous chemistry has always burned between them, even if he does believe her to be exactly like her manipulative mother. And, trapped in his luxurious penthouse, Laurel realises how vulnerable she is to his raw magnetism... Cristiano desires Laurel just as much as he despises her. Intent on getting her out of his system, he proposes one night of sin. But Laurel's surprising inexperience only increases his thirst for her, and makes Christiano determined to entice her to surrender again...and again!
Doctor Justo Pastor Proceso López, adored by his female patients but despised by his wife and daughters, has a burning ambition: to prove to the world that the myth of Simón Bolívar, El Libertador, is a sham and a scandal. In Pasto, south Colombia, where the good doctor plies his trade, the Feast Day of the Holy Innocents is dawning. A day for pranks, jokes and soakings ... Water bombs, poisoned empanaditas, ground glass in the hog roast - anything goes. What better day to commission a float for The Black and White Carnival that will explode the myth of El Libertador once and for all? One that will lay bare the massacres, betrayals and countless deflowerings that history has forgotten. But in Colombia you question the founding fables at your peril. At the frenzied peak of the festivities, drunk on a river of arguardiente, Doctor Justo will discover that this year the joke might just be on him.
Seduced by her rescuer...
The Blood of the Innocents is a story of love and hate, passion and remorse, guilt and redemption. Our nation=s social fabric of the 1960s to 1992, shared through the lives and conversations of the hero and heroine, serves as the background. Both are victims of the shedding of innocent blood. In Selma, Alabama, his family was murdered by the Klan; she was violently raped by two black youths. Eight years later, these two meet. The story of their forbidden loveCshe is married by this timeCis complex, tender, and passionate, surviving separation and scandal. The struggle, the anguish for the answer to AWhy?@ in the shedding of innocent blood is universal and timeless. The responses of these two people and the story of their loveCthough it is forbiddenChold a message of redemption, regeneration, and grace.
Essays on the Peripheries contains essays written by translator and scholar Peter Valente over a twenty-year period, stretching from the 1990s to 2019. They are a record of literary exploration and discovery, concerned with the recovery of lost works, with those writers whose works were out of print or hard to find, and whose names were somehow not fashionable in the current discourse, but who are important nevertheless. Edouard Roditi, Barbara Barg, and Tom Savage, for example, should be better known, but their books are largely ignored. This collection of essays highlights those works on the periphery, such as Turkish poets Seyhan Erözçelik and Küçük İskender, while it also includes several essays on better-known queer authors like Pierre Guyotat and Pier Paolo Pasolini, focusing on often overlooked qualities in their work that bear looking at closely. These essays on works of literature are complemented by a number of texts on jazz, again highlighting important and interesting figures in the world of jazz and free improvisation that may have fallen through the cracks, such as the pianist Richard Twardzick and the Ganelin trio, which recorded their great experimental work Ancora da Capo in 1980, behind the Iron Curtain. Attention is also to given to more popular figures such as Stan Getz. The volume is completed with a series of essays reappraising Roman poets in the twenty-first century, offering fresh new translations and readings of authors such as Catullus and Callimachus. A collection of essays, like an anthology, is by its nature incomplete. Essays on the Peripheries is a kind of sketch, rather than a finished portrait, of the author's changing impressions on various subjects over the years.
One of the most famous travel books ever written by an American, The Innocents Abroad is Mark Twain’s irreverent and incisive commentary on nineteenth century Americans encountering the Old World. Come along for the ride as Twain and his unsuspecting travel companions visit the Azores, Tangiers, Paris, Rome, the Vatican, Genoa, Gibraltar, Odessa, Constantinople, Cairo, the Holy Land and other locales renowned in history. No person or place is safe from Twain’s sharp wit as it impales both the conservative and the liberal, the Old World and the New. He uses these contrasts to “find out who we as Americans are,” notes Leslie A. Fiedler. But his travelogue demonstrates that, in our attempt to understand ourselves, we must first find out what we are not. With an Introduction Michael Meyer and an Afterword by Leslie A. Fiedler