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“A welcome feast of fables for our times … Carlo Gébler’s book is a wonderful, gloomy and welcome addition to the Aesopic corpus … The stories have been re-written in a spiky, contemporary style … The content of these pessimistic stories is thought-provoking but what makes the collection absolutely delightful is the vigor and originality of Carlo Gébler’s writing. The illustrations by Gavin Weston are likewise magnificent.” —The Irish Times “This repackaging of [Aesop's] fables by Carlo Gebler and illsutrator Gavin Weston is a reminder that adult minds were originally the target of this litany of pocket-sized parables ... There is very much a feeling here of the ancient sound-tracking the alarmingly present.” —Sunday Independent (Dublin) “Scary new versions of ancient morality tales, Aesop's Fables, with stings in all their tails [...] are full of adult wisdom, human misfortune and bitter experiences, which, because they happen to other people, are hilarious.” —Belfast Telegraph THE GREATEST COLLECTION OF FABLES EVER WRITTEN, UPDATED FOR OUR TURBULENT TIMES A witty illustrated version of the world's greatest collection of fables, allegedly written by a slave in the 5th century BC. A book for our times: as Gebler notes, Aesop has two subjects—the exercise of power and the experience of the powerless who endure life and all that it inflicts on them. This retelling of the Fables makes them relevant and richly enjoyable. Large and fierce animals kill and butcher weaker creatures; gods play games with the hopes and fears of lesser species, including men and women; and occasionally the weak turn the tables on the strong, exposing their pretensions. This is a stunning new version of a book that was often bowdlerized and used to teach moral lessons to children. Gebler’s Aesop is darker and more realistic, and compulsively readable.
This interesting book covers the history of the law enforcement officials who manage the city of Bombay, India (present-day Mumbai) during its colonial era. Until 1655, Bombay was under Portuguese control. The Portuguese formed a basic law enforcement structure in this area with the establishment of a Police outpost in 1661. After the cementing of British Rule in India after the 1857 war of Indian Independence, in 1864, the three Presidency towns of Bombay, Calcutta and Madras were given Commissioners of Police.
Bombay's red-light district is the scene of the crime, when gentle Inspector Ghote, 'one of the great creations of detective fiction' (Alexander McCall Smith), is forced to take on his most embarrassing investigation yet in this classic mystery - with a brand-new introduction by bestselling author Vaseem Khan. Inspector Ganesh Ghote of the Bombay CID is in the worst trouble of his career so far. Given a task which at first seems merely embarrassing - that of escorting an aging British film star on a tour of Bombay's notorious red-light district, the 'Cages' - he is, before long, confronted with something infinitely worse: murder. But this isn't the end of his troubles. For the sole suspect is none other than the Sheriff of Bombay: respected holder of the honorary legal office, an ex-Rajah and former captain of India's cricket team. And he is a suspect only because Ghote had a swift glimpse of his face - as he hurriedly left a house of ill-repute. The gentle but tenacious detective shudders to think of the investigation ahead of him. What humiliations will he have to suffer as he searches for proof, he wonders. What sights will he see? Who will he encounter? And - above all - how will he explain what he has learnt to his wife?
A masterful coming-of-age set in 1960s London.
This book investigates the social history of colonial Bombay in the late Victorian and Edwardian eras. Drawing together strands that have hitherto been treated separately, and based on a wide range of untapped archival sources, this book offers the first systematic analytical account of historical change in a modernizing colonial city. In highlighting the colonial experience of historical processes that have attracted considerable attention in recent scholarship, it restores the much neglected global dimension to a comparative discussion of these themes. At the same time the volume demonstrates the manner in which the globalizing forces unleashed by European imperialism were appropriated and transformed in the colonial context.
Nelson Algren's two travel writing books describe his journeys through the seamier sides of great American cities and the international social and political landscapes of the mid-1960s. Algren at Sea brings them together in one volume. Notes from a Sea Diary offers one of the most remarkable appraisals of Ernest Hemingway ever written. Aboard the freighter Malayasia Mail, Algren ponders his personal encounter with Hemingway in Cuba and the values inherent in Hemingway’s stories as he visits the ports of Pusan, Kowloon, Bombay, and Calcutta. Who Lost an American? is a whirlwind spin through Paris and Playboy clubs, New York publishing and Dublin pubs, Crete and Chicago, as Algren adventures with Simone de Beauvoir, Jean-Paul Sartre, Brendan Behan, and Juliette Gréco.
Menials argues that British writers of the long-eighteenth century projected their era’s economic and social anxieties onto domestic servants. Confronting the emergence of controversial principles like self-interest, emulation, and luxury, writers from Eliza Haywood, Daniel Defoe, and Samuel Richardson to Mary Shelley, Charles Dickens, and William Thackeray used literary servants to critique what they saw as problematic economic and social practices. A cultural history of economic ideology as well as a literary history of domestic service, Menials traces the role of the domestic servant as a representation of the relationship between the master’s ideal self and the cultural forces that threaten it.