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Profiles the life of the Indian director, and discusses the making of each of his films
This four-part book deals with perception, design, technique, and experimentation and is directed at releasing the artist's inner self to gain a deeper, more personal perception of the physical world. 350 illustrations, 300 in full color.
Sounds of the Inner Eyeexplores the artistic and biographical connection among three of the Pacific Northwest's most significant and highly respected artists. Mark Tobey, often aligned with the abstract expressionists, was a pioneer in integrating elements of Asian art into mystical, calligraphic paintings. Morris Graves, known as something of an art world maverick, combined Eastern religious beliefs and a deep appreciation of the natural world in his work, focusing initially on the Northwest's birds and vegetation. John Cage, an avant-garde composer, philosopher, writer, and printmaker, began his visual creations with graphic representations of musical scores, and then evolved to include printmaking, drawing, and watercolor.Sounds of the Inner Eyeexplores the lives and careers of these three men who were instrumental in leading a community of artists, patrons, and scholars into a deeper understanding of the potential and power of art and, in turn, had a large impact on much of what followed in modern art in America. Known as the Northwest Mystics, they were influenced by Eastern philosophies and the natural beauty of the Pacific Rim. Their legendary nickname has remained over time, helping to establish the Northwest as a center for artistic talent, worthy of the admiration of the international art community.
Where does consciousness come from? What is it? Where is it taking us? In 1971 Nicholas Humphrey spent three months at Dian Fossey's gorilla research centre in Rwanda. It was there, among the mountain gorillas that he began to focus on the philosophical and scientific puzzle that has fascinated him ever since: the problem of how a human being or animal can know what it is like to be itself. The Inner Eye describes where these original speculations led: to Humphrey's now celebrated theories of the 'social function of intellect' and of human beings as natural born 'mind-readers'. Easy to read, adorned with Mel Calman's brilliant illustrations, passionately argued, yet never less than scientifically profound, this book remains the best introduction to new thinking about 'theory of mind' and its implication for human social life.
Intuition is commonly regarded as a flash of insight, a gut feeling or (to some) a psychic hit, but it is actually much more than any of these. It is a universal mental capacity for the direct acquisition of knowledge apart from reasoning, memory and the five senses. Throughout history intuition, drawing on an innate reservoir in the deeper levels of the unconscious mind, has enabled man's greatest acts of creativity, insight, inspiration and understanding. Over the last century the intuitive process has gradually become somewhat better understood and accepted, and can now be seen as an immense human potential for acquiring understanding, knowledge and insight. Opening the Inner Eye presents the latest discoveries in the workings of intuition and its applications to individual daily life and in all professional areas that depend upon information and knowledge for their advances. Most of these new findings were obtained at the Center for Applied Intuition, a San Francisco organization that functioned from 1977 to 1993, through interaction with a team of "expert intuitives"-individuals who developed their natural intuitive ability into a refined skill. This book describes the broad conditions under which intuition can be used to access almost unlimited information, and the results of several applicational experiments in counseling, business consulting, science, medicine and other fields.
Akira Kurosawa said of the great director: 'Not to have seen the cinema of Ray means existing in the world without seeing the sun or the moon.' Martin Scorsese remarked on Ray's birth centenary in 2021: 'The films of Satyajit Ray are truly treasures of cinema, and everyone with an interest in film needs to see them.' Satyajit Ray: The Inner Eye is the definitive biography, based on extensive interviews with Ray himself, his actors and collaborators, and a deep knowledge of Bengali culture. Andrew Robinson provides an in-depth critical account of each film in an astonishingly versatile career, from Ray's directorial debut Pather Panchali (1955) to his final feature Agantuk (1991). The third (centenary) edition includes new material: an epilogue, 'A century of Ray', about the nature of his genius; a wide-ranging conversation with Ray drawn from the author's interviews; and an updated comprehensive bibliography of Ray's writings.
“Ten days after the war ended, my sister Laura drove a car off a bridge.” These words are spoken by Iris Chase Griffen, married at eighteen to a wealthy industrialist but now poor and eighty-two. Iris recalls her far from exemplary life, and the events leading up to her sister’s death, gradually revealing the carefully guarded Chase family secrets. Among these is “The Blind Assassin,” a novel that earned the dead Laura Chase not only notoriety but also a devoted cult following. Sexually explicit for its time, it was a pulp fantasy improvised by two unnamed lovers who meet secretly in rented rooms and seedy cafés. As this novel-within-a-novel twists and turns through love and jealousy, self-sacrifice and betrayal, so does the real narrative, as both move closer to war and catastrophe. Margaret Atwood’s Booker Prize-winning sensation combines elements of gothic drama, romantic suspense, and science fiction fantasy in a spellbinding tale.
This volume examines the latest scientific and technological developments likely to shape our post-human future. Using a multidisciplinary approach, the author argues that we stand at the precipice of an evolutionary change caused by genetic engineering and anatomically embedded digital and informational technologies. The author delves into current scientific initiatives that will lead to the emergence of super smart individuals with unique creative capacities. He draws on technology, psychology and philosophy to consider humans-as-they-are relative to autonomy, creativity, and their place in a future shared with ‘post humans.’ The author discusses the current state of bioethics and technology law, both which policymakers, beset by a torrent of revolutionary advances in bioengineering, are attempting to steer. Significantly, Carvalko addresses why we must both preserve the narratives that brought us to this moment and continue to express our humanity through, music, art, and literature, to ensure that, as a uniquely creative species, we don’t simply vanish in the ether of an evolution brought about by our own technology.
In this fascinating, informal approach to art appreciation, an eminent Indian scholar reveals the crucial difference between merely looking at and really seeing painting and sculpture, drawing and architecture. And to the open-minded and sensitive observer, he shows how simple perceptions can be transmuted into darshana—the pure delight of union with the inner life of a work of art. The presentation is poetic, not technical, directed toward the general reader rather than the specialist. The author begins by symbolizing certain powers of the imagination as the "seven little-known birds of the inner eye." Then he traces these energies of the "body-soul" through a wide range of aesthetic response—from the first, almost involuntary discriminations lines, colors, and forms to the insights attained by the "third eye" of total vision. Illustrated and discussed are the superb murals and breathtaking architecture of India; ancient symbols and modern experiments; the landscape paintings of Song China and the works of major Western artists.