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A renowned feel-good classic of comic writing from "arguably the greatest writer of comic prose ever," gorgeous hardcover gift edition (The New York Times) “Mr. Wodehouse’s idyllic world can never stale. He has made a world for us to live in and delight in” – Evelyn Waugh Introducing two of the greatest characters created by the undisputed master of English comic prose, this is quite simply one of the funniest books ever written. Whether attempting to stay on the right side of his ghastly Aunt Agatha, evade the clutches of the forbidding Honoria Glossop, or simply having a punt on the length of local curates’ sermons, Bertie Wooster can always rely on his gentleman’s gentleman, Jeeves, for sound advice and an ingenious wheeze to get him out of a tight spot. “You don’t analyze such sunlit perfection, you just bask in its warmth and splendor.” – Stephen Fry “Wodehouse is the funniest writer—that is, the most resourceful and unflagging deliverer of fun—that the human race, a glum crowd, has yet produced.” – The New Yorker
A renowned feel-good classic of comic writing from "arguably the greatest writer of comic prose ever," gorgeous hardcover gift edition (The New York Times) “Mr. Wodehouse’s idyllic world can never stale. He has made a world for us to live in and delight in” – Evelyn Waugh Introducing two of the greatest characters created by the undisputed master of English comic prose, this is quite simply one of the funniest books ever written. Whether attempting to stay on the right side of his ghastly Aunt Agatha, evade the clutches of the forbidding Honoria Glossop, or simply having a punt on the length of local curates’ sermons, Bertie Wooster can always rely on his gentleman’s gentleman, Jeeves, for sound advice and an ingenious wheeze to get him out of a tight spot. “You don’t analyze such sunlit perfection, you just bask in its warmth and splendor.” – Stephen Fry “Wodehouse is the funniest writer—that is, the most resourceful and unflagging deliverer of fun—that the human race, a glum crowd, has yet produced.” – The New Yorker
"P. G. Wodehouse wrote the best English comic novels of the century." —Sebastian Faulks Bertram Wooster’s interminable banjolele playing has driven Jeeves, his otherwise steadfast gentleman's gentleman, to give notice. The foppish aristocrat cannot survive for long without his Shakespeare-quoting and problem-solving valet, however, and after a narrowly escaped forced marriage, a cottage fire, and a great butter theft, the celebrated literary odd couple are happy to return to the way things were.
This lavish collection of ever published of the incomparable stories of P.G. Wodehouse is paired with a complete and hilarious short novel.
Contents: My Man Jeeves Extricating Young Gussie Right Ho, Jeeves Jeeves is a fictional character in a series of humorous short stories and novels by P. G. Wodehouse, being the highly-competent valet of a wealthy and idle young Londoner named Bertie Wooster created in 1915. Both the name "Jeeves" and the character of Jeeves have come to be thought of as the quintessential name and nature of a valet or butler, inspiring many similar characters. The premise of the Jeeves stories is that the brilliant valet is firmly in control of his rich and foppish young employer's life. Jeeves becomes Bertie Wooster's protector and all-purpose problem solver, devising subtle plans to rescue Bertie and his friends from tiresome social obligations, demanding relatives, brushes with the law, and, above all, problems involving women. Wodehouse derives much comic effect from having Bertie, his narrator, remain blissfully unaware of Jeeves's machinations, until all is revealed at the end of the story.
Nationalism has reasserted itself today as the political force of our times, remaking European politics wherever one looks. Britain is no exception, and in the midst of Brexit, it has even become a vanguard of nationalism’s confident return to the mainstream. Intellectual attempts to account for nationalism’s resurgence have however floundered. Desperately trying to read nationalism through one overarching cause – as capitalist crisis, as cultural backlash, or as social media led anti-Establishment politics – these accounts have proven woefully inadequate. This book argues that the only way to understand nationalism is through nationalism itself. To understand it as the key force of modernity that calls upon all existing ideological traditions in asserting its appeal: whether it is liberal, conservative, neoliberal or left-wing. This ideological clamour that characterises today’s British nationalism requires both recognition and theorisation. A meaningful understanding of new nationalism must reckon with the ideological range animating it and the deeply hostile aversion to different racial minorities that pervades its respective ideologies. Drawing on a variety of cultural and political themes – ranging from Corbyn’s dithering, the cult of Churchillism, the neoliberal fixation with a ‘point-system’ immigration policy, the muscular secularism of Richard Dawkins and friends, fears that the white working class have ‘become black’, and even simply the strange appeal of Harry Potter and Game of Thrones – this book provides a dazzling but always detailed study of how nationalism is the politics of today only because it is a politics of everything.
Ronald Psmith ( the p is silent, as in pshrimp ) is always willing to help a damsel in distress. So when he sees Eve Halliday without an umbrella during a downpour, he nobly offers her an umbrella, even though it s one he picks out of the Drone Club s umbrella rack. Psmith is so besotted with Eve that, when Lord Emsworth, her new boss, mistakes him for Ralston McTodd, a poet, Psmith pretends to be him so he can make his way to Blandings Castle and woo her. And so the farce begins: criminals disguised as poets with a plan to steal a priceless diamond necklace, a secretary who throws flower pots through windows, and a nighttime heist that ends in gunplay. How will everything be sorted out? Leave it to Psmith
"[Blandings] is an entire world unto itself and, one senses, Wodehouse pours into it his deepest feelings for England." —Stephen Fry The Honourable Galahad Threepwood has decided to write his memoir—a tell-all that could destroy polite society. Everyone wants this manuscript gone, particularly Lord Emsworth’s neighbor Sir Gregory Parsloe-Parsloe, who would do anything to keep the story of the prawns buried in the past. But the memoir isn’t the only problem. A chorus girl disguised as an heiress, a double-dealing detective, a stolen prize-winning sow, and a crazy ex-secretary are only a few of the complications that must be dealt with before everyone can have their happy ending.
This first ever, officially authorised biography of Fry & Laurie takes us on their journey from insecure Footlighters to international comedy heroes. It is the tale of a true friendship, a deep affection between two very funny men which has long been reflected back from an adoring public. Jem Roberts, acclaimed chronicler of Blackadder and The Hitchhiker’s Guide to the Galaxy, covers everything from the excitement of being the first Perrier Award winners with The Cellar Tapes to the terrors of performing on Saturday Live, the collaborative warfare of Blackadder and the ultimate depiction of Wodehouse’s most inimitable characters, Jeeves & Wooster. Beyond this, the trials and tribulations of their remarkable subsequent separate career paths, from QI to House, will be explored for the first time. With tantalising, never-before-seen titbits from the A Bit of Fry & Laurie archive, and interviews with Emma Thompson, Richard Curtis, John Lloyd and more, this history of Fry & Laurie is an overdue celebration, paying tribute to a legacy of laughter from one of the funniest double acts of all time.