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Excerpt from The Influence of the Organ in History The Influence of the Organ in History was written by Dudley Buck in 1900. This is a 105 page book, containing 24938 words and 10 pictures. Search Inside is enabled for this title. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Story of the Organ The object of this little work is to give an outline of the history of that wonderful outcome of human ingenuity and skill known as the organ, from documentary evidence, apart from the vague speculations of Kircher and others. The known history of the organ begins with the machine of Ctesibius, of Alexandria, in which air was forced into a trumpet by the efforts of water to "rise to its own level." In mediaeval times the force of gravity replaced that of water, weights being placed on a bellows, from which the air was thus driven into the pipes with the requisite strength. Speculations as to the nature of the organs mentioned in Genesis and elsewhere in the Scriptures have no bearing on the history of the instrument, for when, during the Reformation, the Bible was translated into various modern languages, the translators, knowing nothing of the instruments there mentioned, simply made use of musical terms familiar to them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
This book, "The influence of the organ in history," by Dudley Buck, is a replication of a book originally published before 1900. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Excerpt from The Story of Organ Music Anything like a complete history of the rise and de velopment of organ music would require a far larger book than this, and would probably extend to several volumes, to say nothing Of a collection of examples of the various schools and epochs, which would be necessary. The reader must therefore expect to find nothing more than an outline of the subject, in which a few of the works of some of the leading representa tives are briefly described. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1917 edition. Excerpt: ... (6) Columns for Discount on Purchases and Discount on Notes on the same side of the Cash Book; (c) Columns for Discount on Sales and Cash Sales on the debit side of the Cash Book; (d) Departmental columns in the Sales Book and in the Purchase Book. Controlling Accounts.--The addition of special columns in books of original entry makes possible the keeping of Controlling Accounts. The most common examples of such accounts are Accounts Receivable account and Accounts Payable account. These summary accounts, respectively, displace individual customers' and creditors' accounts in the Ledger. The customers' accounts are then segregated in another book called the Sales Ledger or Customers' Ledger, while the creditors' accounts are kept in the Purchase or Creditors' Ledger. The original Ledger, now much reduced in size, is called the General Ledger. The Trial Balance now refers to the accounts in the General Ledger. It is evident that the task of taking a Trial Balance is greatly simplified because so many fewer accounts are involved. A Schedule of Accounts Receivable is then prepared, consisting of the balances found in the Sales Ledger, and its total must agree with the balance of the Accounts Receivable account shown in the Trial Balance. A similar Schedule of Accounts Payable, made up of all the balances in the Purchase Ledger, is prepared, and it must agree with the balance of the Accounts Payable account of the General Ledger." The Balance Sheet.--In the more elementary part of the text, the student learned how to prepare a Statement of Assets and Liabilities for the purpose of disclosing the net capital of an enterprise. In the present chapter he was shown how to prepare a similar statement, the Balance Sheet. For all practical...
Excerpt from The Early English Organ Builders and Their Work: From the Fifteenth Century to the Period of the Great Rebellion, an Unwritten Chapter in the History of the Organ, a Lecture, Delivered Before the College of Organists, November 15, 1864 As regards the origin of this noble in strument, we may safely assume it to have been the simple series of reeds of various lengths, blown into by the mouth of the performer at the upper ends, and known as the Pipes of Pan. The Greek and Latin shepherds made this primitive instrument of strong reeds, or some other suitable wood. It consisted originally of seven or eight reeds of graduated length, fastened together with wax The number was afterwards extended to ten or twelve. The Syrinx or Pipes of Pan, by its form and arrangement, may be regarded as the first kind of organ building; for here were a number of pipes placed together in ranks, according to their succession of tones, and sounded by wind. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Organ Fifty Years Hence: A Study of Its Development in the Light of Its Past History and Present Tendencies The treble portion of the stop. Mr. Wedgwood, who has personally visited practically every Schulze Diapason in England, considers that there is a tendency towards coarseness in his work, a tendency which has been more than accentuated by some of those builders who have attempted to imitate him. At the same time the appear ance of Schulze midway through the nineteenth century had a most beneficial influence on organ tone, and Mr. T. C. Lewis, who has based 'his work on the Schulze model, may be said to have reached the zenith of achieve ment in this particular style of foundation tone. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.