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Excerpt from The Influence of Plato, on Saint Basil From this brief statement of a few facts bearing on the relation of Plato to the leaders Of early Christian thought it is plain that Ackermann's observation is entirely correct when he remarks on p. 8 that it seems very difficult for the Christian Fathers of the first centuries to escape the influence of Plato. Now the purpose of the present study is to Show how far the influence of Plato is manifested in the works of Basil, but before proceeding to the subject proper it is desirable to take 'a rapid review of Basil's early life and education in order to Show the tendency of his preliminary training. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Justin Martyr (c. 100–165 A. D.), the earliest apologist whose works have been preserved even in part, was a Platonist before he was a Christian and Platonic quotations abound in his works. Huber, however, points out, Die Philosophie der Kirchenväter, p. 14, the difficulty of harmonizing Justin’s pro-Platonic and anti-Platonic views. In Apol., II, 13 (Migne, Pat. Gr., VI, p. 465, B. 11) he states that the teachings of Plato are not foreign to Christ, and then again in many places we find that he attacks the heathen philosophers, Plato, Aristotle, etc.; see Cohor. ad Graecos, chap. 5 ff., and declares Plato’s inconsistencies in chap 7. But whether as an advocate or an opponent of Plato’s doctrines he shows a thorough knowledge of his works, quoting from the Republic, Timaeus, Meno and Phaedrus. Aeterna Press
An ambitious reinterpretation and defense of Plato’s basic enterprise and influence, arguing that the power of his myths was central to the founding of philosophical rationalism. Plato’s use of myths—the Myth of Metals, the Myth of Er—sits uneasily with his canonical reputation as the inventor of rational philosophy. Since the Enlightenment, interpreters like Hegel have sought to resolve this tension by treating Plato’s myths as mere regrettable embellishments, irrelevant to his main enterprise. Others, such as Karl Popper, have railed against the deceptive power of myth, concluding that a tradition built on Platonic foundations can be neither rational nor desirable. Tae-Yeoun Keum challenges the premise underlying both of these positions. She argues that myth is neither irrelevant nor inimical to the ideal of rational progress. She tracks the influence of Plato’s dialogues through the early modern period and on to the twentieth century, showing how pivotal figures in the history of political thought—More, Bacon, Leibniz, the German Idealists, Cassirer, and others—have been inspired by Plato’s mythmaking. She finds that Plato’s followers perennially raised the possibility that there is a vital role for myth in rational political thinking.
The object of this dissertation is to investigate. Basil’s knowledge of Greek literature, and to acquire as far as possible an insight into his attitude toward it. It is hoped that this object will be attained by collecting all direct quotations, all proper names, and all expressions and ideas which may with some degree of real certainty be attributed to the Greek civilization before him. This dissertation is not a study of sources, as such studies are generally understood. The common type of source investigation is an accumulation of every word, phrase, or idea which has even the remotest possibility of indicating a point of contact between two authors. By far the greater part of such material indicates little or nothing of certainty regarding a writer’s use of the works of a predecessor. To repeat, the present study has to do only with certain or nearly certain signs of an acquaintance with, or an attitude of mind toward, the earlier Greek culture. These considerations must be borne in mind, especially in the study of the philosophers (Chapter III) to whom Basil is commonly supposed to be greatly indebted. Aeterna Press
In Volume One of Ernest Fortin: Collected Essays, the renowned theologian and political philosopher examines various facets of the unique encounter between biblical religion and Greek philosophy during the early Christian centuries and the Middle Ages. Fortin's aim is to uncover the crucial issues to which this encounter gave rise, such as the sometimes troubling but immensely fruitful tension between divine revelation and philosophic reason. The book includes sections on St. Augustine and the refounding of Christianity; the encounter between Jerusalem and Athens; the medieval roots of Christian education; and Dante and the politics of Christendom.
The first Classical text was printed at Mainz in 1465. By the end of 1500 more than 350 printers in over 70 locations had contributed to the printing of more than 1500 separate editions. Almost every Classical Latin author had been printed, many in multiple editions, and the printing of Greek authors was well under way. Printing the Classical Text presents a comprehensive survey of this momentous period in the evolution of the Classical text. Since the course of Classical printing cannot be viewed separately from the course of printing generally, the opening chapter of the book locates Classical printing within the wider context by reviewing some of the cultural, intellectual, and commercial factors which affected the printing industry as a whole during the first fifty years of its development. The two central chapters are devoted respectively to the Latin and Greek editions themselves. With respect to Latin editions, which represent more than ninety percent of the whole, comprehensive chronological listings provide details of the printing history of each of the more than seventy authors represented. These are supplemented by a synoptic chart and by a running commentary in which the author identifies observable patterns and highlights the most distinctive features. The relatively small number of editions of Greek authors allows the author to accord them individual treatment in which each is examined in the context of its printer's instinctive publishing programme. This analysis is preceded by an account of the introduction of Greek studies into Italy, where all fifteenth-century editions of Greek authors were printed, and by a review of the typographical challenges which faced the earliest printers of Greek texts.The concluding chapter of the book takes up the controversial question of editorial quality. The author examines what the process of editing involved and attempts to assign to the earliest printed Classical editions their appropriate place in the evolution of the authoritative text in light of both the claims which the earliest editors themselves made and the less enthusiastic judgement rendered by modern critics.