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Item presents a complete , annotated catalogue of the designs of the Utopie architects and reflects the social events and student protests of 1968.
Following in the footsteps of Nanotecture, Mobitecture, and Pet-tecture, a fascinating and fun guide to everything inflatable Although inflatable objects have been around for more than 200 years, architects, artists, and designers keep rediscovering this deceptively simple – often playful, and occasionally bizarre – technology. Bubbletecture brings together inflatables in every conceivable size, shape, and hue across the realms of architecture, design, art, and fashion. From inflatable dresses and hats to buildings employing cutting-edge technologies, from ingenious chairs, lights, bowls, and even egg cups to children's toys and provocative art installations, Bubbletecture demonstrates that inflatable design is simply irresistible.
A wildly humorous account of the author's travels across Paraguay–South America's darkly fabled, little-known “island surrounded by land.” Rarely visited by tourists and barely touched by global village sprawl, Paraguay remains a mystery to outsiders. Think of this small nation and your mind is likely to jump to Nazis, dictators, and soccer. Now, John Gimlette’s eye-opening book–equal parts travelogue, history, and unorthodox travel guide–breaches the boundaries of this isolated land,” and illuminates a little-understood place and its people. It is a wonderfully animated telling of Paraguay's story: of cannibals, Jesuits, and sixteenth-century Anabaptists; of Victorian Australian socialists and talented smugglers; of dictators and their mad mistresses; bloody wars and Utopian settlements; and of lives transplanted from Japan, Britain, Poland, Russia, Germany, Ireland, Korea, and the United States. The author travels from the insular cities and towns of the east, along ghostly trails through the countryside, to reach the Gran Chaco of the west: the “green hell” covering almost two-thirds of the country, where 4 percent of the population coexists–more or very-much-less peacefully–with a vast array of exotic wildlife that includes jaguars, prehistoric lungfish, and their more recently evolved distant cousins, the great fighting river fish. Gimlette visits with Mennonites and the indigenas, arms dealers and real-estate tycoons, shopkeepers, government bureaucrats and, of course, Nazis. Filled with bizarre incident, fascinating anecdote, and richly evocative detail, At the Tomb of the Inflatable Pig is a brilliant description of a country of eccentricity and contradiction, of beguilingly individualistic men and women, and of unexpected and extraordinary beauty. It is a vivid, often riotous, always fascinating, journey.
A thrilling Star Trek: The Original Series adventure featuring Captain James T. Kirk and the USS Enterprise in a strange battle for dilithium crystals against the Klingons. Dilithium. In crystalline form, the most valuable mineral in the galaxy. It powers the Federation’s starships...and the Klingon Empire’s battlecruisers. Now on a small, out-of-the-way planet named Direidi, the greatest fortune in dilithium crystals ever seen has been found. Under the terms of the Organian Peace Treaty, the planet will go to the side best able to develop the planet and its resourses. Each side will contest the prize with the prime of its fleet. For the Federation—Captain James T. Kirk and the Starship Enterprise. For the Klingons—Captain Kaden vestai-Oparai and the Fire Blossom. Only the Direidians are writing their own script for this contest—script that propels the crew of the Starship Enterprise into their strangest adventure yet!
Retired Navy SEAL and professional photographer Darren McBurnett takes readers behind the scenes into the elite SEAL training program, BUD/S, in Coronado, California. Striking, beautiful, and haunting, Uncommon Grit takes a unique, unprecedented look at the toughest training in the military -- and the world -- from the vantage point of someone who lived through it. Retired Navy SEAL Darren McBurnett includes vivid descriptions of both the physical and mental evolutions that occur as a result of the immensely challenging SEAL training process. His stunning photographs, partnered with his compelling insights and sharp sense of humor, allow the reader to laugh, cringe, gasp, and even envision themselves going through this extraordinary experience.
The very first of its kind, this miniature Wacky Waving Inflatable Tube Guy is the perfect desktop companion, tiny marketing tool, or hilarious gift! Finally, the joyous dancing tube man -- who's been featured everywhere from Ricky Martin's stage to Broad City -- is available in a tiny, desk-friendly size. This box includes: An 18-inch waving tube man with fan in base to make him dance, wiggle, and shake just like the real thing (batteries not included) A 32-page mini book exploring the larger than life (and utterly surprising!) origins of everyone's favorite flailing arm man PLEASE NOTE: This product can be powered by a 9-volt battery or by a specific AC adapter. (Battery nor AC adapter included with purchase.) Please read and follow the instructions included in the box to ensure optimal performance. If using a battery: A rechargable Ni-MH battery is recommended for best performance and is a more cost-effective alternative to a common Alkaline (single-use) battery. If using an Alkaline battery, it must be NEW and preferably a PREMIUM brand. DO NOT use a Carbon-Zinc battery (often labeled "Heavy-Duty"). This type of battery cannot produce enough power to operate the motor. To get the most life out of the battery, use in intervals no greater than 5 to 10 minutes. Operating in this manner will yield approximately 45 minutes of use. If your tube guy begins to get stuck in a downward position, it is time to replace the battery or recharge if using a rechargeable battery. If using an AC adapter, it must follow the below specifications: Input: AC 100-240V (50-60 Hz) Output: DC 9V (1A or 2A)
Architects write a lot, especially now when conceptual aspects have become central in the advanced reflections and narrative forms increasingly intersect the quest of design practices far an ultimate legitimation. In the growing mass of the publishing offer, these keywords try to highlight recurrent issues, tracking synthetic paths of orientation between different critical positions, with particular attention to what happens in the neighbouring fields of the arts and sciences.
Guyana, Suriname, and French Guiana are among the least-known places in South America: nine hundred miles of muddy coastline giving way to a forest so dense that even today there are virtually no roads through it; a string of rickety coastal towns situated between the mouths of the Orinoco and Amazon Rivers, where living is so difficult that as many Guianese live abroad as in their homelands; an interior of watery, green anarchy where border disputes are often based on ancient Elizabethan maps, where flora and fauna are still being discovered, where thousands of rivers remain mostly impassable. And under the lens of John Gimlette—brilliantly offbeat, irreverent, and canny—these three small countries are among the most wildly intriguing places on earth. On an expedition that will last three months, he takes us deep into a remarkable world of swamp and jungle, from the hideouts of runaway slaves to the vegetation-strangled remnants of penal colonies and forts, from “Little Paris” to a settlement built around a satellite launch pad. He recounts the complicated, often surprisingly bloody, history of the region—including the infamous 1978 cult suicide at Jonestown—and introduces us to its inhabitants: from the world’s largest ants to fluorescent purple frogs to head-crushing jaguars; from indigenous tribes who still live by sorcery to descendants of African slaves, Dutch conquerors, Hmong refugees, Irish adventurers, and Scottish outlaws; from high-tech pirates to hapless pioneers for whom this stunning, strangely beautiful world (“a sort of X-rated Garden of Eden”) has become home by choice or by force. In Wild Coast, John Gimlette guides us through a fabulously entertaining, eye-opening—and sometimes jaw-dropping—journey.
ETFE foil has recently become an important material for the cladding of technologically sophisticated and innovative buildings. This material is very thin and lightweight and, when used in air-filled cushion assemblies, has enormous strength and a range of adaptive environmental attributes. ETFE cushion enclosures became known primarily through Grimshaw Architects’ Eden Project and Herzog + de Meuron’s Allianz Arena, and they are being used on the spectacular swimming stadium for the 2008 Olympic Games in Beijing, the largest ETFE building envelope in the world so far. This book is conceived as an in-depth introduction to the characteristics of ETFE and its applications in construction. Project examples explore in detail the specific characteristics of ETFE building skins in the areas of structural behavior, light transmission, insulation, acoustics, fire engineering and environmental modification.
Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.