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Typescript, undated. World premiere was March 14, 2011, at Incubator Arts Project, . St Mark's Church, 131 East Tenth Street, New York, N.Y.
This volume is the seventeenth in a series dedicated to presenting the latest findings in the fields of comparative drama and performance. Featuring eleven essays from the 2021 Comparative Drama Conference in Orlando, it includes new research on contemporary plays by Anne Washburn, Will Arbery, Matthew Lopez, Anna Deveare Smith and Qui Nguyen. Chapters also present new research for classic plays such as Measure for Measure and Cyrano, arguments for teaching science through drama, changing approaches for training actors, and using the insights of neuroscience to lure audiences back to live theatre. This year's volume also features a new interview with playwright Anne Washburn and seven book reviews centered on drama and theatre studies.
In this follow-up to his 2012 The Contemporary American Dramatic Trilogy, Robert J. Andreach continues his unique study of dramatic structure as evidenced through the overarching themes of contemporary American trilogies. The themes of the first play in a trilogy, he shows, can be far different from those developed as the sequence continues, citing examples from playwrights as varied as David Rabe and the Pulitzer Prize-winning Quiara Alegráa Hudes. Looking at the ways structure in a tragedy can be substituted for the Aristotelian plot, Andreach makes clear that because creating or reinventing oneself can be such a primary motivating force in American culture, a character's failed attempt to change the structure or plot of his or her life may indeed be tragic. The dramatic trilogy has been flourishing for some time now in new works and revivals of older ones by American, British, and European playwrights, with examples such as the Hunger Games trilogy and the Fifty Shades trilogy moving more recently even into the popular sphere. Combining his skills as both a professional reviewer of theater and a literary critic, Robert Andreach is in a unique position to provide coherence to what most observers perceive as an unrelated welter of contemporary theatrical experiences.
Casting a Movement brings together US-based actors, directors, educators, playwrights, and scholars to explore the cultural politics of casting. Drawing on the notion of a "welcome table"—a space where artists of all backgrounds can come together as equals to create theatre—the book’s contributors discuss casting practices as they relate to varying communities and contexts, including Middle Eastern American theatre, Disability culture, multilingual performance, Native American theatre, color- and culturally-conscious casting, and casting as a means to dismantle stereotypes. Syler and Banks suggest that casting is a way to invite more people to the table so that the full breadth of US identities can be reflected onstage, and that casting is inherently a political act; because an actor’s embodied presence both communicates a dramatic narrative and evokes cultural assumptions associated with appearance, skin color, gender, sexuality, and ability, casting choices are never neutral. By bringing together a variety of artistic perspectives to discuss common goals and particular concerns related to casting, this volume features the insights and experiences of a broad range of practitioners and experts across the field. As a resource-driven text suitable for both practitioners and academics, Casting a Movement seeks to frame and mobilize a social movement focused on casting, access, and representation. Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Text & Presentation gathers some of the best work presented at the 2014 Comparative Drama Conference in Baltimore. The subjects explored in this volume range from ancient to contemporary and encompass great cultural and intellectual diversity. The highlight of the conference was a presentation by award-winning playwright David Henry Hwang. A transcript of Hwang's conversation is the lead piece, followed by twelve research papers, one review essay and ten book reviews. This volume accurately represents the diversity of the annual conference, and represents the latest research in the fields of comparative drama, performance and dramatic textual analysis.
Emphasizing the resilience of theatre arts in the midst of significant political change, Theatre After Empire spotlights the emergence of new performance styles in the wake of collapsed political systems. Centering on theatrical works from the late nineteenth century to the present, twelve original essays written by prominent theatre scholars showcase the development of new work after social revolutions, independence campaigns, the overthrow of monarchies, and world wars. Global in scope, this book features performances occurring across Africa, the Americas, Asia, Europe, and the Middle East. The essays attend to a range of live events—theatre, dance, and performance art—that stage subaltern experiences and reveal societies in the midst of cultural, political, and geographic transition. This collection is an engaging resource for students and scholars of theatre and performance; world history; and those interested in postcolonialism, multiculturalism, and transnationalism. The Introduction ("Framing Latine Theatre and Performance") of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
The Cambridge History of Asian American Literature presents a comprehensive history of the field, from its origins in the nineteenth century to the present day. It offers an unparalleled examination of all facets of Asian American writing that help readers to understand how authors have sought to make their experiences meaningful. Covering subjects from autobiography and Japanese American internment literature to contemporary drama and social protest performance, this History traces the development of a literary tradition while remaining grounded in current scholarship. It also presents new critical approaches to Asian American literature that will serve the needs of students and specialists alike. Written by leading scholars in the field, The Cambridge History of Asian American Literature will not only engage readers in contemporary debates but also serve as a definitive reference for years to come.
The time of the Samurai in ancient Japan was unique and violent; a life filled with tradition, honor, and legend. Throughout many centuries of war, the Samurai developed one of the most revered weapons of all time -the Samurai sword. They lived by a code of honor known as Bushido: Way of the Warrior, that still stands true in Japan today. With unique 3D animation, ancient Japanese woodblock prints come to life. Soul of the Samurai is the story of their life and of a culture unfamiliar to most of the Western world. .
A Library Journal Best Reference Book of 2022 This book represents the culmination of over 150 years of literary achievement by the most diverse ethnic group in the United States. Diverse because this group of ethnic Americans includes those whose ancestral roots branch out to East Asia, Southeast Asia, South Asia, and Western Asia. Even within each of these regions, there exist vast differences in languages, cultures, religions, political systems, and colonial histories. From the earliest publication in 1887 to the latest in 2021, this dictionary celebrates the incredibly rich body of fiction, poetry, memoirs, plays, and children’s literature. Historical Dictionary of Asian American Literature and Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 700 cross-referenced entries on genres, major terms, and authors. This book is an excellent resource for students, researchers, and anyone wanting to know more about this topic.