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Pejoratively referred to as "idols" in the Hebrew Bible and in western tradition, the cult image occupied a central place in the cultures of the ancient Near East. In Mesopotamia, a ritual (mis pi) was used to "give birth" to the god represented by the cult image. In this volume, three separate essays examine the topic within different ancient Near Eastern cultures, and a fourth provides a modern analogy as counterpoint.
While biblical prophets ridiculed the notion of humans fashioning an idol that they would then worship, ancient Near Eastern theologians developed a sophisticated religious system in which divine beings could be physically manifest within the material of a cultic image without being limited by that embodiment. The four essays in this compact volume examine the intriguing subject of cultic images and divine iconography in Mesopotamia, Egypt, Anatolia and Syria-Palestine. This interesting and eclectic group of essays explores the textual and artifactual evidence for the creation and veneration of divine images in the ancient Near East. The recent resurgence of scholarly interest in the study of divine representation in ancient Israel and the Near East makes this comprehensive reexamination especially timely.
Pejoratively referred to as "idols" in the Hebrew Bible and in western tradition, the cult image occupied a central place in the cultures of the ancient Near East. In Mesopotamia, a ritual (mis pi) was used to "give birth" to the god represented by the cult image. In this volume, three separate essays examine the topic within different ancient Near Eastern cultures, and a fourth provides a modern analogy as counterpoint.
Offers a deeply informed take on a key Christian doctrine and its interpretation and relevance today.
A biography of how cult images functioned in Roman temples. It explores their creation, use, and eventual destruction.
This book examines the sculptures created during the Early Dynastic period (2900-2350 BC) of Sumer, a region corresponding to present-day southern Iraq. Featured almost exclusively in temple complexes, some 550 Early Dynastic stone statues of human figures carved in an abstract style have survived. Chronicling the intellectual history of ancient Near Eastern art history and archaeology at the intersection of sculpture and aesthetics, this book argues that the early modern reception of Sumer still influences ideas about these sculptures. Engaging also with the archaeology of the Early Dynastic temple, the book ultimately considers what a stone statue of a human figure has signified, both in modern times and in antiquity.
In Moses among the Idols: Mediators of the Divine in the Ancient Near East, Balogh simultaneously redefines one of the greatest figures in the history of religion and challenges the historically popular understanding of ancient Mesopotamian idols as the idle objects of antiquated faiths. Drawing on interdisciplinary research and methods of comparison, Balogh not only offers new insight into the lives of idols as active mediators between humanity and divinity, she also makes the case that when it comes to understanding the figure of Moses, Mesopotamian idols are the best analogy that the ancient Near East provides. This new understanding of Moses, idols, and the interplay between the two on the stage of history and within the biblical text has been made possible only with the recent publication of pertinent texts from ancient Mesopotamia. Drawing from the fields of Assyriology, biblical studies, comparative religion, and archaeology, Balogh identifies a problem with Moses’s status, and offers an unexpected solution to that problem. Moses among the Idols centers on the question: What is it that transforms Moses from an inadequate representative of Yahweh who is “uncircumcised of lips” to “god to Pharaoh” (Exodus 6:28-7:1)? In this moment, Moses undergoes a status change best understood through comparison with the induction ritual for ancient Mesopotamian idols as described in the texts of the Mīs Pȋ, “Washing” or “Purification of the Mouth.” This solution to the problem of Moses’s status explains not only his status change, but also why Moses radiates light after speaking with YHWH (Exod 34:29-35), and his peculiar relationship with YHWH and people of Israel. The comparative, interdisciplinary perspective provided by Balogh allows one to read these and other millennia-old interpretive issues anew, and to do so in a way that underscores the contribution of in-depth comparison to our understanding of ancient civilizations, texts, and intellectual frameworks.
Catherine McDowell presents a detailed and insightful analysis of the creation of adam in Gen 2:5–3:24 in light of the Mesopotamian mīs pî pīt pî (“washing of the mouth, opening of the mouth”) and the Egyptian wpt-r (opening of the mouth) rituals for the creation of a divine image. Parallels between the mouth washing and opening rituals and the Eden story suggest that the biblical author was comparing and contrasting human creation with the ritual creation, animation, and installation of a cult statue in order to redefine ṣelem ʾelohîm as a human being—the living likeness of God tending and serving in the sacred garden. McDowell also considers the explicit image and likeness language in Gen 1:26–27. Drawing from biblical and extrabiblical texts, she demonstrates that ṣelem and demût define the divine-human relationship, first and foremost, in terms of kinship. To be created in the image and likeness of Elohim was to be, metaphorically speaking, God’s royal sons and daughters. While these royal qualities are explicit in Gen 1, McDowell persuasively argues that kinship is the primary metaphor Gen 1 uses to define humanity and its relationship to God. Further, she discusses critical issues, noting the problems inherent in the traditional views on the dating and authorship of Gen 1–3, and the relationship between the two creation accounts. Through a careful study of the tôledôt in Genesis, she demonstrates that Gen 2:4 serves as both a hinge and a “telescope”: the creation of humanity in Gen 2:5–3:24 should be understood as a detailed account of the events of Day 6 in Gen 1. When Gen 1–3 are read together, as the final redactor intended, these texts redefine the divine-human relationship using three significant and theologically laden categories: kinship, kingship, and cult. Thus, they provide an important lens through which to view the relationship between God and humanity as presented in the rest of the Bible.
This book explores the prophetic characteristics of literature, particularly poetry, that seek to reimagine the world in which it is written. Using theological and philosophical insights it charts the relentless impulse of literature to propose alternative visions, practicable or utopian, and point toward possibilities of renewal and change. Drawing from each of the three main Abrahamic religions, as well as Greek and Latin classics, an international group of scholars utilise a diverse range of analytical and interpretive methods to draw out the prophetic voice in poetry. Looking at the writings of figures like T. S. Elliot, Blake, Wittgenstein and Isaiah, the theme of the prophetic is shown to be of timely importance given the current state of geo-political challenges and uncertainties and offers a much-needed critical discussion of these broad cultural questions. This collection of essays offers readers an insight into the constructive power of literature. As such, it will be of great interest to scholars working in Religion and the Arts, Religious Studies, Theology and Aesthetics.