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- Extensive documentation of courtyard houses, both traditional and contemporary - More than a thousand images, drawings, plans and maps - Overview according to climate, geography, philosophy and religion Indian architecture is not about an object in space; instead it integrates space within the object where the built and the unbuilt become counterpoints to vitalize each other. This engulfed void known as the courtyard lies at the genesis of urban dwellings in India. In this book the author traces the metaphysical, mythical, socio-cultural, environmental and spatial roles of the courtyard in the domestic architecture of India - from early civilization and Vedic times to Islamic and colonial influences. This book documents traditional courtyard dwelling types across India within diverse climatic, cultural as well as geographic zones such as West (Gujarat, Rajasthan, Maharashtra), South (Tamil Nadu, Kerala, Karnataka, Goa), East (Bihar, West Bengal), Central (Madhya Pradesh) and North (Uttar Pradesh, Delhi, Jammu and Kashmir). Courtyard Houses of India documents, analyzes and infers the attributes and manifestations of traditional courtyard houses and examines the diverse interpretations of those as applied in contemporary homes.
Cultural sustainability is a very important aspect of the overall sustainability framework and is regarded as the ‘fourth pillar’ alongside the other three: environmental, economic, and social sustainability. However, the concept is neither fully explored, nor widely accepted or recognized. This book elicits the interplay of ‘nature-culture-architecture’ and theorizes the concept of ‘cultural sustainability’ and ‘culturally sustainable architecture.’ It identifies four key themes in Chinese philosophy: Harmony with Heaven, Harmony with Earth, Harmony with Humans, and Harmony with Self, along with Greek philosopher Aristotle’s physics: form, space, matter, and time, it sets them as criteria to evaluate the renewed and new courtyard housing projects constructed in China since the 1990s. Using an innovative architectural and social science approach, this book examines the political, economic, social, and spatial factors that affect cultural sustainability. Supported by a multiplicity of data including: field surveys, interviews with residents, architects, and planners, time diaries, drawings, photos, planning documents, observation notes, and real estate brochures, the book proposes new courtyard garden house design strategies that promote healthy communities and human care for one another, a concept that is universally applicable. The volume is a first opportunity to take a holistic view, to encompass eastern and western, tangible and intangible, cultures in the theorization of ‘cultural sustainability’ and ‘culturally sustainable architecture.’ It is a comprehensive contribution to architectural theory.
This book is an intellectual discourse and a concise compendium of current research in architecture and urbanism. Primarily, it is a book of readings of 16 chapters. The book brings together theories, manifestos and methodologies on contemporary architecture and urbanism to raise the understanding for the future architecture and urban planning. Overall, the book aimed to establish a bridge between theory and practice in built environment. Thus, it reports on the latest research findings and innovative approaches, methodologies for creating, assessing and understanding of contemporary built environment.
A feminist classic of Partition literature in a newly revised translation by Booker Prize-winning translator Daisy Rockwell. A Penguin Classic Set in the turbulent decade of the 1940s, The Women's Courtyard provides an inverted perspective on the Partition. Mastur’s novel is conspicuously empty of the political pondering and large national questions that played out, typically, in the arenas of men. Instead, it gives expression to the preoccupations of the women in the courtyard, fighting different battles with loud voices. The novel follows a Muslim girl, Aliya, and her family, about and around the climax of the Independence struggle. While the national struggle rages on the street, Aliya and the other women in the courtyard are tethered hopelessly to their own problems of life and death. The Women’s Courtyard is an experience in suffocation. Within the strict religious and social framework of a rigid Muslim family, there is a purdah between Aliya and the rest of the world. While the men in Aliya’s family wage politics, get beaten up, and go to jail in the unseen outside, their families back home are forced to wait in deteriorating conditions, trying desperately to hold up the social structure that confines them.
This book provides an understanding of the very roots of what constitutes the Indian context by examining its notions of time, space and existence. the study unravels the inherent virtues of traditional Indian architecture and interprets them as universal dictums, relevant to reinstate in contemporary times.
This book celebrates the work of India's greatest architect, Charles Correa. Born in 1930, Correa is an Indian and international architect who, in a lifetime of achievement, has created work which is consistently beautiful, human and enduring. He played a defining role in the architecture of post-Independence India and has designed some of the most outstanding cultural and civic monuments, science institutes, schools, housing developments and new cities, based on a profound understanding of his country,s history, needs and aspirations. Correa's work has provided inspiration for future generations of architects at a time of vertiginous population and economic growth in the region. For this, he has received many awards including Britain's highest architectural accolade, the Royal Gold Medal in 1984. Rooted in India but educated as an architect in the United States and steeped in the modernist teachings of Le Corbusier, Correa has concentrated on the living patterns in communities where he worked, achieving remarkable results with simple but effective means. Tradition and modernity are not opposites for him. Always contemporary, he has subtly layered the history of the land and of ideas in his designs. His sources range from the railway models of his childhood to conceptions of the Cosmos and to street-hawkers' use of the Mumbai pavements. Throughout his career, he has demonstrated a remarkably consistent approach, guided by a respect for the given conditions, a desire to effect change without forced interference, and a passion to combine fitness for purpose with beauty and spirituality.
An unrivaled survey of the most exciting contemporary interior design across the globe, curated by the editors of ten international editions of Architectural Digest. Since 1920, Architectural Digest has celebrated design talents, innovative homes, and products--providing endless decoration, lifestyle, and travel inspiration. With ten global editions, the magazine is an authority renowned all over the world for publishing only the very best of today's interior design. In this new volume--spearheaded by AD France's editor in chief, Marie Kalt--the editors of Architectural Digest's international editions have teamed up to thoughtfully curate a collection of today's most exceptional interiors around the globe. These diverse residential spaces span from the United States and China, to France, Italy, Germany, Russia, Spain, India, Mexico, and the Middle East, presenting each country's unique "AD style manifesto" and the work of design luminaries such as Peter Marino, Martyn Lawrence Bullard, Jacques Grange, Joseph Dirand, and Bijoy Jain, to name a few. The featured projects range from Marc Jacobs's New York townhouse to Tommy Hilfiger's Connecticut abode and Seth Meyers's Manhattan duplex; a sumptuous eighteenth-century Italian villa and a Moroccan palace; Pierre Bergé's apartment and a hôtel particulier in Paris; a Majorca summer home; and a country house in Russia. Brimming with stunning images and rich international inspirations, this unparalleled compendium of global interiors is a must for every library of interior design.