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Excerpt from The Indian and His Problem The foregoing statement will, I trust, excuse the somewhat frequent reference found in these pages to matters which fell to me to handle officially. Of any departures from my methods which may have been made or are likely hereafter to be made by any suc cessor in office, I cannot speak with the same authority. On the other hand, as the solution of our problem has been progressive, and as it had just entered a critical stage when I was called to take charge of it, any ex tended discussion now of questions which were settled before that time would be a little like treating ancient history as a current topic. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author was formerly United States Commissioner of Indian Affairs. From preface: "As for many years the Government had no settled policy, but only a vague sense of obligation to guide it, every Commissioner became an opportunist in spite of himself, and was compelled to spend more of his time in keeping the Service out of trouble than in constructive work for converting a public burden into a contributor to the common wealth."
... Forty seven selections from the extensive literature of the reformer's campaign are compiled in this volume... Included are: Carl Schurz, Henry L. Dawes, Amelia S. Quinton, Herbert Welsh, Lyman Abbor, Richard Henry Pratt, James B. Thayer, and Thomas J. Morgan." Dust jacket.
Set in the valleys of South Wales at the tail end of Thatcher’s Britain, The Green Indian Problem is the story of Green, a seven year-old with intelligence beyond his years – an ordinary boy with an extraordinary problem: everyone thinks he’s a girl. Green sets out to try and solve the mystery of his identity, but other issues keep cropping up – God, Father Christmas, cancer – and one day his best friend goes missing, leaving a rift in the community and even more unanswered questions. Dealing with deep themes of friendship, identity, child abuse and grief, The Green Indian Problem is, at heart, an all-too-real story of a young boy trying to find out why he’s not like the other boys in his class. Longlisted for the Bridport Prize (in the Peggy Chapman-Andrews category) 'A small and perfectly formed novel… Everyone who was born in the wrong body should read this, but more importantly, everyone who wasn’t should read it too.' Laura Pearson, author of Missing Pieces and I Wanted You to Know 'A beautiful, sorrowful tale. This took me right back to my childhood – one of curiosity, dreams and the promise to never forget. A reminder that no matter how little we are, our feelings are big, our worlds so important.' Alex Humphreys, BBC presenter and journalist
The Indian World of George Washington offers a fresh portrait of the most revered American and the Native Americans whose story has been only partially told.
A New York Times bestseller—over one million copies sold! A National Book Award winner A Boston Globe-Horn Book Award winner Bestselling author Sherman Alexie tells the story of Junior, a budding cartoonist growing up on the Spokane Indian Reservation. Determined to take his future into his own hands, Junior leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot. Heartbreaking, funny, and beautifully written, The Absolutely True Diary of a Part-Time Indian, which is based on the author's own experiences, coupled with poignant drawings by Ellen Forney that reflect the character's art, chronicles the contemporary adolescence of one Native American boy as he attempts to break away from the life he was destined to live. With a forward by Markus Zusak, interviews with Sherman Alexie and Ellen Forney, and black-and-white interior art throughout, this edition is perfect for fans and collectors alike.
In this sweeping work of memoir and commentary, leading cultural critic Paul Chaat Smith illustrates with dry wit and brutal honesty the contradictions of life in "the Indian business." Raised in suburban Maryland and Oklahoma, Smith dove head first into the political radicalism of the 1970s, working with the American Indian Movement until it dissolved into dysfunction and infighting. Afterward he lived in New York, the city of choice for political exiles, and eventually arrived in Washington, D.C., at the newly minted National Museum of the American Indian ("a bad idea whose time has come") as a curator. In his journey from fighting activist to federal employee, Smith tells us he has discovered at least two things: there is no one true representation of the American Indian experience, and even the best of intentions sometimes ends in catastrophe. Everything You Know about Indians Is Wrong is a highly entertaining and, at times, searing critique of the deeply disputed role of American Indians in the United States. In "A Place Called Irony," Smith whizzes through his early life, showing us the ironic pop culture signposts that marked this Native American's coming of age in suburbia: "We would order Chinese food and slap a favorite video into the machine--the Grammy Awards or a Reagan press conference--and argue about Cyndi Lauper or who should coach the Knicks." In "Lost in Translation," Smith explores why American Indians are so often misunderstood and misrepresented in today's media: "We're lousy television." In "Every Picture Tells a Story," Smith remembers his Comanche grandfather as he muses on the images of American Indians as "a half-remembered presence, both comforting and dangerous, lurking just below the surface." Smith walks this tightrope between comforting and dangerous, offering unrepentant skepticism and, ultimately, empathy. "This book is called Everything You Know about Indians Is Wrong, but it's a book title, folks, not to be taken literally. Of course I don't mean everything, just most things. And 'you' really means we, as in all of us."