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IN LOVE, THERE ARE NO INSECURITIES, BUT IN LUST, THERE IS FEAR! For Ann, who is seeking love in all the wrong places, prison lust is her ultimate desire, but can real prison love really exist? This book follows Ann as she learns the game of prison love, so that she won't get played. She soon discovers that fear, love, lust and pain are the elements of pursuing lasting intimate relationships. She also learns to think with her mind and not with her heart, to believe what she sees and not what she hears, and that even in lies, there is truth. "The Inbox: Prison Love Affairs" is an unflinching and vulnerable look at what happens when women commit to enjoying the lies men in prison tell them, lies that will never come true. It is a transparent narrative that tells the story of a woman who chooses to believe the fantasy she creates because all she needs is to feel loved.
The true account of the scandalous affair between one of Britain’s most notorious murderers, Myra Hindley, and a prison guard—and their jailbreak plot to run away together. Myra Hindley was convicted in 1966, with her boyfriend Ian Brady, of what became known as the Moors Murders. Between July 1963 and October 1965 the couple sexually assaulted and killed five children and teenagers. Four bodies were buried on the moors near Manchester, and a tape recording was played in court of one child begging Hindley for their life. Hindley became an icon of evil, but in 1973, in London’s Holloway prison, one woman fell in love with her. Hindley was a highly intelligent woman capable of charming anyone. Desperate to regain her freedom, she convinced an infatuated prison guard named Patricia Cairns, a former Carmelite nun, that she was a reformed woman who wanted to return to the Catholic church. Believing Hindley was sincere, yet had no chance of parole, Cairns plotted to break Hindley out of prison. This riveting story is told in vivid detail based on prison records and new interviews with former prison staff, inmates, and even the women’s accomplice. Interspersed with powerful accounts of the Moors Murders, This Woman reveals Hindley’s complex character and fiendish powers of manipulation—skills she used to lure children to their deaths in the 1960s, and used again to try to escape from prison.
A Notable Memoir by the New York Times Medium’s Books to Help You Transition Into 2020 With echoes of Just Mercy and An American Marriage, a remarkable memoir of a woman who falls in love with an incarcerated man—a poignant story of hope and disappointment that lays bare the toll prison takes not only on those behind bars, but on their families and relationships. Ebony’s parents were high school sweethearts and married young. By the time Ebony was born, the marriage was disintegrating. As a little girl she witnessed her parents’ brutal verbal and physical fights, fueled by her father’s alcoholism. Then her father tried to kill her mother. Those experiences drastically affected the way Ebony viewed love and set the pattern for her future romantic relationships. Despite being an educated and strong-minded woman determined not to repeat the mistakes of her parents—she would have a fairytale love—Ebony found herself drawn to bad-boys: men who cheated; men who verbally abused her; men who disappointed her. Fed up, she swore to wait for the partner God chose for her. Then she met Shaka Senghor. Though she felt an intense spiritual connection, Ebony struggled with the idea that this man behind bars for murder could be the good love God had for her. Through letters and visits, she and Shaka fell deeply in love. Once Shaka came home, Ebony thought the worst was behind them. But Shaka’s release was the beginning of the end. The Love Prison Made and Unmade is heartfelt. It reveals powerful lessons about love, sacrifice, courage, and forgiveness; of living your highest principles and learning not to judge someone by their worst acts. Ultimately, it is a stark reminder of the emotional cost of American justice on human lives—the partners, wives, children, and friends—beyond the prison walls.
Regina Jackson, attractive single mom and rising curator of a newly formed arts foundation is in love with her boss, Dr. Dennis Dickerson. Dennis is elusive, at best, and totally by accident, Regina finds herself in a relationship with an incarcerated man, Ray Boden. Dennis makes trips to the prison, seemingly on business, but Regina later finds out that he is dealing drugs in the prison and is in way over his head. Ray is trying to stop the drug trade in Cell block C, while Shaka – Ray’s arch enemy – is trying to get rich by selling cocaine to the other inmates. Ray tries to solicit Regina’s help and they fall in love. In the meantime, Dennis justifies his illegal actions. He is using the money to build his museum and a reputation for himself. On a trip to the prison, Shaka tries to kill him and steals his identity. Shaka succeeds in escaping and goes to the museum to score big money and kill the object of everyone’s affection – Regina. Dennis arrives just in time to save her. Shaka is apprehended and returned to prison. Regina realizes that she truly loves Dennis and her locked down relationship must end. However, her passion for Ray won’t die. Regina agrees to come to the prison to say goodbye. When she arrives, Ray has ‘disappeared’ but she discovers her long lost father who has been incarcerated for over 25 years. Throughout the novel, Regina meets nine women who are in locked down relationships. All of these women share their stories with her which effect the outcome of Regina’s love affair. She realizes that she, in many ways, has been locked down in love. It took the love of a convict to set her free.
Beautiful Lieutenant NICOLE WRIGHT is the fantasy of every convict at the maximum security prison where she works. But the furthest thought from her mind is falling in love with one. She is married to a successful doctor, and although their union is absent of passion, Nicole is content, until she meets PRINCE, a notorious drug dealer who is serving a life sentence for murder. The moment Nicole set eyes on his hard body, and gets a whiff of his intoxicating bad boy aura, she becomes entranced. But the former street king abhors the gorgeous corrections officer. However, Nicole decides not to let Prince's rejection nor her married status stand in the way of a desire so intense, she becomes inflamed with an unquenchable hunger for the prison's bad boy. Soon, a hot, fascinating, and dangerous affair erupts between the two. But it comes at an extraordinary price. Will Nicole put her job, her freedom, and everything she has on the line to help Prince regain his freedom? Or will falling IN LOVE WITH A CONVICT cost her more than she could've ever imagined? The answers lie within as she and Prince embark on a journey that is truly a powerful, once in a lifetime romance.
Penpal ads have created a phenomenon in the prison system; incarcerated men and womenalike are now able to connect with strangers across the world. But what happens when they do?Shelly-a former inmate-wants to give Marcus a little bit of companionship as he does life formurder. As they begin to share their lives through letters and phonecalls, Marcus realizes Shellyis from the same area that he caught his murder. Will it matter?*This unique story will show you what inmates think about when they receive mail and the costof their crimes.
NEW YORK TIMES BESTSELLER • “Driving, wild and hilarious” (The Washington Post), here is the incredible “memoir” of the legendary actor, gambler, raconteur, and Saturday Night Live veteran. When Norm Macdonald, one of the greatest stand-up comics of all time, was approached to write a celebrity memoir, he flatly refused, calling the genre “one step below instruction manuals.” Norm then promptly took a two-year hiatus from stand-up comedy to live on a farm in northern Canada. When he emerged he had under his arm a manuscript, a genre-smashing book about comedy, tragedy, love, loss, war, and redemption. When asked if this was the celebrity memoir, Norm replied, “Call it anything you damn like.”
In Reckoning with Restorative Justice, Leanne Trapedo Sims explores the experiences of women who are incarcerated at the Women’s Community Correctional Center, the only women’s prison in the state of Hawai‘i. Adopting a decolonial and pro-abolitionist lens, she focuses particularly on women’s participation in the Kailua Prison Writing Project and its accompanying Prison Monologues program. Trapedo Sims argues that while the writing project served as a vital resource for the inside women, it also remained deeply embedded within carceral logics at the institutional, state, and federal levels. She foregrounds different aspects of these programs, such as the classroom spaces and the dynamics that emerged between performers and audiences in the Prison Monologues. Blending ethnography, literary studies, psychological analysis, and criminal justice critique, Trapedo Sims centers the often-overlooked stories of incarcerated Native Hawaiian and Pacific Islander women in Hawai‘i in ways that resound with the broader American narrative: the disproportionate incarceration of people of color in the prison-industrial complex.
NEW YORK TIMES BESTSELLER • An “extraordinary, unforgettable” (Michelle Alexander, author of The New Jim Crow) memoir of redemption and second chances amidst America’s mass incarceration epidemic, from a member of Oprah’s SuperSoul 100 Shaka Senghor was raised in a middle-class neighborhood on Detroit’s east side during the height of the 1980s crack epidemic. An honor roll student and a natural leader, he dreamed of becoming a doctor—but at age eleven, his parents’ marriage began to unravel, and beatings from his mother worsened, which sent him on a downward spiral. He ran away from home, turned to drug dealing to survive, and ended up in prison for murder at the age of nineteen, full of anger and despair. Writing My Wrongs is the story of what came next. During his nineteen-year incarceration, seven of which were spent in solitary confinement, Senghor discovered literature, meditation, self-examination, and the kindness of others—tools he used to confront the demons of his past, forgive the people who hurt him, and begin atoning for the wrongs he had committed. Upon his release at age thirty-eight, Senghor became an activist and mentor to young men and women facing circumstances like his. His work in the community and the courage to share his story led him to fellowships at the MIT Media Lab and the Kellogg Foundation and invitations to speak at events like TED and the Aspen Ideas Festival. In equal turns, Writing My Wrongs is a page-turning portrait of life in the shadow of poverty, violence, and fear; an unforgettable story of redemption; and a compelling witness to our country’s need for rethinking its approach to crime, prison, and the men and women sent there.
A "persuasive and essential" (Matthew Desmond) work that will forever change how we look at life after prison in America through Miller's "stunning, and deeply painful reckoning with our nation's carceral system" (Heather Ann Thompson). Each year, more than half a million Americans are released from prison and join a population of twenty million people who live with a felony record. Reuben Miller, a chaplain at the Cook County Jail in Chicago and now a sociologist studying mass incarceration, spent years alongside prisoners, ex-prisoners, their friends, and their families to understand the lifelong burden that even a single arrest can entail. What his work revealed is a simple, if overlooked truth: life after incarceration is its own form of prison. The idea that one can serve their debt and return to life as a full-fledge member of society is one of America's most nefarious myths. Recently released individuals are faced with jobs that are off-limits, apartments that cannot be occupied and votes that cannot be cast. As The Color of Law exposed about our understanding of housing segregation, Halfway Home shows that the American justice system was not created to rehabilitate. Parole is structured to keep classes of Americans impoverished, unstable, and disenfranchised long after they've paid their debt to society. Informed by Miller's experience as the son and brother of incarcerated men, captures the stories of the men, women, and communities fighting against a system that is designed for them to fail. It is a poignant and eye-opening call to arms that reveals how laws, rules, and regulations extract a tangible cost not only from those working to rebuild their lives, but also our democracy. As Miller searchingly explores, America must acknowledge and value the lives of its formerly imprisoned citizens. PEN America 2022 John Kenneth Galbraith Award for Nonfiction Finalist Winner of the 2022 PROSE Award for Excellence in Social Sciences 2022 PROSE Awards Finalist 2022 PROSE Awards Category Winner for Cultural Anthropology and Sociology An NPR Selected 2021 Books We Love As heard on NPR’s Fresh Air